20.
The jumpsuit was comfortable, and he could even get used to the mask, but the cape was a real pain in the neck. It wasn't attached to the mask—had it been that way in the comics?—and had to be tied separately, and he kept sitting on it and half choking himself. The boot tops felt kind of silly too. He was wearing them over a pair of lace-up rubber-soled oxfords: good comfortable cop shoes. If he had to move fast for any reason...
Theo had thought about showing the email to Serge, then thought about showing to his Lieutenant. He probably should have. What if there was really something? Man, he'd never pretended to be Einstein, but he was sure feeling dumb now, getting out of his F-150 in a stupid Batman suit in an empty parking lot ten miles from nowhere. But the lot wasn't quite empty either. That was Jen's Elantra, so she'd driven herself here, probably. He supposed that was a good sign, and there was another truck as well, a Toyota, couple of years old. Theo got a pen and a pad from his glove compartment and wrote down the license plate number. Should he call it in? Course he should. It'd take almost no time, and any information could be useful just now. Feeling self conscious, he reached back into his truck for his cell phone, called the plate in, waited a few, took the call back: 2010 Tacoma registered to a Magnolia Sutter, no tickets, no red flags, nothing.
"Well hell!" Swearing; Serge would have swallowed his Tic Tacs. Deciding he'd rather not be recognized, Theo untied the cape, put the cowl and mask over his head, and retied the wretched thing. Then he took his gun—Glock 22, .40: don't leave home without it—and headed around the side of the warehouse.
He found an unlocked door which led into what looked like a reception area. A construction paper bat signal, black on yellow, was taped to a door to the right of an empty desk. Feeling more foolish by the minute, Theo raised his gun, stood to one side and pulled the door open with his left hand. He saw a warehouse floor divided haphazardly into workspaces by everything from cinderblock to felt partitions. Pinned to one of the later he saw another bat signal. A note under it said: "Back of the building, first door after the water fountain." The gun, the bat-suit: Theo felt like a prize idiot as he headed to the back of the building, found the door with—whaddya know?—another effing bat signal taped to it. Underneath another note: "Please knock."
Theo thought back to the email. Behind this door was Jen, and somebody was holding an empty gun to her head. All he had to do was say 'red', and whoever it was would hand him the piece, right? OK, so, knock? Kick it in and lead with the gun? 'Your treat will continue.' Better be a hell of a treat. Officer Theo Sutcliffe raised a blue-gloved hand and gave three loud knocks.
21.
"Come in."
The voice was unfamiliar: female, low, a little husky, a sexy voice. Strange thought to have just then. For no reason at all, Theo decided not to lead with his gun. He'd hold it down by his side, but if this was just some kind of a joke... He pushed open the door, and walked into the room.
He saw his wife, her wrists shackled together and attached to a hook in the ceiling. She was wearing a white dress—her Vicki Vale costume, probably; she hadn't let him see it, wanted it to be a surprise. She looked...lovely. Behind her and slightly to her right, holding a small revolver under his wife's chin was...Catwoman?
His was startled to discover he'd raised his gun. He saw the other woman—Catwoman—react. She lowered the revolver to her side. She spoke. Four words: "Unnecessary. Remember the email." He lowered his gun, breathed deeply, said "Red."
Catwoman—he had to keep calling her that; he was sure he'd never seen her before—walked towards him. She was...it was as if she'd walked out of his most secret erotic dreams...she was beautiful...sexy...he didn't have the words. She moved gracefully, hips undulating in a hypnotic rhythm. The black catsuit looked painted onto her, and it was opened to...he watched her breasts bounce gently as she walked. He looked up to her face, saw her notice his stare. He blushed under the mask. She smiled. Then she handed him the revolver. He broke the cylinder: empty, as promised. He examined the gun, noticed the sealed barrel.
"This is...useless. It's a prop, a toy."
She smiled and nodded.
"OK, first I'm going to check on my wife, and then I'm going to examine this room."
She nodded again.
With a gun in each hand, he walked towards his wife. She watched him come. Her eyes were bright and alive, but she seemed to be making an effort to keep her face free of any expression.
"Jen, did you write me that email?"
She nodded. No words; like Catwoman."
"Are you alright?"
Another nod.
"Are you here...um...of your own free will?" It sounded stilted, almost official.
Another nod.
"Is this...my treat?"
A small smile.
Theo stood, uncertain. Finally: "I'm going to take a quick look around." She nodded again.
He wandered around the mostly empty room: gray industrial carpet on the floor, three non-descript lighting fixtures on the ceiling, also some ring bolts and hooks, more of the same on the walls. It occurred to him suddenly that the ceiling itself was a later addition. At 10 feet high, it was much lower than the unfinished ceiling of the warehouse proper. He took in the flogger and the riding crop, both now hanging on hooks behind Jen. He noticed—and wondered how he'd missed seeing it before—what looked like a large hardwood table top canted almost vertically on some sort of mechanical base. Various chains and strips of fabric hung from it. What the...? After a moment he headed into the small bathroom, took at quick look into some trashbags—clothes in one, some sort of cushions in another—and examined a purse and the duffel, brought out a large folding knife, held it out towards Catwoman. "What's this?"
She smiled: "Remember the email. Trust me. Your wife does."
He looked toward Jen, who nodded.
Theo said: "If I give you this empty, filled toy gun back, we...um...do something...like play...or..." His imagination failed him. "If I say 'red' at any time during the evening, whatever we're doing stops. And the same for Jen, right? She can say 'red' too?"
Catwoman: "We'll call her Vicki, but yes, that's right."
"Am I going to...enjoy this?"
"I have no idea." Then she let her eyes travel slowly down the length of his body. Her gaze lingered on his thighs, then on his chest, arms and shoulders. Then she spoke softly: "I know I will."
"Will you excuse me for a moment?" At her nod, Theo left the room, went back out to his truck, and locked his Glock in the glove compartment. Then he came back into the room, and held out the Taurus. The little golden claws clicked as Catwoman took back her gun.
22.
Without another word, she turned and sauntered back to her captive. She stood slightly behind the bound woman, grabbed a fistful of blonde hair, and jerked her head back violently. Vicki squeaked in pain, and Batman started forward. But before he had taken two steps, the gun was again pressed into the hollow of her throat just below the chin. He froze.
It was silly, he knew the gun wasn't loaded, but her moves were so quick, so vicious. He had checked, right?
"Just so we're all clear on the rules, Handsome: you will do exactly what I say, when I say, or I will blow what few brains your little bimbo has all over the nice carpet. Copy that, lawman?"
"OK, sure...just...don't hurt her."
"Aw...why not?" She giggled. "It's kind of fun, you know? You should try hurting her a little. You might develop a taste for it."
"Alright, you're sick!" He was shouting. Why was he shouting? And she was laughing at him.
"...and depraved and evil, blah, blah, blah. Stop talking, and listen."
He obeyed.
"Walk over to the platform." She pointed at the upright table. "At the bottom you'll find a pair or ankle cuffs. Take off your shoes and socks, and those idiotic boot covers, and the cape. You can leave the mask. Then bend down, put the cuffs around your ankles, and fasten the buckles."
"Wait a minute..."