The young woman in front of me was sitting ... no ... perching, on the chaise longue, the swags of a richly red robe loosely draped about her hips, her long, slim legs artfully positioned for maximum visual benefit and minimum exposure of her pudenda. Stunningly pretty, with thick black wavy hair in a sensuous cascade over her shoulders, her full breasts simply demanded attention. I had taken the photographs I needed and was now doing the preliminary sketches for the portrait her husband had requested. Francesca; 28 and in the prime of her beauty, married to a city slicker with a full portfolio of brains and a paperclip of charm ... and a filing cabinet of cash.
The door to my studio opened. I looked round at the unexpected noise, pausing mid-curve of the 4H (my drawing career started with a T-square and a drawing board in an engineering works, and I still couldn't sketch with anything softer) my brows rising in quizzical surprise. The sudden entrant was my daughter-in-law Kate. I quickly glanced back at Francesca -- a trooper! -- didn't budge, didn't scream, didn't hurriedly don the richly red robe, just turned her head and stared at Kate in a sublimely cool, appraising way. Not a hint of expression.
"Oh, sorry, didn't realise you ... um ... were ... um ... working ... sorry ..."
I turned back to Kate.
"Yes, it's what I do ... in my studio ... I'm an artist."
She stood frozen in the doorway, her eyes wide, looking at Francesca, rabbit-like, as if mesmerised by Francesca's magnificent headlights, a slight pink flushing her face.
"Er, yes, sorry ... " this directed at Francesca "but I've got the tickets for Les Miserables ... thought I'd let you know. Sorry. Should have knocked ..."
"Yes, well, thank you Kate, I'll be finished in about an hour."
"Ok, bye ... " again, this directed at Francesca "Sorry."
She turned and left quickly.
"She's hot."