This is the third installment of the Backgammon For Blood Series. Although this can be read by itself, it might provide background for you if you read the first two stories, particularly Kathy's Portrait, before you read this one.
This is a somewhat strange story, and I can only say that it makes sense to me. I hope it does to you, my reader, as well. For those of you who hate the idea of cuckoldry, you may wish to pass this story by. If you choose to leave me one of your pithy comments, understand that they usually give me a good laugh - keep them coming.
This story reflects the mythology of paganism as it exists in the early twenty-first century, and does not purport to be factual about the subject. If any Celts, pagans or other subscribers to that religion are offended, I offer my sincere apologies.
The Yuletide Offering
copyright Β© Adam Gunn
Flitting down a San Francisco street, Kathy enjoyed the brightly lit holiday displays in the shop windows, the sounds of Christmas humming through the after work crowd, and the glint of the large tree in Union Square. All this brought to her mind the question she'd been asking herself for weeks: what should she get her husband for Christmas? Only four days left to figure it out. Like most men, Phil already had everything he needed, and when asked directly, he professed that there was nothing he really wanted. After sixteen years of living with him, she should know him better than this, shouldn't she?
Caught by a Celtic-inspired picture in the window of an art gallery, she peered at it not quite knowing why it attracted her. "This is silly," she thought. She'd been having impulses like this since the start of November, mesmerized by anything of ancient ilk. She wasn't Irish, nor was Phil. In a store back in Pittsburgh, she'd picked up a new-age harp CD on the spur of the moment. Although she normally didn't care for that type of music, she hadn't been able to take it out of her car player. And then there were the dreams, the ones about being ravaged by a prince on a hillside above rocky ocean cliffs; it frustrated her that she always woke before the vision was completed. Strangely, she felt all of this was somehow connected with her unreasonable need to come to San Francisco. Three weeks prior, she'd seen an advertisement for the city in a magazine, and impulsively called her travel agent. Her business partner was angry with her, concerned she was leaving the store in the midst of the Holiday rush period. Phil was miffed too. "If you need to take a few days off, fine. But why right before Christmas? Besides, on this schedule, you'd only be gone three days. Why don't you go after Christmas, when you can stay longer?" Finally, she insisted that no matter what, she was going, and he'd grumpily driven her to the airport on Thursday morning. "Kathy," she thought, "you've got to get it together!"
Even though it was only five o'clock, the gloom was already gathering in the downtown streets. "It gets dark so early this time of year," she thought. "Isn't tomorrow going to be the shortest day of the year?"
She stepped through the door and professionally appraised the store. It was more polished than her shop; of course, the clientele out here was more sophisticated. A short balding gnome was working with a patron, but he nodded to her. "Please, feel free to browse. I'll be with you in a moment." Kathy made her way back into a second room, drawn to four lithographs of a somewhat familiar style. Could it be him? Although she hadn't seen him or his work in years, these were reminiscent. Yes, there was his name on the plate below the lithographs, "Robert Wallace." Stepping back, she critiqued the erotic illustrations. It seemed he now depended on a complex background to bring out the personality of the model, and the drawings weren't as pornographic as his beginning work in the field eight years ago. Only one of the girls had exposed genitals, and even in that, the hairs on the mound were subdued when compared to the stockinged legs and musical props. Robert had tinted the work subtly, the lines were sharp, and the trademark pencil and ink genesis of the art was still evident.
The dwarf of a salesman converged upon her, sniffing a commission. "This is one of our most popular artists," he panted. "Quite a background. He went to school at..."
Kathy cut him off. She was used to the patter, having used it herself many a time. Besides, she knew the truth. "Yes, I know. I'm a classmate of his." She could have added more, much more, but it really wasn't any of his business.
"Oh, you were with him back east? Well, we're happy to have him out here, that's for sure."
"Is he in San Francisco?" An affirmative. He continued with his sales pitch, telling her that The Dominatrix was one of the most popular items in the store, and that the Tommy gallery was glad to have an exclusive on it. Only a few copies were left. The store only displayed a portion of the available work, the less graphic pieces, but if she was interested there was a catalogue.
"Well, listen, I'd like to say hello to Robert while I'm out here. You don't happen to have his telephone number, do you?"
"Oh, we can't give it out. Surely you understand. But, I'd be happy to get a message to him, if you'd like."
She produced one of her business cards and scribbled "Allison Hotel" on the back. "Just tell him to call me there, please."
After more shopping in Maiden Lane, dinner, and a play, Kathy was tired - the long flight out the day before and the sightseeing had taken its toll. She returned to the downtown hotel and readied herself for sleep. Just starting to relax, the phone rang.
"Kathy?"
"Robert! It's so good to hear your voice."
"And you, too. What are you doing in San Francisco?"
"Oh, I've never really seen California, and I just came to knock around for a long weekend. I just arrived today, and I've got a flight back late Monday night."
"Wonderful. Listen, can we get together?"