Chapter 1
Katherine
Knowing my interest in the subject a friend had told me about an exhibition I should see, a group of six photographic artists were showing their work at a small, private gallery. It was mid evening by the time I got there and by then there were very few people left in the place so I was able to view the items without the usual noisy gaggle that often attends such exhibitions. Each artist's work had been grouped and as I found most of it relatively unexciting I had been strolling through the displays, but when I turned a corner and saw the hands I stopped dead in my tracks.
There were twenty or thirty photographs, of men and women's hands, and although all the work was excellent it was not surprising that it was the female ones that really held my attention.
I had been there for several minutes before I realised something about one particular pair, I looked closer, and felt sure I was right. Then my concentration was broken by a voice.
'You seem to like them.' she said.
I turned to see a young, very attractive woman standing beside me. Her face had a fey, almost elfin look, wide set grey-green eyes, a small, up tilted nose and a full-lipped mouth. Her dress was a dark jade green, buttoned high to the neck and tailored to fit her generous bust line and slim waist before flaring out from her hips. But attractive as all those features were, at that moment the really distinctive thing about her was her hair. Its colour was itself quite remarkable, a rich, glossy auburn. But in addition to that was its unusual style, cut and shaped to follow the line of her head, then slicked down, making it look somewhat like a burnished, copper helmet.
'Yes I do, very much.' I finally answered. 'Are they your work?'
'Yes they are.'
'You have a wonderful eye, and the lighting is marvellous.'
'Thank you.'
'Am I mistaken, or are these a ballerina's? I can't remember her name.' I asked pointing to the photograph that had caught my attention.
'Kerry Anderson, yes you're quite right. How on earth could you tell? Hands and feet are usually the least memorable parts of other people's bodies.'
'I have seen several photographs of her before, and I suppose I'm what you might call a hands person, you know, the way most men are classified as being tits, legs or bums people.'
'Oh really, that's very uncommon. What kind of work do you do?'
'I'm a graphic artist, purely commercial.' I added.
'Another visual person.'
'Yes, though my work's not as artistic as yours.'
'Just because it's commercial doesn't necessarily mean it's less artistic, or vice versa, my pictures are for sale too.'
'I'll certainly see if I can get this one of Kerry Anderson.'
She gave me a broad grin and said. 'I don't think you'll have any trouble, none of them has gone yet. But anyway I could always print another copy for you. So how artistic does that make me?'
I said that was fair comment, introduced myself, and having discovered her name was Katherine then asked if she would mind explaining how she achieved the different effects in a couple of the other photographs.
Until then she'd been standing with her hands held behind her but as she started answering my question she needed them to point out technical differences between the two pictures. And as she did that I seemed to stop breathing and felt my heart thumping in my chest, because her own hands were far, far more beautiful than even those in the photograph.
The skin was so white it seemed almost translucent, the long fingers slender and tapering, tipped with perfectly shaped nails that were lacquered to the same coppery red as her lipstick.
But they weren't just beautiful things to look at, it was the way she used them that really held my attention. Their movements were gracefully fluid, their gestures positively sensual, and even as she pointed out the effects she had achieved, lightly brushing them over the photographs, I found my head spinning.
We talked for several minutes, sharing several technical and artistic problems and solutions, and exchanging the odd anecdote about work we had recently done. She smiled and laughed easily, was able to tell a story against herself with humour, and I'm sure she could immediately tell from my own reactions how strongly I was attracted to her.
So, when the gallery owner came over and said there was somebody from one of the art world magazines he would like her to meet, I guess she wasn't surprised when I asked if she would like to join me for a meal after closing. But I was both surprised and delighted when she said she would.
'I'll need to be here for about another half an hour, but there's a little Italian restaurant just around the corner, why not go there and wait for me. I'll be as quick as I can.'
On the way out I gave a cheque for the photograph to an assistant then walked to the restaurant Katherine had mentioned.
She was quicker than she said she might be and I really had only enough time to explain I was waiting for someone, glance through the menu, and order a bottle of wine, before she arrived.
I spotted her as soon as she came through the door but even in the short time I had to watch as she made her way through the tables towards me I was struck by just how beautiful she was. It wasn't just her face and figure, though they were quite stunning, it was also the way she moved. 'Like a dancer!' I thought.