When Albert Hiribango was told that there was an American tourist in his town who was looking for a lift to the capital, he initially had mixed feelings. On the one hand, he felt it was his Christian duty to give a helping hand to anyone in need, and he knew there were many out there who would be less ethical than him in extending this hand. On the other hand, he feared that his general loathing for America and all it represented would prevent him being the ideal host. His worries were further heightened when he met Hannah, in her skimpy tee-shirt and her large baggy khaki shorts. She was dressed so immodestly, with the whole of her waist revealed, her arms bared to the shoulder, and even some kind of jewellery pierced into her navel.
But he was not a man to go back on his word, even if the woman was clearly one of loose morals. However, this was typical of Westerners. They'd come to Africa bringing their preachers and their faith - which was, of course, the greatest benefit brought by the white man - enforcing their morals, and then, when it suited them, they changed the rules: now dressing with the immodesty that they had initially condemned in the African. However, Hannah was not a young woman. She must have been in her early thirties, but typically for a Westerner, she dressed and behaved like someone much younger. Albert couldn't help admiring Hannah's trim figure and her self-confidence. Her hair was cut expensively, two horns of dark brown hair against her cheeks and an immaculate fringe. Albert carefully placed her large heavy cases in the back of his jeep, covered them with a tarpaulin sheet and invited Hannah to sit next to him.
"So, you come from America?" he asked, as he shifted the jeep up into third gear.
"Yup. California. Small town not more than two hours ride from LA," she agreed, throwing a strip of chewing gum into her mouth.
"How many miles is that?" Albert couldn't help wondering. He's heard that roads in the United States were rather better than here, and he reckoned that two hours drive was probably more than the forty or fifty miles he could normally do in that time.
"A hundred or so, I guess. Though when you get to LA, the traffic's so bad, you just don't know your luck."
Albert smiled grimly. So, Americans had bad traffic as well, but he doubted whether that meant dodging the insane drivers and straggly cattle he was accustomed to. "And so, what is it you do for a living?" He asked. Then qualifying quickly, because it might be that Hannah was a married woman, though he could see no evidence of a ring on her third finger. "That's if you do work, of course."
"I'm a sex poet," Hannah replied with a smile.
Albert couldn't help himself. "You're a what?" he asked abruptly, hoping he'd misheard her.
"A sex poet," Hannah repeated. "It's the big growth area in poetry. You don't write about landscapes, flowers or whatever these days. Some poets write about urban squalor and drugs and stuff. Like rappers only without the twelve inch discs. Some of us write about sex."
"Sex?" Albert wondered, carefully steering his jeep to avoid the carcass of a dog sprawled out across the road. "How can you find anything to write about that?"
"Well, it's not as easy as you'd think," Hannah remarked. This, of course, was contrary to Albert's own opinions. Surely sex was something very private. Not something that one ever wrote poetry about. "After a while you run out of fresh words to rhyme with 'fuck'. You know, there are the obvious words like 'suck' and 'muck', but not long you start resorting to words like 'duck'. And you know, I may be broad-minded but I'm not as broad-minded as that. You know what I mean?"
"Not really," admitted Albert. "But 'sex poetry'. What exactly is it?"
"Poems about sex. The before. The after. The during. The wanting. The missing. The having. You know."
"What about love and affection? What about the virtues of chastity and fidelity? Do these have a part to play in 'sex poetry'?"
"Of course they do. You don't just write about fucking. Although, fucking's mostly what it's about. And BJs, DP, BDSM, homosexuality. Everything."
"Homosexuality?" wondered Albert, who reasoned that this was surely something the Good Lord would never countenance. But, he reminded himself, California was the new Sodom and there was no limit to these Americans' depravity.
"Well, yeah. But naturally I'm not too hot on the men-men stuff. After all, I've been close, fucking close, close enough to touch and feel the heat, but it's not something I can really understand. Not really truly. Though I have written a couple of poems about it. You know, from a woman's point of view. But girl-girl. Well, that's another matter. I used to get so much inspiration from my girlfriends, I could just hammer the old keyboard all night long."
"I see," remarked Albert, who didn't understand at all. He glanced at Hannah, hoping to see an expression that told him that she was merely kidding, but her face was set and there was a look of frankness in her face. Without a comment, he silently concentrated on the badly scarred road, past the parched fields and the odd scattered tree. Occasionally, an antelope would gallop by or a brightly coloured bird would swoop from the sky, but generally there was as little evidence that this was the land of big game, as it would be obvious to a visitor to America that he or she was in the land of the buffalo.
"Sex poetry is still poetry, of course," Hannah continued. "You have to struggle to get the right words. To capture those moments that make it worthwhile. And that was something I was so good at. I would do poetry readings all through the State. And I got a bursary from several colleges for my stuff. And my first volume of poems,
They Fuck You, Your Mom and Pop