The lights were dim and the air smoky in the Ink & Type Pub one Thursday afternoon in New York. The bar known throughout the American media as the hangout for newspaper reporters, editors and wannabes was crowded and noisy as the young woman came in through the front door. With her shoulder-length brunette hair, cream-colored blouse, and short-but-not-too-short skirt, she would have been greeted in another time with wolf whistles and catcalls. But times change, and the crowd at the Ink & Type was most definitely coed.
The woman looked around, her eyes widening as she recognized someone. That someone sat alone at the back of the bar, at a private booth, hands cupping a cognac. The young woman made her way through the crowds, past the Teletype that in previous days had announced everything from the 1929 stock market crash to the Kennedy assassination. Past the Pulitzer Prizes donated to the pub by their recipients, past the framed newspaper headlines ("NIXON RESIGNS," "MEN WALK ON MOON," "HAPPY 200TH, AMERICA!"), past the ceremonial spittoon from the days when printers stopped by the pub for a chaw on their way back to the presses -- she sidled up to the booth and leaned in to speak with the occupant.
"Excuse me," she said, "Are you Doris?"
The old woman looked up at the young woman, the life in her eyes belying the appearance of her face, with its wrinkles and its halo of silvery curls. "I am," she said in a voice both mildly amused and curious.
"May I join you?"
"If you're buying."
The young woman sat down, signaling to the bartender for a round. "I'm Heather Seldon. I just started at the
Clarion
and I heard you were here and...well, I just wanted to meet you."
Doris was a very large part of history at the
New York Clarion
. Starting as the paper's first female cub reporter in the days when all reporters were men, she fought her way up the ladder, finally serving as Editor in Chief for two decades. A heart attack had ultimately forced her to retire at seventy-nine, after an astounding fifty-six years at the paper, and she now spent her retirement in her second-favorite environment. In deference to her status in the newspaper community, the Ink & Type's current owner, himself a retired newspaperman, always made sure her favorite table was waiting, and her drinks were always on the house.
"Me?" Doris asked with some delight. "Why me?"
"You're a legend!" Heather blurted out. "You made it possible for women -- for
me
-- to make it at the
Clarion
. And I want to thank you."
"Well, it's been a lot easier since then," Doris said in the southern accent made famous by numerous TV shows and interviews.
"Can I ask you," Heather said, "how you broke in? How you got past the door to begin with?"
Doris grinned nostalgically. "Well, that was a long time ago."
"Please? It must be quite a story."
"Oh, it is. It is..."
***
Let's see now. This happened way back in 1936. I was twenty-three, brand new in New York, having just got off the bus from Tuscaloosa, Alabama. Of course, nobody but the really rich had their own cars back then. Everyone took the bus. If you lived in a city like New York, there was also the subway. Cheap too -- didn't cost an arm and a leg like it does today.
But anyway, I got myself this little hole of an apartment in the Bowery, because it was all I could afford. I had to share it with three other girls, and even then we had to take turns sleeping, because we only had two mattresses. During the day, one girl and I would go out and work while the other two slept. At night, they went out and worked on the night shift while we used the mattresses.
I had a job as a secretary for a bank on Wall Street. The crash had hit the banks pretty hard in '29, but things had gotten more or less under control by then. Now, the secretary job, it was really the only kind of a job a woman could get back then. If you weren't a housewife, you could be a secretary, a nurse, a teacher or a sales girl, and that was pretty much it. The pay was lousy and my boss was this creep who was always trying to look down my blouse. This was a long time before all women's lib, you see.
Anyway, I hated the job, and it wasn't what I had come all the way from Alabama for. You see, back in Tuscaloosa, I wrote for this little newspaper, the Tuscaloosa Talker. Little piss-ant newspaper. Eight pages, five of them were ads. But it was a newspaper, and I wrote for it. The editor was such a jerk that he made me use a man's name to write my articles. Would you believe that I had to use a byline of "Sam Simons?" Stupid redneck thought the other stupid rednecks wouldn't read the paper if they knew a girl wrote for it. Like they could read anyway.
So I got tired of putting up with all that bullshit and just walked into Walter's office -- Walter Sherman, he was the editor -- I walked into Walter's office and said, "Walter, you can keep this Sam Simons crap. You won't let me write under my own name, you can do it yourself." And I just turned around and walked right out of there. I just didn't give a shit for this small-time crap anymore. I wanted the big time. I wanted New York. And so I kept right on going to the bus station.
Poor Walter, he was so pissed. I still remember him running to the office door, shouting at me to come back, then shouting at me to keep on going because I was such a stuck-up bitch no one would hire me. I think the paper closed down a few months later. Poor Walter. I wonder what ever happened to him.
Anyway, when I got to New York, I went to newspaper after newspaper, magazine after magazine, and
nobody
would let me in the front door. They just looked at me, said something like "girls can't be newspapermen," and slammed the door. Even at those so-called "women's magazines," like
Family Circle
and
Bazaar
, I couldn't get arrested, and I finally took that crappy secretary job.
Finally, one morning, after swatting that bubblehead's hands off me for the twentieth time, I couldn't take it anymore. Hell, he didn't even bat an eye when I threatened to tell his wife. He said she didn't give a shit what he did. He said she was so hopped up on booze and pills he could butt-fuck every one of the Rockettes, one right after the other, right out in the middle of 6th Avenue, and she wouldn't even notice. So I dumped some hot coffee over his head and walked out.
Now
I was in trouble. Here I was with no job, so I had to find something soon. I went back to all the newspapers and magazines, showed them my clippings and bylines, everything, and still nobody would come near me with a ten-foot pole.