The day is still warming so you decide not to put your coveralls back on yet. You drink from your canteen and eat a little. To be sure you get back before dark, you strike off in the direction of the road. It's a little sad leaving the tree, but the joyous grin that has been on your face for what seems like hours keeps coming back as you remember and replay your experience. Your legs are tired but they soon remember the rhythm and the way is downhill. The drips from the canopy are a constant companion now, hitting the ground and underbrush with a splat that makes the whole forest seem to be alive and twitching. You decide to put the scarf over your head to keep your hair dry for as long as possible.
After a while you hear running water off to one side and you angle over to see a little stream bounding down the hillside next to you. The brook is only a hand deep and you can see the rocky bottom easily. Thin shelves of ice are slowly receding as the water flows under and around them. Exposed roots of nearby trees frequently change the course of the water for a short distance before it forgets them and resumes a downward run. You follow along as close as you can, going around trees and occasionally hopping over to the other side to find an easier path. Various animal tracks can be seen in the snow and mud of the banks but you don't meet any of their owners. Next to the brook the bushes and grasses are thickly coated with ice, the branches or blades leaning precariously in all directions.
You are startled by the rising metallic whine of what might be an electric saw. The sound is far away, but loud compared to the soft susurrations of the dripping forest and running brook. As you continue downstream, you can occasionally hear hammer strikes on wood and some other unidentifiable hum. Again, two more passes with the saw, a long pause, and more hammering. You can tell you are only about fifty meters away and you approach cautiously. The ground is still sloping steadily downward and you stay as close to the stream as you can. Looking down the waterway, you see a piece of structure that looks like it sits right on the stream. Movement attracts your attention to a man carrying a long plank atop the structure. You catch a glimpse of long denim trousers, a tool belt and a well-tanned back. You stop and think--do you want to approach this guy? You're all alone out here and he could be dangerous. But, he seems to have an honest occupation, and he could probably tell you the quickest way back to the road. Hmmm... You decide to get a bit closer before making your decision. Another twenty meters and you see the structure is probably a house built in a small clearing and it forms a bridge over the stream just after it tumbles down a two-meter incline.
The man is maybe a hundred eighty centimeters and well muscled, not like a body builder but like a man who labors for a living. His tool belt has a dozen woodworking tools in it and rides low on his hips which you can see just above the waistline of his jeans. He has a brown beard, mustache, and sideburns with a slightly red tint. You are about to back off and go around him to find the road when you hear him whistling one of your favorite songs. You mentally slap yourself for being too paranoid and start walking toward the house. The purr of a portable generator masks the sound of your approach so you watch him fitting boards to make rafters for the roof over one end of the structure. The outside walls look as if they are made of small trees stacked up, their ends interlocking to form the corners. The span across the little stream is laid upon two massive tree trunks and will eventually have large picture windows on both sides. A pickup truck with various lengths of lumber in the bed is parked near a large tent, the generator, the electric saw, and a cold campfire. He climbs down from the roof and starts to fetch another plank when he spots you standing above him at the edge of the clearing.
"Holy sh--" he blurts, jumps back a bit, and puts his hand on his heart, "You 'bout scared me outa two years growth." He walks over to the generator and turns it off. The sounds of the forest and brook seem to get louder to fill the silence left by the little engine.
"Sorry," you grin, "I was just admiring your handiwork."
"Oh, well, thank you ma'am. I'm no Frank Lloyd Wright, but it'll keep me warm next winter."
"Ma'am?" you think to yourself, "He's probably older than I am..." Then you remember the scarf and, trying to be nonchalant, you pull the wet thing off and wring it out. You are rewarded with a smile that shows nice teeth.
"It's obvious you aren't from around here. You must be staying over at Whispering Pines" he says, then adds hastily, "uh, I'm Scott Carpenter," he tips an imaginary hat and then puts his hands on his hips. He is covered in a fine layer of sawdust.
"I'm Nicole Mason, from Australia, and yes, I'm on holiday."
He laughs. "A mason and a carpenter. Between the two of us we could build just about anything, hey?" Now it's your turn to grin. You decide he's alright and walk/slide/run down the incline to his level.
"It looks like you're doing quite alright all by yourself. This is going to be fabulous!" You turn and look up at the bridge over the stream. From this angle, the house looks like it's suspended from the high trees behind and on either side of it.
"This side's going to be a studio. I'm trying to finish it first so I can move in and pack up my tent. The other side is going to be the main house," you hear the excitement in his voice and you can tell that his eyes are looking at the completed structure.
"And you've done all this by yourself? How ever did you get those huge trees up there?" you wonder.
"Oh, no, I had help with those. They weigh a few tons each. Gotta have two trucks with cranes just to pick them up. All the main structural members are going to be made from whole trees, if I can swing it."
You frown slightly. "You cut down these beautiful trees?" you say, slightly accusingly.
"No way, Miss Mason. I wouldn't do such a thing, even though I own the land. No, I only buy trees that have been damaged by fire or other natural causes. And even then, there has to be a way to port the tree here. It's not like there are many roads through the forest--a good tree for building is mighty hard to come by," he shakes his head ruefully.
"Oh, I see. Then your work here is even more impressive," you smile disarmingly, "and call me Nikki."
He smiles back. "All right, Nikki. Pardon me, but being alone for days at a time has made me forget my manners. Would you like something to drink? I've got hot water for coffee or cocoa, and uh, beer. But we'd have to cool it in the stream for a bit unless you like it warm."