CHAPTER ONE - A Mysterious Invitation
The goddess Freyja is one of the most important goddesses found in the Old Norse Pantheon. The powerful goddess is associated with beauty, fertility, love, sex, war, death, and a special kind of magic called Seidr. This type of magic allowed the goddess to see the future and gave her the ability to shape it.
In Norse mythology, Freyja is often described as being the most beautiful and desirable of all the goddesses. Being the goddess of sex and lust. During the Viking Age, a woman who owned property or was of higher stature within Viking society was referred to as Freyja.
The goddess is a member of the Vanir family of Norse gods. Within the Norse pantheon, gods and goddesses belong to either the Vanir family of gods or the Aesir. The Vanir are the second major group of gods next to the Aesir of which Odin is the chief. The Vanir are associated with fertility and magic, while the Aesir are great warriors.
Freyja is often depicted or described as being a beautiful woman with long golden hair. She is often described as wearing a cloak made of falcon feathers and holding a spear. Sometimes the beautiful fertility goddess is pictured wearing a headdress of a boar's head.
β-History Cooperative
I had been working as a senior executive in the field of Corporate Mergers & Acquisitions for over twenty years and as a result, I had developed a large network of contacts with investment bankers, corporate executives, some of the government regulatory bureaucracy, and quite a few prestigious law firms, in short, many of the "movers and shakers" in the world.
I was in Business Class on an Air France red-eye flight to Paris when, somewhere over the North Atlantic at four o'clock in the morning, I got up and worked my way to the toilet. As usual, virtually everyone else in the cabin was asleep. When I finished with the necessary business I returned to my seat and by surprise discovered an envelope sitting on the seat console. My name was embossed in gold letters, but outwardly there wasn't any other information.
I picked up the envelope and looked around the cabin. No one appeared awake, nor had I passed anyone. Again I looked at the envelope, clearly puzzled about how it had suddenly appeared. I sat down and turned on the small reading light and noted that the envelope was made of fine linen and my gold embossed name screamed super high quality and its appearance was a planned event.
The envelope only had a spot seal common to invitations and I noted that it was just about the right size. Deciding that there was nothing left to do other than find out what my mysterious mailman wanted, I opened the loop flap and removed the enclosed card. The cover had a thin gold border and another gold embossed name.
The Freyja Club
Opening the card, the same gold letters made an announcement;
You've been nominated for membership. Please present this card on Tuesday, April 7th at 18 Rue St. Denis, Paris, France between two and four p.m.
No other information. No phone number or the name of who I would meet. April 7th was the day after tomorrow. Whoever left the card knew that I was scheduled to be in Paris for the upcoming week. Had I not received this in such a mysterious manner, I might not have been tempted to pursue this strange invitation, but my curiosity was piqued. Suddenly I found myself thinking about what meetings and appointments could be changed.
After landing and arriving at the hotel, I made some discrete inquiries with some people I knew, but no one had any information to share about something called the Freyja Club. The address on Rue St. Denis was one of the higher-end business districts in Paris and I purposely took a cab ride past the building which, from the outside, looked like a small upscale office building that sat on a corner surrounded on two sides by small strips of nicely maintained grass and enclosed by a black wrought iron fence that looked more decorative than useful. A driveway could be seen that snaked to the back of the building where there was an entrance to an underground garage.
3 p.m. the next day found me at the front door of the building. As I approached the door, I heard the sound of a buzzer unlocking the door and I pulled on the frosted glass entrance, I soon found myself in a well-appointed reception area. The walls were Rosewood panels and there were several expensive-looking paintings on the walls. A young blonde behind the reception desk saw me enter and rose as I approached.
She stated my name and welcomed me by extending her hand for the card I was carrying. It was very obvious that she knew who I was and that I was expected. She motioned me to an overstuffed lounge chair and returned to her desk and entered something into her desktop. She got an immediate response and she looked up and said Mme. du Val will see you momentarily.
Mme. du Val was a name unfamiliar to me, so I was no closer to understanding the nature of this mystery than I was before. The young receptionist, having done her job, was not attempting to engage in conversation and I thought the whole situation was a bit awkward.
Thankfully, a couple of minutes later a strikingly beautiful middle-aged blonde woman came through a side entrance and walked directly to where I was sitting. "Bonjour Monsieur, We're so glad to see you've accepted our invitation," she said in only slightly accented English. I rose to meet her and, as I suspected, she introduced herself as Danielle du Val and she informed me that she was the Managing Director of the Freyja Club in Paris.
Mme. du Val was wearing a beautiful white dress that looked to be made of high-quality linen and I quickly noted that it ended an inch or so above her knees. It struck me that she was the epitome of a classy French businesswoman, one who can deal with the sometimes cutthroat aspects of commercial enterprise, but a woman who could maintain her femininity throughout.
After welcoming me, she turned and thanked the receptionist whose name I learned was Henrietta, and then she extended her hand and directed me to follow her. We went through the door from which she'd just emerged and we were soon in her opulent office that would have made most CEOs drool.
She directed me to one of the two chairs in front of a gorgeous ebony desk with a beautiful green lampshade light fixture. On the side wall was a huge replica of Ruben's "Rape of the Sabine Women," At least I assumed it was a replica since I'd recently seen the original in the National Gallery in Washington.