Author's disclaimer 1:
This story is a tribute to one of my favorite pieces of art - βL'origine du monde'" by Gustave Courbet. It helps the story tremendously to know this painting which is why a quick internet image search before reading is highly recommended.
Author's disclaimer 2:
English is not my native language, yet I prefer to express my ideas in this language. Please indulge me, be nice and forgive me for any spelling or grammar errors as well as awkward expressions or a poor choice of words.
PROLOGUE
"Take a look at this, Sarah!"
He slightly adjusted the laptop on his lap so she could see the screen despite the reflection from the kitchen window. She was standing behind the old leather couch that had furnished their apartment since they moved in together two years ago. It had probably been in existence long before that. Although it was previously owned, it wasn't probably that old but heavy usage had worn it out severely and Sarah and Brandon had partly been responsible for that -- in more than one way. Right now, he was thinking back to some of those sexy times on what should generally be a mood killer of a sofa, while Sarah took some time to respond as she was silently pondering what she was seeing.
"Why are you showing me porn, Brandon?" she asked in a very monotonous, almost bored tone of voice. His reply was instant...with a hint of annoyance.
"It's not porn, Sarah! It's a classical painting and it's actually very famous. It's called 'L'origine du monde' by Gustave Courbet. And it happens to be one of my favorites".
She paused for a moment, not blinking but still staring intently on the laptop's screen.
"It is. A painting. Of a pussy, Bran," she insisted.
Clearly, she was not nearly as enthusiastic about this as he had hoped. Didn't she get it? Didn't she see what he saw? The honest yet not-so-blunt, almost romantic bareness of the object portrayed? A woman's vulva with a full bush of dark pubic hair which almost looked groomed, even though that probably would not have been typical for the painting's time of origin. Didn't she see the extraordinary angle and point of view of this magnificent piece of art that were undeniable proof of a very, very skilled artist? It revealed only a specific part of a female body, lying in her bed, sheets wrapped all around her, engulfing her. They were clearly very delicately and deliberately placed, and they only revealed just one of her areolas was showing, slightly puffed-up nipple included. The other was only to be guessed at by the beholder who, when staring at the painting for a longer stretch of time, had two choices -- to acknowledge the artistry and be amazed ... or to get a solid hard-on.
Brandon absolutely had had both reactions in the past. And even though the sight of such a gorgeous female body got him sexually aroused, he did not interpret it as an objectification of the woman. Yes, her face -- one of the prerequisites of a woman being perceived as more than a sex object -- was not shown... but so weren't her feet. And to him that made it less problematic, for some obscure reason. To Brandon, the painting rather seemed to make a statement on the power that women harnessed between their legs, a power far more powerful than that of the dangling piece of meat men were carrying around. And in a more philosophical reading, to him the view captured on the delicate canvas also hinted at the ever-important discussions about the origin of humankind and the significance of motherhood.
So why didn't she like it? If anything, she should see the craftsmanship that went into it -- or rather craftswomanship? He wasn't sure of the gender identity of Courbet. The use of lighting which dapped everything in a mood that resembled love, adoration, romanticism and, yes, also plain horniness. Not to mention the naturalistic perfection of the brushstrokes. There were a hundred more reasons why he adored this painting.
And still, Sarah did not get it. He caught himself thinking 'I guess Tony's girlfriend would get it immediately, she wouldn't think of the terms porn or pussy.' And he immediately hated himself for having had that thought because he loved his girlfriend of four years exactly for being different from the other people around him.
When he entered art school four and a half years ago, he was immediately drawn into that maelstrom of a very special subculture. One which he, an artist, obviously felt very welcome in. But one which on some level he also despised. That fateful combination of self-centred academia with an almost condescending worldview and of minds working like free radicals always on the search for a bond and a not-so-chemical reaction. Also, they liked to fuck around like bunnies -- concepts of free love and intoxication did their thing. Throw into the mix a constant desire to express your feelings -- all of them all the time -- and several different forms of plain crazy and you basically had a perfect description of the habitat that was an art school. Overall, it was fine but sometimes Brandon still felt he belonged to a living breathing clichΓ©.
Sarah was a welcome break from that! While a lot of his coeds dated other artists and free thinkers, Sarah was on a route to becoming an accountant. Where he and his fellow artists were a bit crazy or wild, she was very down-to-earth. Where he was an extrovert that talked to much and too vigorously at parties, she tended to keep to herself and kick everything down a notch. Where he was impulsive and daring, she was safe and sound. And he absolutely loved her for it. Inf fact, they made a very good team because of their differences in character. Furthermore, he thought he was drawn to Sarah's different approach to life because he himself felt that he wasn't exactly like the other students and professors. For instance, he didn't care for the condescending way in which they treated art. For instance, he hated the distinction between high art and pop art. Which is also why he had constant fights with the others -- intellectual fights, mind you -- and liked to spend his free time outside of that very peculiar circle. He did like his pal Tony who was actually his best mate and he did get along well with some of the others on a daily basis, but he also thanked the God he didn't believe in for movie nights and reading Stephen King with Sarah, followed by sometimes very romantic and sometimes very naughty, almost animalistic sex. Where his fellow students liked Hungarian black and white paintings of windmills from the 1920s, he loved Andy Warhol. Where his peers liked internet videos about expressionist sculptures, he liked to stream popular TV shows and watch internet reactions to them. And where his fellows liked to make romantic love in the moonshine, he liked to throat fuck and then cum on his lover. And Sarah was his relief! Relief from the burdens of an art student. However, there was one other thing that he loved almost as passionately as Sarah...his own art.