"Let's talk about your poem, shall we?" she began, adjusting her horn-rimmed glasses as she spoke. "Why don't you tell me where this work is coming from?"
"Sure," said Jason, fidgeting slightly. "I guess I just wanted to write about what it feels like to start college and go through that transition from high school. It's obviously a big life change, so there's a lot to talk about."
"Of course. And what kinds of things are you feeling and experiencing? Tell me about that." She leaned back, cocking her head to the side inquisitively.
"Well, there's a lot of stuff. Being away from home for the first time, that's a big deal for me. I've never been away from my parents and friends for this long. But I have been working hard to meet people and be involved here. I joined an intramural flag football team on campus. I think I would like to rush a frat, but I'm not sure which one is a good fit for me yet. And I'm having fun taking classes and trying new things. I never thought I would be interested in poetry, for example. No offense."
Melissa smiled. "None taken. I'm happy to hear about the flag football team. I played varsity soccer myself when I was in college, and the girls on my team became some of my closest lifelong friends. I'm glad you have been finding activities like that that you like, and are looking for ways to branch out. That's what this experience—college—is for. Trying new things, discovering new parts of yourself, feeling discomfort, and taking risks. You should be doing all of that."
Jason nodded. "Yeah," he said, "I'm trying."
Melissa set the poem down and locked her blue eyes on his. "Which is why, frankly, I'm a little disappointed in this work of yours. It's much too safe, too reluctant to take risks. I asked you to write about how it feels to start college, and what you've given me is rather anodyne and watered down. This is the biggest life transition you have experienced so far! I would expect there to be excitement, thrill, and terror in this poem. Instead, what you've written is rather... one dimensional. Of course there is excitement to start college, but I feel as though we are missing the full picture here due to your exclusive focus on this single positive emotion, and it causes the work to come across as artificial and unconvincing. It lacks authenticity."
As much as becoming a great poet was a low priority for Jason, his professor's comments felt like a gut punch. He looked down at his hands. "Sorry, Professor Bennett," he said.
"Melissa. And it's quite alright. That's why you're taking the class, after all. But it's clear that we have some work to do. I want to hear the
truth
in your work, Jason. I want to hear
your
truth. All of it.
Especially
what I think you have left out of this poem." She leaned forward, towards him, and clasped her hands together on the desk. "You mentioned that you have never been away from home before. What does that feel like? Are you ever lonely?" To Jason's surprise, she held one of her hands open on the desk, palm up, reaching out towards him. "You can tell me anything," she said softly.
Cautiously, he set his own hand on hers. She held it gently, and the feeling of her soft skin aroused a flurry of butterflies in his stomach. "I mean, yeah, sometimes," he said. "I miss my parents, especially my mom's cooking. When classes are stressful or things are hard, sometimes all I want is her meatloaf. I never thought I would say that I miss it, but I do."
"Go on," Melissa said with a smile. Releasing his hand, she leaned back, swinging a pair of slender legs up onto the desk with her ankles crossed. Black flats dangled delicately from her feet, and Jason noticed for the first time that a small rose tattoo blossomed on her right foot, peering out from the toe of her shoes. When he brought his gaze back up to her face, she was smiling amusedly with an eyebrow cocked. Jason felt his ears burn. "Tell me more," she said gently. "How are you feeling?"
"Uh, okay, right," Jason stuttered. "So I guess I miss stuff from home, like my friends and my town. And sometimes when I meet new people here, even when I like them, it just makes me miss them more because I think about what amazing people they are, and I can't help but compare my relationships with them to my relationships with the people here."
"Mm-hm." Melissa nodded intently.
"And I don't want to forget people from back home or lose touch, but I also don't want to get so attached to them that I can't grow here or form new connections. And I feel like I can't say that I miss people from home, because I don't want the folks here to think I don't like them. And on the other hand, sometimes I worry that people here won't like me as much as I like them. It's tough to approach people you don't know, right? Sometimes I try to reach out to people and I don't even know if they want me to reach out. But I also don't want to be alone, of course."
"Of course!" Melissa said. "And believe me, you're not alone. Many of your classmates discussed similar themes in their work."
Jason's mind flashed to Amy's poem, wondering if Melissa had her in mind.
She went on. "I really appreciate what you're telling me here about missing your friends, and the experience of making new connections here. It can be complex, managing your relationships back home with your new ones here. It's a balancing act, and it's not always easy."
"Yeah."
She smacked the page with the back of her hand for emphasis. "So where is that in this poem? All you say is that everything is good, everything is fine, everything is hunky-dory. We're totally missing the other side of your experience, and that deprives the reader of the emotional richness present in
your truth
. Jason, a poem like this needs tension or otherwise it will completely fall flat. Why did you skip over all of that?"
"I don't know. I don't want everyone to think I'm insecure. And I guess I thought it wasn't important, or maybe people just wouldn't want to read about me feeling sad sometimes."
"People want to read the
truth
, Jason. Warts and all. It's your job—and your burden—as a poet to express that."
"I get that. It's just sort scary to put myself out there like that, you know?"
"It's terrifying! I totally get it. That's why you'll practice in this class, so that you can get used to the feeling and learn to get past it. That's what will make your art shine. That's what will make it ring true, make it speak to people. Your truth—your vulnerability—is extremely powerful, Jason."
"You think so?"
"I know so." Melissa brought her legs back down under the desk and sat forward in her chair. "Here," she said, "I want to show you something. Stand up for me."
"Okay," Jason said, pushing his chair back and rising to his feet.
"Now listen to me," said Melissa. "I know you are not planning on being a professional poet. This is not your major, and this class is not your focus. You have a lot of other things to worry about. And if you just want to go through the motions and write mediocre drivel, you can walk right out the door now. I promise I won't fault you for it—you'll get your A in this class and move on to the courses you actually want to take.
"But," she continued, "if you're serious about becoming a better writer, and you are willing to do whatever it takes, and you want me to teach you, then I'll need you to stay here and do exactly as I say. What do you want?"
"I want to get better, of course. I'll do whatever it takes."
"That's what I like to hear," said Melissa. "Now, take off your shirt for me."
"What?"
"You heard me. Take off your shirt. Just trust me."
"Uh, okay," Jason mumbled as he unbuttoned his short-sleeved linen shirt. One by one the buttons came open, revealing more and more of his chest, and eventually he reached the bottom, pulled it off his shoulders, and set it down on the chair.
Melissa gazed intently at Jason. "Very nice," she said. "How does it feel to be shirtless in front of me?"
"I don't know," Jason said, "kind of weird I guess. But I feel fine, mostly."