Louetta here. This is Boudica Part 03. Everybody mentioned in this story is eighteen or older.
In the earlier parts of this series I mentioned that I had been established as a nude photo model and wanted to expand to video and film. I needed experience getting naked in front of crowds and, through my female Dutch cousins, I got a chance to work as a door bunny at a BDSM club in Amsterdam. We stood behind a counter, naked to the waist, and smiled as customers arrived. It was an experience I needed, but I was only half-naked. Then one night we went to a nearby sex club to see my oldest cousin Juliette strip off. I saw that stripping was an ideal way to learn how to perform in public in the nude. As reported in Part 02 I got my Dad's permission and Juliette and I set to work making a stripper out of me.
First thing I needed, if I was to get naked, was a costume to take off. We decided I would wear essentially what Juliette wore, so next day we drove to the Sex Shop Hot Stuff in New Holland. I purchased a see-through black bra, see-through black panties, nude-colored G-string, black garter, black fishnet stockings, and garter belts; red. For outerwear I'd borrow a cropped top and low-cut skirt from Juliette to show off my tummy and the six-pack abs I'd been working so hard to develop. Next was music: The Stripper by David Rose, which you really should listen to while reading this. There are several recordings on Youtube. Please make sure it's David Rose's version. Finally, I needed a strip routine, which involved developing a basic dance, practicing seductive ways to remove my clothes, and learning how to use a stripper pole. We headed to the BDSM club to begin work in earnest.
My agreement with my Dad was that I would be doing a traditional striptease, with the emphasis on stripping and not teasing. As opposed to Juliette, who undressed faster than a sailor entering a brothel after a year at sea. Also, unlike Juliette, the climax, as it were, of my routine would be something other than me cumming. Finally, though some display of pussy was unavoidable, as I would, after all, be naked, I would at least attempt to keep my knees within reasonable proximity of each other. Thus, because my routine was fairly tame, I could work in the public room at our club, not, like Juliette did, in a private room where people paid to see it all; and Juliette delivered.
The setup in the BDSM club was somewhat different than that of the sex club where Juliette worked. In the sex club there was a round stage with a stripper pole in the center and the stage was in the middle of the room, which meant the performer entered and left by passing through the crowd, like a boxer entering an auditorium and going to the ring. In the BDSM club the stage was against the rear wall and was in the shape of a triangle, kind of like a square table top cut in half from one corner to the opposite corner with the third corner pointing out to the room. The performer entered the stage from behind a curtain off to either side. The pole was to the rear of the stage with just enough room behind so a girl could extend her legs without her foot hitting the back wall, but enough room in front so she could strut from the pole to the apex of the triangle and get her shirt off, or her bra unhooked, or a stocking unsnapped from her garter belt.
Earlier I described the dance, the stripping, and the pole work as three separate entities, but in practice they aren't. For example, to open my shirt I practiced strutting from the pole to the apex of the stage while unbuttoning the shirt. Once at the apex, with the front row of men only three feet away, I would slowly pull the two halves of the shirt open while moving my upper body from side to side, jiggling my boobs back and forth, gradually showing my see-through bra. Then I'd open the shirt to show my upper body and feel myself up for a half a minute, turn, and strut back to the pole jiggling my bum. At the pole I'd drop the shirt off to the side and execute a few basic turns like a front hook. You reach up, grab the pole with one hand, walk around the pole gathering some momentum, then hook the leg nearest the pole around it at the knee, pushing yourself off with the other foot, spinning around. Now you're shirtless and in position to strut back out front again and do your skirt.
I worked barefoot. Juliette wore spiked heels, but they make the performance more difficult, and you can work bare feet into your act because a lot of guys find them sexy. People make videos featuring just their feet. After the shirt I'd repeat the same routine with my skirt. Now stripped down to bra, garter belt, garters, nylons, panties and G-string. I'd head back out to the apex, untying my hair as I went. The hair gave me something to do with my hands, pulling it back with both hands and sticking my chest out, pulling it in front of me and covering my still bra-covered boobies, walking from one side of the stage and back to the other, shaking my bum in my see-through panties, so I would be seen by everybody to equal advantage. Then back to the pole which, until I was naked, was just kind of a way station. I didn't do any serious pole work until I could show off my nude body.
Next was the brassière. Strut forward, hands behind undoing the hook in the rear, pulling the two sides of the back round, standing there in front of the guys jiggling, back to the pole, a quick turn, strut up and pull the straps down, more boob jiggling, turn my back to the crowd and throw the bra to the pole and walk back to it with hands by my sides, tits bare, couple of turns on the pole and strut back bare-breasted, walk to one side and then the other, you get the picture, finally back to the pole.