Chapter Ten - Lord Elgin and the Butt Pirates
"Oh come on, Aaron! We've only got a few weeks left until we have to start our final assignments for the semester! One night out isn't going to make a big difference at this point, and I really want to party this evening, since it's Friday!" says Alan Abelson to me, as we head out the front door after enduring one more long and painful journey down Carnaby Street with Elizabeth Mountebank in Design Basics.
"God, she is such a bitch, that woman! I handed in that first assignment I had to redo for her weeks ago and she still hasn't graded it yet. I swear her cunty face was as icy as her vagina probably is when I asked her about it."
"Now you're sounding just like me! That's really good, Aaron! Now let's dump our things over at my place and we can head out to the Lord Elgin and then catch a cab over to Sacs on Rue Principale in Hull and drink and dance our asses off until they close at 3:00am!
"I don't suppose it would do any harm to go to the 'LE.' Is that how you call it, Alan? Adam will be up later on tonight, though. So, Sacs will have to wait for another time."
"He must be really something, this Adam of yours, Aaron. Why don't you just leave him a note and he can join us at the LE when he gets off the bus from Brockville and gets to your place?"
"Ummm, uh... I don't know about that, Alan. He's expecting me to meet him at the station.
He'll understand, Aaron. Now come on! I have to walk Garbo and then I'll lend you something of mine to wear with your jeans and we can make a grand entrance together through the double doors of Pick's Place and watch everyone pick their jaws up off the floor when we get there!"
"Alan, he's worked all week long and will have been on the bus for more than two hours coming up here to spend the weekend with me. I can't just leave him stranded by himself at the station. Would you like it if someone did that to you?"
"Well, Aaron, you'll never catch me taking a bus anywhere, so I guess we'll never know."
"Alan. I'd like to go. But, I'm not leaving Adam alone. And I think my own clothes are good enough."
Alan stares me up and down from head to toe and finally says, "Well don't say I didn't offer, Aaron."
"Look, Alan. I'd love to see your dog and apartment. Garbo sounds beautiful and actually, I've seen you walk her on Elgin Street. I don't know where you find the time to keep her so well-groomed. Afghan Hounds must need at least a daily brushing. We never have to worry about that with Blackjack at home. She constantly sheds and my Dad takes care of that."
"Well she is a purebred sighthound and my parents do help me out with money for a dog-walker and a professional groomer for her, " he says. "Tell you what, classmate! Come on up and you can see my place and meet Garbo and I have a really nice red silk shirt that I think you should wear tonight. In fact, I'll even give it to you and you can leave that old one you have on now with me and I'll have it properly cleaned for you. How does that sound?"
"Wow! This place is fantastic, Alan! Are those real oak pegs in the hardwood floor and that wood panelling in the front hallway and living room...? Is that what Linda Naagy-Birdsong was describing as English Tudor style linenfold panelling? It must be 5'-0" high around the perimeter of the entire room! And the mantel...is that real Carrara marble?"
Uh...yes, well of course it's real, Aaron. But then, I wouldn't expect you to know that. When my Mother came back with Father from one of their postings abroad a few years ago, she found this little place for me. And as for that 19th century mahogany Biedermeier fall-front desk and matching bookcases there...well, she had those brought back from Germany through my Father's diplomatic channels and I wound up with them because they were a matching suite and the bookcases were too tall for the library in their country house east of Maitland. Oh yes, and that English Victorian crystal basket chandelier with the gas jets ...another one of Mother's impulse purchases gone horribly wrong. It's all OK here though, I suppose."
"It's incredible, Alan!"
"I have a galley kitchen through here and I like to sit and look out the window over at the Museum of Nature, with a cup of double expresso in the morning. That is, of course after I walk Garbo and before I head in to class. The mosaic tile floor in here is the same tile used in the main hall of the Museum. This building was built in the early 'twenties and I think they used some leftover materials from when the Museum was built to finish the interiors of these apartments."
I am speechless at the richness and elegance of Alan's place.
Alan continues to lead me through his place, describing it and saying, "There is a separate room with a big. leaded diamond pane glass window just past the main salon, or the living room as you would probably call it. Actually, it is more like a double parlour with the columns separating the two spaces and I think rod-pocket doors must have been installed there at one point. They would have had to have been more than ten feet tall, as the ceilings in this apartment are fourteen feet high. The columns with the fluting going half way up them are of course, solid oak like the panelling and that crown molding and the doors and casings. And my bedroom is in here."
There is only one piece of artwork in the room. A tiny black and white abstract print with a huge white matte and an elegant burnished thin, silver frame hanging on the wall.
"That print is beautiful, Alan."