The hot dressing room lights beat against my skin, and sweat begins to run down my forehead, making its way past my blue eyes and heading for my chest. I look in the mirror, between the blinding lights, and see that the top button of my costume has come undone. Sighing, I re-button my shirt before exiting the dressing room and heading for the stage.
The hallways are busier than usual. Tomorrow the audience will be just as busy as backstage, with hundreds of patents waiting excitedly to see our production of Cinderella. For now, however, the only sounds I can hear are the screams of actors and techies alike, making sure everyone is where they need to be for the big Act One Finale.
As the Prince, it's my job to make sure that the audience can see exactly why Cinderella falls in love with me. So, as I make my way to the stage for the ballroom number, I amp up the charisma and flash smiles to the stage hands that I pass in the wings.
I stroll onstage, taking my Cinderella in my arms. As I begin to sing the first lines, I notice that the piano in the orchestra is a few measures ahead of me. The orchestra tries to compensate for his misplaced chords, but it throws the entire number off. I do my best to keep up with the jumping around in the score, but ultimately I give up. I huff offstage, nearly in tears. It's my big number, and somehow our pianist has managed to fuck it all up.
***
Sarah, our Cinderella, finds me in the hallway where I'm leaning against a wall. She leans up next to me and puts her head on my shoulder before sighing. "You know what they say. The worse the dress run, the better the opening night."
"I know," I respond wearily. Then, slightly more agitatedly, "I just don't understand how Peter can nail every single number in the show, but somehow mine is the one he screws up."
"You're right. It's shitty, and I'm sorry. Maybe have a word with him?" She suggests sweetly, the melodic tones in her voice doing all they can to put me at ease.
"I don't know. It's not my place, I guess. The director should do it," I retort, the bitterness now clearly discernible in my voice.
"C'mon," Sarah pleads. "You're Hayden fucking Robinson! You're like the biggest name in Johnson County community theatre, and he should know better."
"You're right," I concede, now determined. "I'll be back before the top of Act Two," I add, as I make my way down to the orchestra pit.
***
I find Peter alone in the orchestra pit, eating his lunch at the piano. "Where's everyone else?" I ask, confused as to why they would have left him there alone.
"Josh got mad that I screwed up your number, so they all went to get burgers without me. Glad I brought this salad I guess," he shoots back.
"Well he's not the only one who's upset you fucked up my number," I say snarkily. "What the hell was that about anyways?"
"I'm sorry, Hayden, I was just really distracted," he says, suddenly losing the edge that had been present in his voice only moments before.