When I was young, I had a different attitude. I wanted it all, and I had it all, but it was like a right then, a god-given right, and I found it easily. I never quite lost it, and now I have it all again, but no, not like I did back then.
Not like the days when I was young and I first found my escape on the island, in the Bellapais villa.
Ahh, the days of eating lunch, then drifting down to the square beside the ruined abbey, its broken stones clinging to the steep slope of the Kyrenia range, where it tumbled down to Cyprus' northern coast. Then sitting around ogling the local Turkish Cypriot men in the heat of the afternoon and letting them ogle me. Until I got that certain look from one I fancied and took him up to my small rented villa and let him vigorously and noisily fuck my brains out on a lounger under the sun on the terrace overlooking the Mediterranean.
Or down to the square in the twilight after dinner, with those fairy lights in the olive trees around the fringe of the café's stone terrace. And, in that soft light, hearing the twittering laughter of the Mediterranean men and watching the wisps of strong Turkish tobacco smoke drifting up, as I was eyeing and being eyed. Until I got that certain look from someone I fancied and took him back up to the villa and let him fuck me in long, slow, sweeping strokes as I lay back on my lounger on the terrace under the stars.
And maybe, if he was really, really beautiful and masterful, taking him back to my bed for a night of sleep broken by brief periods of wanton lust, waking to the feel of a hot poker at my hole and a wheedling whisper for permission at my ear. Me sighing "Yes" and arching back to accept the homage of his throbbing need to be deep inside me.
Breakfasting on the terrace by the small pool. Then pulling him into the pool and wrapping my legs around his waist and letting the swirling water soften the rhythmic in and outing as I threw my head back and watched the morning Mediterranean light filter through the sighing branches of the olive trees. Thinking then about my after-lunch visit to the café on the square, already assessing which eyes I would respond to that day.
Then that had ended, unexpectedly, as those seemingly endless days of youthful perfect pleasure do. Unfortunately, they decided to have a civil war on Cyprus and carve it up. Abandoning my villa with nothing but the clothes on my back, I scrambled up and over the Kyrenia range ridgeline, as Turkish paratroopers glided down into the meadow below the cliffside abbey walls. And I stumbled into the temporary safety of Nicosia along with streams of sobbing Greeks, being displaced for decades from their ancestral homes.
For a long time I couldn't get back to that part of the island either, even though my foreign status enabled me to enter there through Turkey. I tried briefly living in the Greek sector, teaching composition at the English School. But even this, a job I had been lucky to acquire, only made me ache for my favourite part of the island—my rented villa perched above the Bellapais abbey. Every day I faced a composition class, I recalled the author who had preceded me in the villa, Lawrence Durrell, and I ached for the ecstasy I had found there. The fulfillment that Durrell had enjoyed there at the tip of his pen was a fulfillment that I also had enjoyed, as nowhere else, at the tip of an endless succession of Turkish Cypriot cocks.
I returned to Sydney, where the island became a memory, and I collected Mediterranean and Turkish lovers in Australia instead. And I found many of the same attitudes to sex that I had found on that small island still hung about the men I took home and enjoyed being fucked by, there on that much bigger island continent lost in Asia. But I was never to attain the sexual fulfillment and satisfaction that I had in my Bellapais villa. And my life was spoiled; Australia could no longer satisfy my wants and needs.
Then I had the opportunity to return to Northern Cyprus, and I was in two minds about it. Torn by knowing that returning to the paradise of our past is so often a mistake, and that instead of regaining paradise, we lose the perfect memory of it.
So I hesitated. But the pull was strong, and in the end, I said, "For six months." Six months to see if I could recover that timeless sense of pleasure.
I returned via Istanbul to an airport I would never have recognised and drove a hire car along roads that hadn't been there when I left. But when I arrived in Bellapais, the town I had known, it was to find it recognisable, hardly changed at all. And when I drove nervously out to the village where I had spent my weekends, I found it familiar enough to make my heart race and my cock stiffen in anticipation. Then I drove cautiously up the familiar, narrow, steep, stone-bedded road to where I had rented the small villa I had spent my weekends and free time at. And it was there still too. I stopped the car and sat there looking at it, wondering. Remembering.
It had been added to, a large pergola and a carport. But they hadn't spoiled the setting or the view. When I looked down from where I was on the mountainside, I saw the changes more clearly. Units in small complexes scattered up the side of the hill behind the village in search of the sea views and a cool breeze. But my old Bellapais villa remained apart, near the summit of its spikey mountaintop overlooking the Mediterranean.
"It's a mistake to try to relive the past," I muttered to myself. Still, the villa drew me to it. If I told anyone among the English-speaking hangers on in Cyprus of this attraction, they would have told me that this was because this was the villa where the British novelist Lawrence Durrell had penned his
Alexandria Quartet
. But that held no attraction in and of itself to me. The pull of the villa for me was totally sexual. I had never felt more sexually alive than I had felt while living there. Whenever I had brought a man to that villa, I had died in his arms at the height of passion. It was only now, as I stood on the terrace of the house overlooking the Mediterranean that I knew that it was the villa that had drawn me back to the island. I felt stupid; it was so obvious that I should have known it all along. It was fate that I return, not least signaled by the fact that the villa obviously was empty, ready to be occupied once more.
I told myself a dozen times that it was fate that I should take up the strands of my Bellapais villa existence, as I drove down to the house where my landlady lived, parked the car on the side of the cobbled lane, and wandered into the courtyard. Two small children were playing in the coolness of the small garden and the girl ran off screaming, "Grandma."
When Layla emerged, I recognised her immediately. So little seemed to have changed in the time I had been gone.