February 11, 2010
From: Lawrence Ryan
To: Douglas Monroe
Subject: Re: Ronald Gordon's plays
Dear Mr. Monroe,
Thank you so much for sending the recording and your draft of the libretto. I must say, whoever you found to sing those selections has quite a beautiful voice. I have absolutely no complaints about your music, quite the opposite in fact, except that I did miss and very much look forward to hearing at least one or two of the duets that you have planned for the lovers.
With regard to the libretto, however, I am puzzled as to why you elected to edit the three plays down into two. Deleting incidental characters such as Henry's parents is a typical adaptational strategy, but why meddle with the overall dramatic structure so drastically?
It would be helpful, and indeed pleasant to meet face to face and work through the libretto together, but I'm afraid my schedule is rather full at present. In addition to preparing for the premiere of
Queen Mab
here in town shortly, I am scheduled to travel to Austin next month for the trilogy's Texas premiere there. Moreover, I have suddenly been tasked with an unexpected and somewhat delicate academic responsibility. But I suppose I needn't bore you with the details.
If you can find some time available later in the year, perhaps early this summer, please let me know so that we can plan for a proper collaborator's meeting.
Respectfully yours,
Larry Ryan
* * *
* Larry *
"Good morning, Larry. Terry's waiting for you," Sally greets me with her trademark practiced air of friendly efficiency from behind her well-ordered desk. The Theater department's administrative assistant for the past twenty-six years, Sally keeps us all in line with grace, humor, and infinite patience.
"Thanks, Sally." I throw her a fond smile before making my way past her desk to the office marked "Theresa Brooks, Department Chair."
I find Terry seated behind the wide desk in her crowded but immaculate office. As always, she is impeccably dressed in a sensible business suit, her iron gray hair perfectly coiffed. We've always gotten along well, but truth be told she frightens me just a little. I've seen her play Electra.
She looks up over her glasses and spots me standing in the door. "Larry! Thank you for coming by. Could you close the door, please?"
I blink and comply.
"Perfect. Thank you. Please, sit." She indicates the chair across the desk from her and, once I am safely ensconced there, folds her hands deliberately across the fat blue file folder placed squarely in front of her.
"I hear the Lexington premiere was an enormous success. I hope you're pleased."
"It was very gratifying, yes," I cautiously allow.
"Good, good. And two more productions coming this spring, I understand."
"That's right. The trilogy in Austin and
Queen Mab
here in town."
"Excellent. I'll be sure to put the local show on my calendar."
"I look forward to seeing you there."
Terry knows all this. Why are we going through this dance of courtesy?
We sit in awkward silence for a few seconds.
"Terry, what's this all about?" I finally venture.
She drums flawlessly manicured fingernails across the file once, twice, three times before answering. I can't help noticing the label on the file tab reads "L. Ryan / R. Gordon."
"Larry, I've been putting off bringing this up to you. I know you've had a great many things on your plate. But when I learned you'd be taking another trip this spring, to Austin this time, I knew I couldn't procrastinate any longer."
"Is there a problem with my going? Jim said he was happy to cover my classes for me that week I'll be out of town in March. Is there a conflict I'm not aware of?"
"Not... per se," Terry answers judiciously, "but there may be going forward."
I stare at her. "Enlighten me."
She opens the file and extracts a paper-clipped sheaf of documents. Before handing it across to me, though, she asks, "Have you received any sort of—push back—over the subject matter of Mr. Gordon's plays?"
"Push back?" I allow myself a small, scornful smile. "You mean hate mail? I'm destroying this country, corrupting our youth, peddling filth, flouting God's law... that kind of thing? A bit, yes," I concede. I have a designated "Bigots" folder in my e-mail containing fifty or so such charming missives. My first impulse had been simply to delete the vile things, but on second thought, I decided to save them as morbid historical curiosities—or as ammunition. A suspicion creeps into my mind. "Have you?"
Without answering, Terry hands me the stack of papers. I leaf through it, discovering a series of variations on the same familiar, single-minded (and simple-minded) theme: printed e-mails, typed and hand-written letters, telephone memoranda taken in Sally's careful, even handwriting. I notice with amusement that Sally has not been able to resist adding her own commentary in the margins of some of those: "Asshat!" underlined three times adorns one particularly vehement example. I had no idea Sally was even capable of swearing.
"That," Terry says tightly, "is a choice selection of the dozens of communications this department—and the office of the President, you should be aware—has received in the last two and a half months. Mostly from self-proclaimed 'concerned citizens'"—her lips curl derisively—"but a substantial number of them from parents incensed at the thought of their fragile, precious darlings being made to study under 'that sodomite professor,' as I believe one of them so charmingly dubbed you. Some of the other appellations were slightly more colorful, if you can imagine. We've also had three letters from various church coalitions around the state, and calls for a federal inquiry from one of our state congressmen—who clearly needs a refresher course on the First Amendment." She removes her glasses and pinches the bridge of her nose. "You've put us right in the crosshairs of the culture wars, Larry."