"In conclusion, it was the post-modernists that first shifted the power dynamic of artistic production and consumption between the European metropole and the post-colonial world. We see the groundwork for this argument in the later works of Zweig, and then more clearly illustrated by the so-called 'Boom' of Latin American literature in the post-war. This is why I've chosen to look at Lispector's work as not only an embodiment of Zweig's thesis -- the one proposed in
Brazil: Land of the Future
-- but as representing a key turning point in the basic elements of power at the heart of creative production in the New World. Especially her post-war works, the novels produced while in Europe, demonstrate that when looked at through a Marxist angle, the pre-colonial status quo first began to fissure with the establishment of the Americas as locus of the avant garde and of post-modernism. Herein lies the central point of my thesis -- question of literature at that moment was not solely one of who produces it, but of who consumes it. Consumption is the crux of that colonial relationship and of the question of domination -- understood here in the way that Bourdieu understands it -- itself."
He set his notes on the table in front of him, took a sip of water and, a large hand dusted with hair, brushed back the brown curl that had flopped onto his forehead. The muscles of his upper arm twitched with the action.
Madame Olivier scribbled away on the sheet before her and then looked up. Minutes seemed to pass as she gazed at the student. He gazed back, seemingly confident in what he'd just done. She sighed.
"17. Nicely done. Cut the second and fourth sections entirely, and rewrite the introduction. It was chaotic," she finally said. Giovanni sighed in clear relief to have not only survived the critique of our harshest professor, but had actually pulled off quite a high grade on the thesis proposal.
"Let's take a 10 minute break and then we'll hear from..." She looked at her sheet, "Isabel. Women writers in Chile post-Pinochet. Can't wait."
Giovanni, stuffed his notes into his leather satchel and bolted for the door. I headed out behind him and down the stairs to the courtyard.
Term had only just begun and I hadn't yet spoken to the hunky Italian -- who was clearly incredibly bright -- despite him being in three of my seminars this semester. When I reached the courtyard I saw him leaning against a wall, his head tilted back and eyes closed. I wanted to talk to him, but was never sure how to do that. So instead I just sort of stood near him. I lit a cigarette and the click of the lighter made him open his eyes and look over.
"Hey, do you think I could bum one? I've been trying to quit, but I need one after that."
"Sure. It was really good though. I mean, 17. That's unheard of from Olivier."
"Really? Is she always like that?"
"Usually much worse, actually. She clearly is impressed with you."
"That was impressed?" he smiled. For such a hard, masculine face, his smile was astonishingly boyish. Wide and unabashed, it spread across his whole face, squeezing his dark eyes almost shut.
"I'm Charles, by the way."
"Giovanni. I think we have other classes together. Translation studies and the theory of fiction, right?" He reached out to shake my hand. It was surprisingly soft, but his grip was firm.
"Yeah -- how are you liking theory so far?"
"She's a bit old school, but it's not bad. Last week's lecture was really great, and I think I'll work that one author into my thesis. The one about national identity." He snapped his finger commanding the name to come to him.
"Thiesse. Yeah, I read her in first year. You can't do research in this country without her. And so you're working on Lispector. Do you read Portuguese?"
"Yeah, my mom is Brazilian, and Brazilian literature has always been my primary domain. I kind of came late to comp lit."
"Well, you're very good at it, it seems." He smiled again at my compliment. I was getting a bit dependent on that smile.
"And you? When do you face the firing squad?"
"I'm mostly German lit. My thesis is on a group of German-speaking Jewish writers in Prague from the early 20
th
century. And I think I'm up next week. Still need to finish my draft, actually."
"Did you study German at school?"
"Sort of like you, my mom. She's Austrian, but I was born and raised here."
"So your dad's French?"
"Yeah, and I was in the German section at school. I did an
abibac
."
"What's that?"
"In a lot of public schools here in France you can study a dual curriculum and graduate with the equivalent of two high school diplomas, from two different national curriculums. There's the Franco-German one, the
Abibac
-- Abitur / baccalaurΓ©at. I think there's a Franco-Spanish one, Franco-Italian. A British one. Possibly others. So my classes in high school were half in French, half in German. Do you not have that in Italy?"
"I think there are only private international schools. I just went to a normal Italian school."
"Where are you from?"
"Turin."
"Did you ever live in Brazil?"
"No, just school holidays, ya know. I have the passport, but I've only ever lived in Italy. Until now, I guess."
"But your French is basically perfect! How long have you lived here?"
"About a month, I think."
"Holy shit! That's wild."
"Haha, thanks. I think," he smiled at me again, his eyes slitting into twinkly slivers. He dropped the cigarette he'd barely smoked into the ashtray. "I think we need to head back up. Time to watch poor Isabel be flayed alive."
He pushed the door open, his long thick fingers splayed against the glass pane. He stepped aside, holding the door, "Go ahead." With that his other hand came to rest on my back. The hand stayed there until we reached the stairs, and I was said to see it go. The seconds on my back, its warmth emanating through the thin cotton of my t-shirt, sent a jolt through my body. Up close to him, I felt his presence. Though not much taller than me -- 5 or 6 centimeters -- he had a large, warm way of taking up space. I felt enveloped, wanting to sink into his being.
When we got back into the seminar room, I took the seat where I'd been before the break, and he took the one next to me. Suffice to say, I didn't catch much of Isabel's presentation.