I hoped that the journey from hand job to rough rider would be quick and easy, but not so.
We couldn't stay in Phoenix to make up for the show. We had a gig the next night in Tuscon.
It was the first night of the whole tour where our groove was slightly off. Aaron was playing meathead again. Keeping the beat steady on the two and four, making all the changes and catching the dramatic stops to silence as needed but that was about it. No fills, no throbbing double bass drum. No passion.
Aaron was going through the motions.
Fuck.
On the first break I dragged him outside. There was no back to this place, so we were out front, with about ten other people. Smokers, and stoners, and a girl who was already having trouble standing, even though it was only eleven-fifteen.
I didn't care about the audience. I pulled him a few paces away and practically threw him up against the side of the building.
I closed in tight on his personal space.
"What the fuck is wrong with you?" I asked in a stage whisper. The kind of whisper that almost sounds like yelling.
He looked down. I grabbed his chin and tilted his face up to me. I pressed in further until we were chest to chest.
"Babe?" I said. I'd never called him that before, and his eyes bugged wide. "Please Aaron, talk to me."
"You're a straight guy," he whispered.
"Yeah," I said. "So?"
"So you're not going to do everything I want to do. So you're not going to stay around for the long haul. So eventually you're going to decide you've had enough of the novelty, and I'm not going to be a one hit wonder."
This again?
He tried to get away and push past me, but I grabbed his arm and squeezed him tighter to the wall.
I kissed him softly. "Never."
He shook his head. "I can't risk it." He pushed me hard and escaped, practically running from me in long strides.
"Fuck, Aaron, wait."
He got to the door before I grabbed him and turned him around.
"This is why I didn't want to mess with someone in the band, it's throwing off my game."
"No shit, you played like crap."
"What?"
I resisted the urge to say 'you heard me'.
"I played just fine."
"Yeah, just. But you're usually exceptional."
He was quiet at that.
"Please, Aar. I'm begging you. I want more. I want you. Whatever you want, I'll do. You're not an experiment, you're fate."
He looked at me like I was out of my mind. I put my hand on my forehead and dragged it over my hair. Fuck, fuck, fuck, fuck. This was not going well.
"Aar," I said.
"Can we just not talk about it?"
"No, we can't just not talk about it."
A bunch of college kids came out the door, and we had to step out of the way. Then Julie came out. "Two minutes," she said.
Fuck.
"Come on Aaron, please."
He shrugged, but he nodded. We got up on stage. I put on my bass rig and turned back to look at him. "Yeah, and if you just play meat and potatoes this set I'm gonna bash you over the head with my spare Fender."
He smiled at that.
Zeeter and Julie came up to the mics.
"Let's roll 'em," Julie said.
"Does anybody here wanna rock and roll?" Zeeter yelled into the mic.
Aaron banged his sticks together. "And one, two, three, four."
And we were off. Aaron brought the face melting freight train with a fair dose of fuck off. Fine by me. I'll take Welcome to the Jungle attitude over half dead any day.
At four a.m. Aaron was standing by the futon in black and white pajama bottoms and a blue tank top.
Come on in, beautiful.
Beat, beat, beat. Oh, fuck me, come on.
I turned over and faced the side of the RV. Aaron got in. I turned over and looked at him. He was still a good two feet away from me.
Fuck that.
I grabbed him and pulled him into me.
"Matt..." he said, cautiously.
"I'm not gonna molest you, cry baby. But I'm not going to have you sleeping across the great divide either."
"The great divide?"
"Yeah," I said. "That three feet that's felt like three hundred that I've been dying to cross since that first night in Statesburg."
He laughed.
"Yeah, yeah. Don't let it go to your head. I wanted you then, I want you now. Settle down."
He laughed again, a warm, rich, sound.
I spooned up against him, molding him into me. Perfect fit. I stroked his hair.
"Sleep, baby," I said.
"All right."
*
Santa Fe. Albuquerque. Oklahoma City.
I didn't see any more action. But at least he was sleeping curled up into me every night.
In Lexington, Kentucky some guy who looked like central casting's idea of bad biker bar dude kept yelling "Freebird! Freebird!" in between each song.
"If you put $25 in the bucket," Zeeter said. I think the biker was too drunk to even understand what he meant. Then he started yelling Freebird during a song.
"I'll give you a free bird," Zeeter said and flipped him the bird. Aaron played a rim shot, ta-da-boom, the audience cracked up, we launched into an Eric Clapton song instead of an original to shake up our set pace and we were good to go. Two songs later the biker fell off his stool with a huge thud. Aaron imitated the thud perfectly on the drums.
Kansas City. Up to Springfield.
I made sure to do little things for Aaron, like taking care to get him a bottle of cold water to keep by his feet while he was drumming, find out where the laundromats were without being asked, make sure our CDs were shipped to the bars ahead of time every time instead of making him split the duty, make sure he liked the music that was playing when I was the one driving.
Over to Indianapolis.
It was beginning to bother me that I was getting light kisses and nothing else. I was used to wanting and getting in a blink of an eye. I had told him I didn't mind waiting, and that had been true. But face it, now I minded. Fuck.
I wanted to take it slow. I wanted to seduce him, treat him right, let him know how special he was. I didn't want to stall out. Yet I felt like I should be making stutter-putter-spitting-stalling sounds this was going so slow. Shit.
St. Paul.
It was the second break before I realized that Aaron was drinking. A lot.
I sat next to him at the bar.
"Ginger ale," I told the bartender.
Once I got my drink I pointed to it and then I pointed to Aaron's drink. "What's up?"
He mumbled something. I couldn't make it out over the pounding bad techno coming at us through the overhead bar speakers and the din of people.