Sandra had been doing a crossword puzzle as we waited for the visiting author from New Zealand to arrive at our Chelsea apartment.
"You're the prose man. What's a word for 'inconstant'?" she asked, stretching her long legs, in the turquoise pedal pushers, down the length of the white sofa. The tunic she wore over them, showing her cleavage almost all the way down to her navel, was the same white as the sofa. I assumed she'd stay on the sofa as much as possible while the New Zealand author was here—it highlighted her very nice set of tits. I also assumed that the author, invited by her English Department at Columbia, where she taught poetry, had impressed her with more than his best-seller status. Otherwise she'd have worn an Indian caftan. Before she'd wafted off to his lecture, she'd asked me if New Zealand was somewhere near India. Since the visiting New Delhi University professor, Vijay Modi, fucked her on his desk during an office party, she'd been in her Indian period.
"Fickle? Vacillating? Spasmodic? Fluid?" I tossed out from the other side of the kitchen bar while I was tossing the salad. I did most of the cooking. Her friends tittered behind their fans that she had acquired me, when I had taken one of her classes as a graduate student, as a boy toy, but I knew that what she'd needed was a maid. No, more than that. What was a nine-letter word for a convenient husband? Camouflage. That was it. She liked men and women, a variety of them. I liked men, but for a room over my head and food on the table, I occasionally fucked Sandra. She didn't mind, which I took as a vote of confidence in my skills with women as well as men, because she'd been fucked by a whole lot of both. It had been a convenient—camouflage—marriage for both of us. "Does it give any clue?" I called out.
"It's ten letters," she answered.
"Oh, of course," I responded. "Capricious."
"Yes, that fits," she said.
It certainly would, I thought. And then the bell from the street rang, there was heavy trudging on the stairs, and the New Zealand best-selling author, Bram Overby, was in the frame of the entry door. The trudge wasn't because he was fat. It was because he was large, a hunk, in fact. He lit up the room with his smile and his ruddy rugby star looks, his broad shoulders, full chest, and biceps—and lips for that matter. He was carrying a large bouquet of flowers, which I knew weren't for me no matter how I ached that they would be. And from how outrageously Sandra was fawning over him, I knew that they would fuck—that they'd fuck again, actually. He'd been here a couple of weeks, so I assumed they'd already fucked. I expected Sandra to move out of her Indian phase as soon as she had time to research the lifestyles of New Zealand.
The meal went well—better for Overby and Sandra than for me, but it appeared to be a winner all the way around. Sandra managed somehow to accept accolades for the food without outright lying about who had prepared it—which wasn't below her to do—and my reward was that, in the free-flowing conversation, it became clear that Overby, a best-selling novelist, was more on the beam with me, Aiden Macallum, a first-time literary novel writer, than he was with Sandra Gainsworth, the poetry professor. That was just on the professional level. I had no trouble understanding that the robust New Zealander was hard for Sandra.
I left them, wine glasses in hand, in the living area, looking out of a full wall of glass at the Manhattan skyline in the living area and retreated to doing the dishes and straightening up the kitchen clutter after we'd finished eating. Wes Montgomery was playing the romantic guitar loud enough on the stereo to overshadow their discussion. When I was done and moved back into the living area with full wine glass in hand, they were gone. They'd taken their wine glasses with them.
They were on Sandra's bed in her bedroom—she and I slept separately. She was on her back. Her turquoise pedal pushers were in a puddle on the floor by the bed. Poetically, his trousers overlay her pedal pushers and an opened condom packet crowned the pants. The two empty wine glasses were on the nightstand. Her white tunic was open and spread. The best-selling author lay between her long spread and bent legs, where he was doing groin pushups on her pelvis, they were kissing, and he was squeezing one of her ample tits and thumbing her nipple.
The decibels of her moaning told me that he was hung and doing a good job of her. As I watched, he began taking her in long slides, pulling almost all of the way out and then sliding in, making her jerk and moan each time he bottomed. Then I could see for myself that he was long and thick in erection. I went hard.
I turned, retrieved a jacket from my bedroom, and went out into the night. I didn't have far to go. I'd given up an invitation to hear the beat poet, Zach Taggert, perform his poetry to his own guitar music at a nearby bar we all frequented to help entertain the New Zealander. Obviously, my help wasn't needed any longer. The room was dark, save for the spotlight on Zach, where, dressed all in black, he sat on a black high stool on a black platform, backed by a black wall. The room was smoky, despite the obligatory no-smoking signs on the walls. It was that sort of bar.
I settled at a table near the back of a crowd of maybe thirty people. In a room this small, thirty constituted a crowd. It was hard to do a count in the smoky darkness. Still, Zach picked me out in the crowd, smiled his pleasure that I had come after all, and looked directly at me while he continued reciting his poetry and strumming his guitar. I didn't think it was specially performed for me, though. He was an intense man—all craggy angles and serious stare rangy and long-distance truck driverly, each separate part of him ugly and crude, but weaving into a rough, sexual creature, with an intensity that made each and every one of us sure he was speaking directly to us—and not to the surface of us. He was slicing right into us and talking to our slow-beating hearts—mine, in particular.
He closed with a poem that was delivered directly to me and that I knew had been composed for me and about me when I last lay with him, under him, him inside me, throbbing and causing the muscles of my channel to ripple over his shaft. The poem was his ticket to lay me again. He gave me a piercing, commanding look as he finished the poem and the deal was settled.
His room was in a nearby tenement.
He hovered over me on his bed in the dark, made darker by the black walls, floor and ceiling, relieved only by the single window looking out on a black fire escape and three letters of a frenetically flashing orangish-red neon sign advertising the pizza parlor on the ground floor.