Groton had wanted to get off by 9:30 the next morning, avoiding the worst of the earlier morning rush hours around the Baltimore and Washington, D.C., beltways, but it was closer to 10:30 before the two vehicles got packed with luggage and photographic equipment and nosed into the I-95 traffic south toward Washington.
In addition to Groton, Spike, and Rick, the two cameramen who had helped with the cameras out on the football field were going too. Groton was driving his Saab and he took off with only Spike on board, telling the cameramen where they were to meet late that afternoon and telling Rick to ride with the cameramen because Groton had a couple of more guys to pick up south of Washington. The cameramen, who were introduced to Rick as Phil and Trace, had a Dodge Ram three-quarter-ton quad truck with four doors and half of its truck bed, closest to the back of the cab, outfitted with a covered container where the two men packed away luggage and photographic equipment.
Trace, a big brute probably in his late twenties, was doing most of the heavy lifting, just as Rick had noticed he did the night of the football field shoot. He was the coarser of the two, both in looks and language, and kept giving Rick side looks that left no doubt what he wanted to do. The other guy, Phil, appeared to be the more intelligent and responsible of the two. He was a redhead who looked to be in his mid thirties. He was tall and built thinner than Trace was, although when Trace wasn't there for comparison, it was evident he wasn't thin at all. He could probably be described more as sinewy. It looked like he could easily lift whatever needed to be lifted, but that he wasn't as frenetic and mouthy as Trace was and was content to let Trace do any of the grunt work that he was willing to do. And, in contrast to Trace, he looked at Rick shyly whenever he could be seen to look at him at all.
Trace took the driver's seat, with Phil riding shotgunâwhich left the cramped backseat of the cab to Rick.
It wasn't more than fifteen minutes before they lost contact with Groton's vehicle. Phil seemed perturbed at this, saying that Trace should be able to keep up with Groton at least past lunchtime, which Groton had mentioned he was having in Culpepper. But Trace just laughed and told Phil that if he didn't like Trace's driving, he should have volunteered to take the wheel. To this, Phil said he had offered to drive and Trace had gruffly stated he was doing it.
Rick was barely able to hear the guys talking in the front seat, not just because of the noise from the truck's powerful Hemi engine but also because they were speaking softly, as if he wasn't there. He just caught snippets of what they were saying, but it mostly was about photographic techniques and equipment.
Traffic was heavy around the Washington Beltway, and it was well past noon before they reached the town of Warrenton, some forty-five miles south of the national capital on route 29 and twenty miles short of the planned lunchtime rendezvous in the town of Culpepper.
Trace went off route 29 onto business route 17 and headed into the center of Warrenton.
"What gives?" Phil asked. "We're headed to Culpepper for lunch."
"I'm hungry now. Doug didn't say we had to meet up for lunch; only where he was going to have lunch and split off from us anyway."
"You've just passed up two restaurants," Phil said. They were both speaking loud enough now for Rick to hear, a bit of irritation bubbling up from both. It had been a tough ride through the traffic around the twin big cities.
"Yeah, but I know of a pool hall in the town that has great hamburgers. And I want to relieve the tension of the drive with a game or two of pool."
"We don't have the time."
"Sure we do; we're just going down into Nelson Countyâand it's for the night."
Phil stopped arguing.
Once in the parking lot, Trace popped out of the cab and sprinted to the tavern door. He was already carrying a hamburger and his first beer over to the pool room before Phil and Rick had entered and figured out the food ordering system there.
Rick was counting his pennies on what he could order when Phil put a hand on his armâwhich Rick took notice of, feeling a slight charge of electricity in the connectionâand said, "I got yours. Groton told me to pay for you."
They went to a table where they could keep an eye on Trace and try to determine when he was finished with his game of pool and might be convinced to get back on the road.
"Thanks for covering the food," Rick said as they sat down on benches across the table from each other.
"Groton's got you on a tight allowance, has he?"
"He hasn't given me anything toward this trip yet. I've got money of my own, but I don't want to be throwing it around until I know what the deal is on pay."
"Do you have any idea what Groton is piling in on you?"
"What do you mean?"
"It not the art film he's doing for the festival. Any money from thatâwhich isn't guaranteedâwon't come for some time. But he's already made a bundle in the still shots and videos he's taken of you completely outside the footage for the film."
"I didn't know that."
"He's already paid Trace and me a couple of thou off the top to travel. You really need to talk to Groton about an advance. You're the talent here."
"The talent?" Rick laughed at the use of that term.
"Of course. I've seen you in action, you know. I know talent when I see it."
Rick looked up into Phil's face and he thought he saw interest there. Rick hadn't thought about the cameramen being turned on by what they were filming. He realized he hadn't thought about a lot of thingsâother than getting out of Baltimore. But he didn't know if he was brave enough to approach Groton for an advance.
"What is it you want, Rick? What's your goal in life?âI mean what is this film going to get for you? You want to go to California and be a porn star?"