[Earlier chapters should be read first]
[In one respect all my stories are unreal: they lack the element of violence that creeps into many events involving man-man sexual relationships. Although this is a shortcoming which I acknowledge, I make no apology for writing soft and romantic (as well as highbrow) stories that make the reader, as well as myself, feel happy, even if the language is crude in places.]
Chapter 41
Luke and Tom's second year begins
When we got back to England, Cathy had already resumed school. She was now in her last year and would be doing A Levels and application to Oxbridge, with other universities as a second string.
Pop very kindly came to Rockwell's Barn and helped us in the 4x4 to move our stuff into our new college room. The contrast between the move this year and the previous year was striking. Then I had been dumped on the pavement outside Buckingham and left to fend for myself. Now not only had I a lover carrying some of the bags, but Pop solicitously assisting! We greeted the head porter cheerily as we collected our keys and headed for our new room in the eighteenth-century part of the college. To our surprise, the room had been redecorated rather attractively, and secondary double-glazing installed, making it warmer and draught-free. There were comfortable window seats at the base of each of the big first-floor windows. The en-suite bathroom meant that we could both use it at the same time if we wished.
The big news both at home and in the University was the appointment of Uncle Edward as Parker Professor of Ecclesiastical History, which carried with it attachment as Professorial Fellow of Sanguis Christi College, so he would be leaving Boni's, to the great regret of Pop and Dad who would miss their frequent Sunday night High Table evenings. Pop and Dad would still dine in Boni's regularly, but the absence of their old friend would be deeply felt, and the college would be looking for a new chaplain.
In Buckingham, Tom and I could now dine at formal dinner each night if we wished and could whoop it up with the choir in Hall after Sunday Evensong. There was almost always an air of alcoholic celebration by the choir after our hard work singing the Sunday office. Tom and I created a small stir among our choir colleagues when we turned up at the first evensong of the term in our new surplices. I have to admit that Tom did look slightly awkward in his surplice, which is not a very macho garment, but I loved him for insisting on wearing it.
Buckingham was a small college with only around 100 undergraduates in each year. The Hall for instance would only hold 200 persons at a sitting. The college's intention was to expand its graduate student number, which was cheaper as it was not essential to provide graduates with accommodation. At that time, the college had 100 or so graduates on its books. The buildings consisted of two large quadrangles joined together, one dating from the seventeenth century, the other from the eighteenth century, and there was no space for further building. It had always been a poor college, unable for example to help the Royalist cause in the Civil War, until the twentieth century, when the militantly gay, wealthy, enormously popular modern artist Paul Zebedee, an alumnus, left the college £10M when he died of an infection following AIDS in the late nineteen eighties. In modern terms such a sum does not go far, but it had been wisely invested in city centre property in Camford, and brought in a significant and relatively secure and stable income. One of the conditions of Zebedee's bequest had been that the college should remain a men-only institution, and that such a policy should be enshrined in the college statutes. This of course seriously offended the radical feminist movement, but it was clear that nothing could be done to upset the condition except Parliamentary intervention, which was not forthcoming.
Buckingham had basically two types of undergraduate. There were the aesthetes, the most intelligent students who made the biggest contribution to the position of Buckingham in the academic 'league table' of the colleges. Many of this group were gay. The other type consisted of the hearties, the muscular, sporty, hard-drinking products of English 'Public' schools, of whom only a very small proportion were openly gay. They were into rowing, rugby football and other rough sports, rather than men. They were archetypal heterosexual alpha males. The aesthetes did not feel threatened by them, because when sober, the hearties were always polite and well-mannered. It goes without saying that the two groups did interact to some extent, but really only sexually! This of course is a crude oversimplification, but serves to summarize the college. It is however a big strongpoint of the collegiate system that Buckingham could hold the loyalty and commitment of both these two disparate groups, and neither Tom nor I ever felt uncomfortable anywhere in college. In making the distinction of course, it was very important not to go by appearances, since while my slight and skinny build fairly characterized me as a member the aesthete group, Tom looked from his hairy muscularity much more like a hearty than an aesthete. It was not of course possible to know how much sexual activity actually took place in college, and the bedders (lady bedmakers) were very discreet, even if occasionally they had to deal with messy situations. The 'young gentlemen' were nearly always generous with their end-of-term tips for the bedders.
Tom was making great strides as a singer, and one quiet evening I produced a piece of paper and asked him to sing what was on it without accompaniment. It was the words and music of Dad's favourite encore item and his personal gay anthem, 'Dear pretty, pretty youth' by Thomas Shadwell, set to music by Henry Purcell. I knew that it would appeal very strongly to Tom, because of his attachment to my father.
'Dear pretty youth, unveil your eyes,
How can you sleep when I am by?
Were I with you all night to be,
Methinks I could from sleep be free.