The second week of "the gay play" rehearsal began with an evening that was unusual even for veteran actors.
Mark and Barry had gone over the kissing scene the Thursday before, and the straight young men had found that relief from their frustrations could be found in each other's hands. The cast rehearsed again two days later, with surprisingly no drama and no awkwardness between them. The next rehearsal was on Monday night.
Mark was the second to arrive, and found Donna in a petulant mood. The tall blonde was frowning at nothing in particular, and ignored him until the others arrived, which struck him both because usually she was so talkative, and because the cast had already grown rather close. It left him a little off-balance, a little unsure.
Ms. Mahoney returned to the subject of the gay kiss at the heart of the show. "It's not that it's wrong," the director said of the lead actors' approach, "we just want to explore different methods, different moods, different emotions. We find art when we search for it."
So first Mark practiced snogging a Barry who was acting passive and unresponsive. Then Barry practiced kissing Mary's neck, jaw, ear, before finding his mouth. The boys tried a fast, almost violent kiss a few times. And then an achingly slow one that caught everyone by surprise with its passion: restrained, and then unfolding, with caresses and breath, into the blossom of desire.
Donna sat stone-faced.
Sherry, watching, was speechless. She had no opinions one way or the other on gay men and their acts of love. She didn't know any gays. They were going to do their thing without her, and she hadn't thought to notice.
But the strength of the man before her, harnessed in gentle ministrations to another man, suddenly seemed the sexiest thing she'd ever seen. Her gaze darted from Barry to Mark and back. And she couldn't help picturing the both of them making love to her.
So Ms. Mahoney's next assignment caught her off guard.
"Thank you, boys. Very well done, very good. Let's keep this going. I want you to keep searching for your craft.
"And I want the rest of the cart to help you. Each of you, line up, that's right.
"I want you to share your ideas with Mark and Barry. And if you remember from our last lesson, we're going to practice nonverbal communication amongst ourselves.
"Take a moment to think what you could or would bring to the role for this scene if you were one of our leads. Then show it to first Mark, then Barry. We find art when we search for it. Help them search. Let them sense your guidance, your insight.
"Sherry, please start us off."
Sherry stepped forward, a little wobbly.
"You mean... ah... kiss them?"
"That's right," said the director. "If you prefer," she added, with restrained emphasis to indicate disapproval, "you can participate by leaving your mouths apart a few inches. But I would hope the whole company would be willing to participate in any exercises already required of any particular cast members, and of course you will communicate with effectiveness by direct contact."
Sherry gulped. She'd just been asked to kiss two young men she barely knew.
Heart still beating fast from the arousing demonstration she'd watched, she stepped forward to Mark first. A smile, a stifled giggle, then lifting her hand to his neck. Her fingers, the color of chocolate, glided over his pale skin, edging into his wavy dark hair, as she lifted herself onto her toes and tilted her face to meet his.
He bent down. The clean scent of a man intoxicated her. A hint of breath, and then his warm mouth was on hers. The soft pressure of his lips parted hers. She sighed softly as his hands cupped her cheeks, his body leaned into hers. Her hands slid into his hair and gripped his back, and her heart beat fast, with this moment of heat drowning out the rest of her day.
The young woman kissed him back. She forgot herself for just a moment, leaned into him, and kissed him back hungrily.
And then the moment was over. And then she kissed Barry, which was nice. And made everything seem rather mundane.
And the rest of the cast lined up and, one by one, kissed the boys. No one argued, not Sherry, Zac, Jon or Donna. They had done all manner of improvisational exercises and ... was this just one more?
Boys kissing boys was not supposed to be a problem, and so it wasn't. Mark and Barry -- and Zac and John -- experienced in turn the scents of the other college men, their presence, the manner in which they stepped forward to give and receive a kiss. The odd feeling of vulnerability and macho, together, swapping places.
Then Donna was the last to kiss Mark, and her pursed lips and narrowed eyes told him what was coming before they stepped into each other's embrace. A closed-mouth pressing, held for a beat, and she moved on.
It felt like a rejection, but Mark shook it off and went back to work. She'd seemed almost disapproving. Had he done something to offend her?
The next exercise was completely verbal, something Ms. Mahoney called "synonym call-and-response," but the cast was in an autopilot daze from the kissing.
Definitely one of the more bizarre rehearsals any of them had ever attended.
-----
The two boys walking home together. At the door to Mark's dorm. A pause while someone walked into the building, then the discussion of the secret on their minds.
"So, you get hard?"
"A little. You?"
"I'm really glad I adjusted. I don't think they saw."
"...well, shit."
"I think I'm engaged to Sherry now."
"Ha ha. Nice. So... shit, do you wanna..."
"I don't know. Let's see how Wednesday goes."
-----
Wednesday night came and went. Mark grew a little stiff in his boxers but he didn't think it showed.
Barry was doing fine until the last kiss, when a finger on the back of his neck, or something about the moist heat of a sigh caught him off-guard. He was glad to sit cross-legged with hands hiding his bulging shame. He tried to think about everything but the memory of Mark's...
Mark's wet fist...
On his...
They still had no girlfriends, no release for the sexual tension building in each of them. Brought to a boil every Monday, Wednesday, and Saturday. For the next six weeks.
What the hell were they going to do?
What the hell else could they do?
They walked a curiously-friendly Sherry home, then parted, again, at Mark's dorm. They didn't have to say it out loud.