For earlier stories in this series, see "Bite of the Schlange" and "Siren Song Symphony"
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The black ship glided up the Italian coast and hove to in Laguna Venita. The Venetians were a strange and decadent lot; only they would sustain a tradition of a two-day annual festival "celebrating" the twelfth-century visitation of the Black Plague to their canal city with a series of public and private masked balls. For most of that time the Schlange had been in attendance, and this year would be no exception.
By the time the black ship was dropping anchor in the eleventh hour of the last day of the festival, most Venetians were satiated and had taken to their beds in a drunken and lust-drained stupor. At this same time, however, Vincenti, the young prince of the Lombary House of the Lancias was just arriving for his annual visit to the Serraglio Masque at the city state's most exclusive male brothel.
As the prince's golden gondola swept up to the canal portal of the moldering palazzo on the Calle del Forno in the city's San Polo district, the prince's two burly bodyguards, blond Nordic musclemen both of magnificent, foreboding proportions, clamored out of the vessel. One tied off the boat to one of several posts lining the brothel's dock, while the other pounded heavily on the heavy bronze door to the old palace. Both were dressed as eunuchs, although the prince could readily attest that both were in full possession of masterfully working equipment. They were only bowing to the spirit of he celebrations, as this was a masked ball, traditionally calling for a harem motif.
When the door had been opened and the identity of the visitor, the scion of an ancient noble family turned profitable carriage coach makers, had been established, the prince emerged from the low cabin of the sedan gondola. He stood tall, beautiful, patrician in the gondola before being handed up onto the dock by one of his bodyguards.
He held his head high, giving the impression he was looking down on everyone around him, including his two Nordic bodyguards, each of whom towered nearly a foot above him. His straight, Roman nose flared at the distasteful smells of the Venetian canal, and his eyes flashed, pale blue, incongruous against the jet-black, curly hair haloing his handsome face, itself a stark contrast to the alabaster skin tautly stretched over an admirable musculature of a well-worked body in its prime.
In contrast to the convention, and probably to flaunt it, Vincenti was dressed—or more precisely, undressed—as a Roman gladiator, in short Roman skirt, gold sandals, with golden-roped lacing winding around his well-turned calves, and gold snake armlets encircling his bulging biceps. At first appearance he also appeared to be wearing Roman chest armor, but these looks were deceiving. His chest hair, which flared down from under his nipples and met at the sternum to descend into the low-riding waistband of his Roman skirt, had been gilded and arranges in filigreed curls, augmented by body paint that simulated filigreed torso armor. His abs were cut so perfected that, painted as they were, he initially seemed to be armored. His simulated torso armor seemed also to have tassels at the nipples, which, in reality, were gold nipple rings with ruby inserts.
In keeping with the prince's exalted position, he was met at the door by the brothel's "madam," a tall, willowy Turk of yet-to-fade effeminate beauty, at one time the favorite of the house and now its administrator. The keeper of the brothel was dressed in diaphanous, transparent harem pants, a scarlet-red sash, and gold bangle jewelry in every conceivable place, from nose ring to toe rings. He had black straight hair that cascaded down to his waist. His face was painted to a point where he could be described more as beautiful than as handsome—or could be if his face could clearly be seen behind the veil he wore.
The madam and the prince conferred in low tones momentarily, and the madam snapped his fingers and two meaty men in harem garb who were standing beside double doors to the right of the entrance opened these portals wide and the prince and the madam stood on the threshold of a suddenly noisy chamber in full sexual celebration. A ball was going on to the tune of a small instrumental ensemble in which the mood was distinctly gay and a good many of the invited guests and "entertainers" were already well into balling.
The prince looked, scowled, raised his patrician nose toward the ceiling, and sniffed.
"No. None of these," he said. "Young, slight, but well-formed, black . . . and, most important, fresh."
The madam whispered to the prince, who snapped his fingers, and one of his bodyguards stepped forward with a purse.
Weighed down with a bit more gold, the madam smiled and turned the prince to the doors on the other side of the foyer, which he opened himself.
The prince's eyes lit up with more interest and after a few moments, he pointed, and a small, but perfectly formed, nubile and Nubian, youth of eighteen or nineteen, thick-lashed eyes downcast, and dressed in filmy, billowy harem pants that revealed perfectly rounded buttocks and a small cock pert little balls stepped forward into the foyer. Other than the harem pants, he was wearing only a blue velvet vest that barely closed on his nipples on either side and a gold necklace and gold anklets.
"And full equipment as usual," the prince commanded.
"Ah, yes. We must discuss that; that might be possible," the madam said in saucy, teasing tones.