Was that really him I'd seen at the graveside, I wondered. It was more than a glimpse and he looked at me in recognition, but then Julio had taken my elbow so possessively, so intent on showing how close he was to Avis and me—or to me, at least. When I'd given him his moment of recognition, I looked back at where I was sure I'd seen David. But he was gone. I pulled the collar of my coat up to my ears and shuddered. Fuckin' long Chicago winters. Frozen stiff by the wind whipping off the lake. How did they manage to chip out a hole to put Avis in?
Not that Avis was in that coffin they were lowering. She'd wanted the pageantry and the attention of a full burial, but she wasn't there. She'd been cremated and her ashes scattered on top of Pedernal Mountain in New Mexico from her beloved Piper Cub plane that she was fond of being photographed next to even if she'd never learned to fly. Thus, her ashes were being symbolically superimposed on those of Georgia O'Keefe. And it wasn't because they had been buddies. Avis would do anything she could, even in death, to upstage O'Keefe.
Not that anyone here, but Julio and I, knew she wasn't in this coffin. She had trusted me to reveal the truth when the sales of her art started to flag—when she needed a boost to connect her to O'Keefe. That was Avis. Always playing the angles, even beyond death. And nearly everything about her fake—except for her art. Her art was genuine, so far eclipsing mine that I'd stuck with her these last five years, living in her shadow, but gratefully so. Doing everything I could to soak up her skill and her inspiration.
Now I'd be flying solo. Or would be if it wasn't for Julio, still standing close beside me, a "comforting" hand on an elbow. As if I were going to throw myself into the open grave in grief.
Avis would like that, I'm sure. But there were enough photographers around this gravesite to hold off the need to play the Pedernal Mountain ash dump for a couple of years.
There was truth in Avis' art, I'd grant her that. But it wasn't anywhere else that I could see in Avis' vicinity. It certainly wasn't in our five-year robbing-the-cradle marriage. That had been one of convenience from the start, me on the rebound from David and Avis thinking she needed to make the
right
statement. The statement had to be about men—and young and stylish men—as she'd had her name linked to a pro women's tennis player, and Avis' big art clients weren't
that
liberal and forgiving. Her real issue was with men, but being hooked up with black truck driver types wasn't seen as in her image interest either. The young up-and-coming artist out of the Savannah College of Arts and Design, SCAD, with the Old Family Charleston background, was just what she needed to rejuvenate her image.
The marriage was a sham from the beginning, of course, but I wanted a totally opposite reaction to the breakup with David, one of my professors at SCAD, and I wanted the further art development Avis would provide me without having taken into account how anyone walking into her shadow withered.
That there was no body in this coffin they were lowering into the ground was another lie, but also what Avis had died from was a lie. Yes, I guess it could be called consumption, but it was a consumption of men from truck cabs and off the street and from the AIDS one or more of them gave her. Not a glamorous way to go and not one that would write up well in her Wikipedia listing, so the tragic Victorian era malady of consumption was put into play. I certainly didn't object. It wouldn't mean that anyone would look at me as a sexual pariah now, and, at twenty-seven, I was in my sexual prime—and prime in my need for sex. I just never had had sex with Avis. We'd gotten drunk once and had started into it, but we both started to laugh, and it ruined the mood we both worked so hard to pretend was there.
And right at this moment, although I was managing—genuinely—a tear and a look of grief for the passing of my famous wife, what I really could use was being thoroughly laid.
As if sensing that, Julio, Avis' Brazilian business manager and my sometimes lover, squeezed my elbow and leaned his head into mine, "Hold up for just a few more minutes, and we'll be able to leave. I'll take good care of you."
"You always do," I murmured back. And he did, in his overbearing way. Whereas Avis had gone through life assuming it was all about her and correctly taking for granted that her will would be accorded to, Julio was more demanding in his assertion of control. It worked with Avis, because they both essentially wanted the same thing—a well-oiled financial account—and neither could see the manipulation of the other. And it had worked with me to this point because I had a social contract with Avis that left me little breathing room and because I had a weakness for dominating men with big cocks. Julio fit that bill. To Avis, Julio was in the family. He was a safe lover for me.
But then, so had David been—he had left little breathing room for me when we were together. The reality probably was that I needed to have someone control me. Preferably a strong-willed, well-hung man, I now knew after five years of marriage to Avis.
I looked around the gravesite again, but I didn't spy him. It was easier to look for him now than before, because, although the machine hadn't hit bottom with the coffin yet, some of the mourners were already drifting away. There was a reception laid on at the Renaissance Chicago Downtown, centrally located on the shore of the lake, and everyone wanted to be the cause of the stragglers not getting full champagne glasses. Avis was a little optimistic, I thought, about how long she would be remembered in anything but the prices of her paintings now skyrocketing in the market. The people who came today were other artists likely to resent Avis' new price structures rather than the rich Europeans and Asians who bought her art.
"Come here," Julio called from the living room while I was taking off my coat in the foyer after the long drive back to Oak Park. Avis wanted to swirl in the lifestyle of Chicago, so we had a pied-à-terre there facing the lake, but she also wanted to "commune" with the likes of Frank Lloyd Wright for inspiration, so the main house was in Oak Park. Except when I was doing arm candy duty, I stuck to Oak Park, because it did, indeed, have a community of artists that wasn't as full of themselves as Avis' crowd was.
Julio also concentrated his management work in Oak Park, so more times than not, when Avis was entertaining a black bull stranger in our loft studio, Julio was fucking me here in Oak Park.
"On your knees," he demanded when I walked into the living room. He already had his cock out and was holding it, although it looked fully capable of standing out erect on its own. "I know what you need right now," he muttered.