By
Jason Land
CHAPTER 1
The room echoed with the inimitable sound of a well applied cane mating with a pair of well muscled buttocks. Valerius Titus Nero was in process of correcting an errant slave and the final stroke of the switch he was using left the tenth livid furrow across the recipients arse.
"Stay exactly where you are, bent across that table and spread your legs," commanded Valerius, as he dropped his tunic and stood there as naked as the slave he had just finished beating. His cock, which was his pride and joy, was already a rock hard rod some nine inches in length, primed by the homoerotic experience of beating naked arse, an act which always gave Valerius intense satisfaction. He motioned to another young slave who was present, to oil his fellow slave's anus and then had the slave oil up his own cock. Valerius showed no embarrassment or reticence in having one of his slaves make finger contact with his cock as he applied the lubricant. Once fully prepared, he advanced on the waiting fuck hole and with no preliminaries, thrust his man-meat deep inside the young slave, who let out a howl of pain at the brutality of Valerius's attack. But Valerius cared nothing for his slave's feelings, who had twice in the past few days been clumsy in serving his master. This time he had spilled hot broth over Valerius's tunic for which he was now being punished. Valerius like nothing better than to bugger an arse he had just thrashed. It gave him immense satisfaction and he exercised his powers with vigour, culminating in an enormous climax when he shot a huge wad of creamy cum, a testimony to his virility, into his slave's rectum.
But who is, or rather was, Valerius Titus Nero and where did the little scene just described take place? Well, we are in the year 79 AD in the city of Pompei situated on what we today call the Bay of Naples in southern Italy. It is strange that we today refer to events in the pre-Christian Roman Empire, in term of AD, Anno Domini: in the year of the Lord. Dedicated historians manage to date things which happened some two thousand years ago and not only name the exact date but give the precise hour at which events took place.
But to come back to Valerius Titus Nero: he was the only son of Marcus Publius Nero, a man as rich as Midas, the richest man by far in Pompei, a city of some 20,000 inhabitants , the richest city south of Rome whose inhabitants were, by repute, richer than the Romans themselves. The family name was the same as that of the recent tyrannical Roman emperor, Nero, but there was no family connection. Nero was usually a given name, but in this case, it was the name of the family. However, thanks to his wealth and prominence in the city, Marcus Publius Nero had adopted and practised a style redolent of the dead Emperor himself.He considered himself and his family a cut above any others and showed it in the treatment and condescension he dispensed.
The Nero family lived in the biggest villa in Pompei. I say villa, but in fact, it was more akin to a palace, situated on the edge of the city on the gently rising slopes of the tree-lined mountain called Vesuvius. Behind the villa, the green slope of the mountain rose towards the summit whilst from the front there was the most incredible, breathtaking view of the bay of Naples, with Naples itself to the north and the rocky massif of the Sorrentine peninsula jutting out into Mediterranean to the south. Valerius, as the only son of the house, was completely spoiled by his father, Marcus Publius, who had lavished every luxury on his son from his earliest age. Now aged twenty, Valerius occupied a suite of rooms in the paternal villa, a house which few Romans could dream of; he also had a large number of slaves to do his bidding.
Pompei itself was a rich city and populated by wealthy Romans, wealthier than those who lived in Rome itself. In terms of what we today would call infrastructure, Pompei was very well equipped. It had several aqueducts bringing fresh water into the city from the surrounding hills, no less than twenty-five fountains, four public baths (the Romans were keen on bodily cleanliness, an attribute, alas not followed by later generations for nearly two millennia). There were several brothels and that key place of entertainment: the arena. The arena played a very important part in Roman life. It was there that the populace went to be entertained, watching fellow humans being killed in a variety of gruesome ways. The amphitheatre was also the place where "criminals" were executed in ways which defy the imagination. The Romans had a gruesome inventory of methods of putting people to death, none of them quick or painless. The Romans liked to think of themselves as a civilised, cultured people, who in many ways they were, but they also had utterly barbaric traits themselves and to refer, as they often did, to many other peoples as barbarians, was truly a case of the kettle calling the pot black.
If Roman men in general were preoccupied with sex, the denizens of Pompei were totally obsessed by it and in particular by the male sex organ, the penis or phallus, which figured in many bass reliefs and wall paintings inside villas and was the subject of many graffiti of which the Pompeians were inordinately fond. Other Romans referred to Pompei as "Sin City" implying that sex was a sin, which when one considers what Romans throughout the empire did, beggars belief. The Romans had some very strict views about sex, which was such an important component of their daily life. There was no shame attached to men having sexual relations with other men. In theory a Roman was free to fuck an inferior such as a slave but would never allow the inverse. However, in practice, sexual attraction being what it is, legalisation, as ever, was ignored and young Roman men did indulge in anal intercourse with each other. In other words the situation was more or less normal. The only difference between Rome and elsewhere, other than Greece, which was also a hot bed of homosexuality, was that homosexual relationships (there is no one word in Latin for homosexual, by the way) were considered quite normal and it was quite common for a married man with a family to indulge in anal sex with another man. So, in this context, young men, such as Valerius, were free to give full rein to their fantasies: nothing was really forbidden.
The streets and buildings of Pompei were littered with references to sex and the male sex organs, cock and balls, figured graphically everywhere. Graffiti with explicit reference to sex were to be seen written on walls around the town, often very explicit, rude and downright venomous, no one was spared, for innuendo was not the order of the day. Just take a look at the following:
"Quintus Aurelius is fucking Olivia, Lucius's wife, who thinks her husband can no longer get it up. She is naΓ―ve. Lucius prefers Olivia's eighteen year old brother, Titus."