The Chippendale dancers had had a grueling evening of raucous New Year's Eve festivities at L.A.'s Catalina Club on Grand Avenue in South Park. The ladies, if you could call them ladies, nearly swarmed the stage to get at us for three fuckin' hours. It was one of my first gigs, having arrived in L.A. from Milwaukie at nineteen just over a month earlier, star struck and lucky to get a job on the male, take-nearly-all-of-it-off dance line rather than parking cars until my big break came in movies. I wasn't tall or exactly bulked out, but football, wrestling, and doing heavy lifting on a farm on a wholesome, milk-fed diet in the open-smile, blond, all-American environment of the upper Midwest had done me well—at least the ladies and some of the men in Los Angeles thought so.
The funny thing is that it did come, the break into movies, but not that night. That night I was dancing for my breakfast beside Elias, the big, muscular black god, thirteen years my elder and a far contrast to me in body color and style. The ladies seemed to love the contrast, though, and they cheered when they saw the two of us dancing together.
I'd been smitten with Elias myself. I'd come to L.A. to do more than make it into movies. I'd come to grow up—to make it with hunky, preferably black, men—to be submissive to them and lie, panting, underneath them. It had been a dream of mine through high school, but I'd yet to act on it. Elias took care of that.
Elias had been assigned to take care of me, to show me the ropes and merge me into the dance line at the Catalina Club, which was for the ladies. Elias did take care of me. We were attracted to each other from the beginning. I would have given myself, for my first time, to Elias before New Year's Eve. I was ripe for it and we'd kissed and felt each other up. I begged him to initiate me. But he told me to wait for it—for a special time and to make it count. I didn't know that "making it count" involved money and exhibitionism.
New Year's Eve, after midnight, and having hit the peak at the Catalina Club, we came off the stage carrying what we've shed in the cowboy scene and Elias pulled me aside, kissed me, cupped my basket, and said, "Tonight's the night. We're going over to Caligula, where it's still in full swing, and doing a special show, just you and me." He didn't really ask me if I wanted that. He already knew I was dying to be submissive to him.
Caligula was the men's club mate to the Catalina Club. The Catalina Club fronted on Grand Avenue; Caligula fronted on S. Olive Street, behind Grand Avenue. The club property ran through the block, fronting its ladies-client version on Grand and its gay male-client version on South Olive. Not all of the Chippendale dancers played both clubs—only the willing, for bigger pay, ones also performed at Caligula.
I hadn't done a show at Caligula before. I hadn't been fucked by a man before, either in private or on stage. That night I did my first show at Caligula, and that night Elias fucked the stuffing out of me for the first time—on stage. And the men loved watching us fuck.
We did it on an ottoman on a slowly revolving stage in the center of a show room at Caligula, which put the raucous and attention-grabbed male crowd close to the stage and able, while standing in one place, to watch at all angles the big, strapping, muscular thirty-two-year-old, experienced black bull, Elias, rip the virginity of the willing, but nonetheless not previously initiated, out of me, Mike Townsand, a relatively smaller, lither nineteen-year-old novice white boy fresh out of Milwaukie. He laid me on the ottoman--on my back, on my belly, on my side, on my knees, on my shoulders--and took me, stretching and punishing my virginal hole with that monster black shaft of his in several positions, while encouragement and money rained down on us from all around. I'd never made so much money in an hour before than—or since, for that matter, even though I now was getting speaking parts—not just "take your shirt off and stand in the background" parts in movies.
That was New Year's Eve, exactly ten years ago.
* * * *
I picked the extra champagne glass up from the coffee table, took it into the kitchen, and put it back in the cupboard. I looked at the bottle of Mums on ice in the wine bucket but didn't have the inclination to put that back in the refrigerator yet. Maybe I could do the whole bottle myself tonight while I pouted.
I wasn't surprised. In fact I'd really known for a couple of hours that Elias wasn't going to make it up to Big Bear for the weekend. It had been snowing all day in the mountains, and my vacation house was nearly the last one on Pine Trail, winding around the mountain a third of the way down from the ski lifts at the top of the San Bernardino National Forest resort at Big Bear Lake.
The house further in from mine, Ben Swift's A-frame, had a few lights on, but I'd seen the movie producer down in L.A. Thursday evening, at the movie studio, and he said he'd be in Las Vegas for the weekend. He must have loaned the house out. I hoped his guests wouldn't be disappointed about being snowed in. Of course, if they'd come to ski, they could wade their way up to the lifts and ski back down a short way to the house. I wondered if they knew that. I might go over and make sure they did—if I could get the gumption to go out in this snow myself. It was beginning to drift.
The house on the other side of mine, the more substantial log house the Lathems owned, had had lights on earlier too. I got more of a glow from that direction over the treetops than being able to see the actual house. It was a good bit lower than my house in elevation and on a nasty twisting and rising curve on the road that would be hard to navigate in this weather.
I went back to the living room and settled in to watch the DVD I'd pulled out to watch with Elias for old time's sake on this tenth anniversary night. I'd wrapped it for Elias to open, but I tore the wrappings off and put it in the machine. I had thought it would put us in the mood—or further into the mood; I think we'd already be in the mood—when Elias appeared, but now he wasn't coming. He'd called me and said he didn't think he could chance it unless he hopped on a snowplow and that he was needed at the club. He owned the Catalina and Caligula complex now—and the Chippendale dancer line playing there. I'd told him not to bother to try to come, hoping that he would bother, but he'd said he wouldn't.
So, there went the weekend. I didn't even know whether the electricity would hold up here on the mountain in snow like this. At least I had a lot of firewood in and this house had been built with fireplaces and double insulation that could provide for heat, as necessary.
I was deciding whether to go take a shower and dress more warmly after the DVD was finished when I heard the door chimes sound. In anticipation of Elias, I wasn't wearing anything under the Henley shirt and faded low-rise blue jeans I had on. I'd really planned on a sexually satisfying weekend starting with a quick striptease, which had once been Elias's and my specialty.
And maybe, I thought, as I clicked off the DVD and went out to the foyer to answer the door, Elias had hopped a snowplow after all and the weekend would be saved.
But that wasn't the case. When I turned on the front porch light, I saw that a stranger, bundled up in a parka and a floppy-eared hat, was standing out there, shivering in the cold, and blowing on his hands to warm them.
I opened the door.
"Excuse me," he said. "I'm looking for someplace I can make a call. My cell phone is dead and I've just gone off the road on a curve. Banged my car up pretty bad. I need to call AAA."
"On the curve?" I asked. "That would be in front of the Lathems' house. They should be home."
"I didn't see any lights in any house but yours. Sorry. I can go back and—"