Surfstruck Ballet
This story is an original composition. All characters are fictional as is their relationship with the places and organizations described. The ballets described are figments of the author's imagination.. All men engaged in sexual activities are over 18. As usual, character development precedes sex--which is in the last half of the story. Copyright, 2023 BD
Jason's eyes slowly opened in the dim early morning light. He had a splitting headache, a very dry mouth and a full bladder that had made his cock extremely and painfully hard. He was in bed, a bed he did not recognize, in a room that was also foreign to him. He was also in the heavy arms of a large dark mountain of a young man. Those arms held him in a spoon so tightly that he could feel the deep ridges in the giant's abs. The man's beefy thighs had pushed one leg forward and his long heavy pole was nestled comfortably in his sweaty crevice, apparently laying claim to the territory beneath it. The man's left hand easily cupped his swollen balls while his fingers circled his stiff cock. Where was he? Who was his captor? How had he gotten into such a position--again?
Jason Greene was a dancer with the Houston Ballet--one of the great full-time, professional companies in the United States. He had just celebrated his fifth year (and first as a principal dancer) with a debut in a new piece, set to an orchestrated medley of Beach Boys surfing songs. The ballet had been written by a new California Asian composer and dance instructor. It had been a crowd pleaser and a hit--with lots of gymnastic athleticism: smooth glides, long, high leaps and splits, and eye-popping airborne twists--even a remarkable somersault "dismount" maneuver in the finale. The intricate footwork and moves attempted to duplicate those seen on a real board in heavy surf. The main dancer was thus also a gymnast. The ballet had been performed on a stage with an enormous video projection of real surfing waves--curls, pipes, massive swells on the rear screen. It was an unusual ballet in that it featured men in leading roles; the women dancers were mostly groupies who adorned the beach and through dance conveyed excitement with just a touch of sexual anticipation when their surfer idols came ashore.
Jason was 6 foot "even", muscled but lithe, with long legs, gymnast thighs, hard pecs, and a deep-concave eight-pack. He had a square jaw, had grown his hair long and blond for the part, but was otherwise shaved, and his tan, augmented by makeup, suggested the dusky complexion of the surfing star of Surfstruck's Beach. He had only one costume in the ballet--a pair of tight, pale aqua board shorts, made of an stretch material, form-fitting and accommodating the near-violent movements required by the choreography. It was worn deliberately low on his waist, showing off his deeply cut vee. It was fastened provocatively with orange laces, criss-crossing his enormous basket. In fact the entire cast had been costumed in pale shades of skin-tight swim gear, quite scandalous by mid-Texas Bible-belt standards, but accepted by the more liberal Houston crowd which patronized the ballet. Many patrons were elderly widows or gay men, often dragging partners along, to drool over the magnificent bodies of the dancers.
There had been a patrons' party after, held at the studio which the HB used for rehearsals on Grey, on the east side of River Oaks, not far from the downtown theatre. One would think that an after-ballet premier party for patrons would be sedate, almost quiet. One might also assume that the dancers were exhausted, and the patrons were aged. Almost the exact reverse was true. There was a lively disco--and the dancers, still pumped from the performance, mingled and danced with each other and the patrons until the early hours of the morning. Patrons were there either to gawk (often with feigned disdain, if elderly) or to participate (if gay). Either way, it worked for the Development Director. She would mine this guest list for contributions later. Jason had been treated as the star he was. He danced and drank--quite a bit it seemed. He didn't think he had hooked. But, now here he was in bed with a stranger--at least he wasn't an old man, and he was pretty attractive and hung.
Jason wiggled out of the grip of the much larger man, trying not to wake him. But, he needed relief. The man seemed to be waking, but ultimately he rolled aside, released Jason, and was soon deeply asleep again.
Jason used the bath facilities and then re-entered to survey the room. It was a large masculine bedroom outfitted with modern furniture, mostly pale white leather with dark navy walls, contrasted with the eye-popping blue-white of the bedding and a display of monochromatic Blanc de Chine porcelain. They were in the clouds--so obviously in a high rise apartment or condo. Jason, wrapped only in a towel, tiptoed into the stainless kitchen and searched for liquid--at least water, but hopefully coffee. As he tried to decipher the directions to the espresso machine, while gulping ice water, he heard a sound, then a voice. "May I help you?" It wasn't the giant, but a smaller, thinner and much older Asian man, dressed entirely in black: button up shirt, slacks, and leather shoes. "I am Lee, Mr. Chen's housekeeper and butler. I presume you are the young man he brought home as a souvenir from the ballet early this morning. He is likely to sleep another hour or more. Let me do the coffee. Would you like anything to eat?"
"Thank you, Mr. Lee."
"That's just Lee, not Mr. Lee. I have eggs, sausage, bacon, fruit, toast--really whatever you might like." Lee was clearly British educated from his accent.
"Just toast and black coffee, please. Oh, and perhaps a few aspirin."
"I guess you drank a bit last night."
"I'm afraid so." Jason sat at the counter. Now at least he knew his host: Henry Chen was the wealthy young Chinese "half-breed" expat (by way of Singapore) who had taken the "haute monde" of Houston society by storm with lavish parties and generous gifts to the ballet, the opera and the symphony companies. No one quite knew the exact source and extent of his wealth (he seemed to have industrial interests all over East Asia) or his actual age--but most guessed he was under 30. No one knew if he had a wife, children--or even his sexual orientation. He had never exposed either to Houston society. He was always solo. Henry was indeed a giant, even by Texas standards, about 6-6, with dark shaggy hair, a wide rounded face, deep almost black (but very Western) eyes, and the physique of a bulked-up Triad street fighter. He wasn't overweight, but clearly well-muscled, particularly his shoulders and chest, creating the desirable masculine V-shape. In public, he was always seen impeccably dressed in black--suits and shirts, ties, silks, fine wools. But the clothing seemed almost incongruous on such a large man.
"Where are we?"
"You are on the 30
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