'Louis leaned in and kissed Mark hard on the lips, running his hands over the rough cotton leggings that covered the thighs he wished to be between. It had been days since he'd rescued Mark from the tremulous seas, and this was the first time that his ward had been conscious and awake. The lips parted slightly and felt warm to the touch of his own heated lips. Tentatively, arms reached up and wrapped around his broad shoulders, pulling the rescuer closer to the one he'd rescued. He felt the pressure of his chest against the other, hearts beating rapidly; pushing blood through his system and filling his loins with lust and desire. Soon, however, the other men on his ship would stir and wonder where their Captain was.'
Note to self -- go back and edit "Mark" to "Margo"...
Being the author of several of the quick, easy and passionate romance novels on the market today is easy. Just let your mind go into the moment, lock onto your character and his or, ultimately, her driving forces; identify with them, feel what they're feeling, throw in a smattering of romantic day dream settings -- the decks of the HMS Cosmopolitan or the SS Prowler, the dusty streets of the "Wild West" towns, the prim and overdone Victorian-era London Townhouse or the modern and slick New York penthouse -- add a dollop of "they-want-each-other-but..." circumstances that will be overcome and -- BAM! -- in just over 200 pages, you've got a million-copy seller of the "romance of the week" book club.
But, oh, to be the author of so many of these over-wrought dalliances between "Biff" and "Jane" or "Thomas" and "Sarah" or ... in this case ... "Louis" and "Margo" is just ... well ... it's a job. But it wasn't always easy or quick. It was tough work for the first few times. But then I'd struck onto something -- and I was off and scrolling up the charts of paperback sales.
Well, maybe not me; but rather it was that alter-ego "nom-de-plume" that was getting that climb up the sales chart. Yep, it was "Roark Flaherty" that was going up the charts, not Michael Finnegan Brewster.
But, hey, the "hit of the housewife" that I was made it much easier for me to be the me that I really am: mid-30s, red-haired, blue-eyed, Irish and decidedly, admittedly and completely 100% gay. Oh, and I'm pretty well endowed. Well, I mean my bank accounts. But that other is a pretty impressive piece of me, too.
Roark Flaherty was the other... He was dark haired, dark eyed, and very heterosexual. He was the epitome of typical housewife afternoon fantasy; a cross between some soap-opera stud and movie-marathon magnet. And he never made public appearances. Never; because no matter how hard I tried, there's no way I could ever be him.
Don't get me wrong -- I'm no slouch in the looks department. But, hey, I'm a writer. If I was better, more like my alter-ego, I'd be up on the silver screen; melting hearts and making people swoon with my smoldering features.
But, alas, I'm just an average looking Irish-American guy. I'm about 6 feet tall, and tip the scales at 190. I work out, keeping my body relatively in shape; no, you can't crack nuts between my thighs or in my ass, but they don't wiggle and jiggle like Homer Simpson, either. I get my share of looks at the gym or at the bars; but, again, I'm not a "hottie magnet" that gets all the looks and all the numbers and all the free drinks lined up along the bar.
That's something that is highly underrated, by the way. The free drink; the drink you buy some guy as a way of "introduction". It shows that you have noticed him; and that you've paid enough attention to get an idea of what he's drinking; or at least enough attention for the bartender to know what he's drinking. Then it's just a simple offer of friendship (and 5 bucks from the wallet) and possibly -- if the guy isn't a total slob -- a meeting.
But being one of America's best selling authors of steamy romance doesn't get you a lot of free drinks. Instead, it gets a lot of "who?" and "what?" when talking to some guy. Oh, and the typical "Oh, yeah! My mom reads your stuff!" Not a winner there, either.
So, I often just buy my own drinks and meet some guys and don't get much beyond the "what do you do for a living" question with a quick and easy "I'm a writer" reply. Some want a bit more detail, but I just give them a little to make it easy.
Like I said, though, it wasn't always easy. I never could get into the characters. I mean, I could write some great scenes and some wonderful adventures for Sarah or Sally or Polly or ... well, whatever insipid "every-gal" kind of name I gave her, but I could never really get into the ... romance. The lust and the passion; it always eluded me and threw up road blocks to every attempt I made. And trying to write from the "lustful lothario" point of view didn't work either. I just ... well ... couldn't get it up with him, trying to picture her ... creamy white thighs and voluminous breasts... Yuck!
But then I watched some movie ... OK, it was a porn ... and in the "extra features", there was an interview with one of the stars and he gave away his secret for making hot and fantastic movies -- no matter who his partner was in the scene. He was only "gay-for-pay" -- that he was doing the movies strictly for the cash -- but he had his girlfriend back home that he did everything else with. What he said he did, though, was that he pictured her -- his girlfriend -- instead of the guy he was with. So he never "saw" himself fucking or getting sucked off by some of the great names in gay porn. Nope, it was always sweet Christy ... or whatever the fuck her name was.
So I tried it. Well, no, I did not try porn.
Again, I'm not the body for it! But I tried what he did. Only instead of imagining "him" doing "her" -- I imagined "him" doing "him"! And it worked! I was able to get into the heads of my men (and women) and make things work. It would be "Polly" in the tale -- but in my head, it was Paul. And it was no problem having Felipe get romantic and passionate with Ramona -- as long as it was Ramon. I was suddenly able to churn out story after story -- "Pauline Imperiled by Captain Jake" or "Sarah Saves Sam and San Antonio" or any of the other dozens of dramatic drivels I was able to send to the publisher and get paid for.
The hardest part about it now is remembering to go back and change Paul into Polly or Dane into Diane and remember to swap out the he for the she, the him for the her and all the rest. And, luckily, the editors catch any pronoun miss I make and chock it up to ... productivity.
Now, every man I see is a possible hero -- or heroine -- or a lustful lothario after nothing more than a quick romp in the sheets. Now my porn fueled fantasies can leap to life on the page, albeit in a tamer, more romantic version. Yep, that hot scene from "Butt Pirates of the Caribbean" can become a romantic tryst between Captain Jack and the Governor's Daughter Yvonne instead of 22 minutes of Captain Jack getting sucked off by the Governor and fucking the Admiral of the quaint little Caribbean Isle.