Markham shrugs. He's not the type to know what kind of engine is in his car. He's strutting around behind Thomas, acting all proud as if he paid for it himself, which he certainly did not. "You'll get there one day, dude," he says.
Literally everybody already has a drink, so Lexie and I go around to the back of Markham's car. He meets us there and shows us the spread, eagerly offering Lexie a whisky-coke. Everybody knows it's her favorite by this point. She even lets him make it for her. Someone turns down the music a little and there's a strange moment of peace where the heat hasn't faded yet and people are only one or two drinks in, just standing around, sweating it out, rotating in an out of some shade cast by the cars and a single bent-up little tree. There's ten of us up here on this dry hill, each heading for new places and new adventures and all that shit in another month or two. I'm telling you, nobody's saying much during this in-between time. Personally, I'm pretty taken by the way these brown hills are turning golden in the late-day sun, as the ravines cutting between them slowly plunge into shadows. But maybe I'm the only one.
And then things pick up. It was just a matter of time. The music gets turned up again and more beers and mixed drinks get passed around. We dig into our food provisions and the sun gets low in the sky. We're acting like little kids, playing this lawless game of tag that spills over the edge of the hill down into the ravine. You should see the way Thomas chases me. I run for this depression about a hundred feet down towards the creek, and then my foot catches on some tangled brush and I fall in the dirt. I roll onto my back and he's just towering over me, pretty much blanketing my whole body in his long shadow.
I'm inclined to say we have a moment. You'd think it would have happened earlier, when we were alone in his car on the way over, but it didn't. He's reaching his hand out to help me up, and I'm reminded of that night on Northview when he did the same, despite being completely shit-faced at the time. Back when we knew nothing. Damn, we've come a long way since that night. Anyway, the gesture wasn't lost of me then, just as it isn't now. We don't break our eye contact as he pulls me up. He has this look that he's giving me, and it says, "It's just you and me." And for a second, that's how it feels. But all the others are still around, and it looks like the game has ended, and the girls are picking their way down the hill.
There's no fire ban, so Driggs brought five or six pieces of chopped wood along. We pair off with our proper partners and collect whatever additional fuel we can find, from big dead pieces of sagebrush to dried-out willow branches at the base of the ravine. Lexie and I gather some rocks together and start forming a vague circular pit, and then everybody brings their folding chairs around. I will say this: once we get the fire going and the sun sets behind the hill, it's a pretty chill little scene we've managed to pull together. We're all having a pretty fucking good time.
Maybe I'm sounding like a broken record. Maybe you're thinking you've heard all this before. But I'm here to tell you, it's different this time around. As the night moves along, as every last one of us continues to partake, and especially as the four of us sneak off to smoke this swollen joint Lexie rolled that morning, the ballad of Thomas and Niko is playing nonstop beneath it all. Once we're back in our chairs around the fire, I'm just watching the moon, and it's like, all these other people, all the shouts and the laughter and the innuendo—it's all just layers of static. If you start stripping those layers away, one by one, you get down to that steady current running below. I can even hear it now, if I listen really hard through the gaps in all this noise. It's just trickling away down there. And guess what? One look into Thomas's eyes tells me he can hear it too.
Sometimes when I get extra high like this, I have the sense that I could fall pretty deep down the rabbit hole if I wasn't the type to reign it in at the last minute. I always end up reigning it in. Just tuning in to the antics going on around this campfire seems to do the trick. After relieving himself, Garrett returns with a powder-white cow skull that he's holding at the jaw. He lifts it up over his head and dances around. He's making some kind of tribal-sounding noise that he picked up from god knows where.
Lexie's voice grazes my ear as it passes: "You're appropriating."
Garrett keeps dancing. He says, "Don't even get me started on that." He's slurring up a storm.
Thomas gets up and steals the skull. He takes off running around the cars. Garrett goes after him, and I hear some muffled sounds of shouting and shoes scraping in the dirt fifty feet away. Thomas comes back victorious. He hugs the skull to his puffed chest, stands over the fire and says, "I am the king." Garrett slumps back in his chair.
"A gift for the man of the hour," Thomas says, presenting the skull to Markham.
"I said no gifts," says Markham, laughing. "But I'll take it."
Lexie and Madison go with Chloe and the girl from Borah to mix more drinks. I hear them laughing under the back door of Markham's car. The guys are going on about some baseball game that Thomas doesn't seem interested in. He's never been too into baseball. I look up at him. He's the only one standing. His face is distorted slightly through the heat and the smoke. Tiny red embers flick up into the night like fireflies. One settles on the tan sleeve of his letterman's jacket and he brushes it off.
For a second, he's looking at me, too. Then he looks back into the flames. "Hey there, Nikola," he says quietly. Thomas never uses my full name unless he means it.
The four of us share a tent that night. It's rated for up to six, so there's plenty of room. At first, Thomas tries sleeping alone out under the stars, but twenty minutes later, he joins us inside the tent. He lays his sleeping bag down on the opposite side from me. The girls sleep between us. I went to bed sort of drunk and I'm having trouble falling asleep, but I manage to fade in and out for a few hours.
At some point in the middle of the night, I hear Thomas get up, unzip the front of the tent and crawl outside. I sit up. The girls are fast asleep. I peer through the netting and seem him crouched in the dirt, staring back at me. He's not moving. I know he can see me looking at him. The moon is super bright tonight. He stays really still like that for a few more seconds, then stands and walks away.
I wait about ten seconds, then go out after him. The air outside is fresh and cool. The fire is still smoldering over in our makeshift pit. I look around and spot him between the two cars. I go over to him and we walk a little ways down the dirt road together.
"I got so fucking hot and sweaty in there," Thomas says. He's keeping his voice really quiet.
"Me too," I say.
We leave the road, making our way down to that little trickling stream. We stand at the edge of it, under a tree. Thomas faces me and takes me into his arms. I breathe out, feeling up and down his back with both hands. His white cotton t-shirt is still damp with sweat where it stretches around his shoulder blades. Everything feels so fucking right, I could cry.
"It was killing me earlier," he says, "wishing I could hold you like this."
I kiss him. There's no stopping us at this point, I'm telling you. We get pretty aggressive about it, feeling each other's faces and bodies and kind of whimpering quietly as we do it. Thomas seems to reach a point where he can't take it any more and drops down to his knees. He undoes my belt and pulls my pants and underwear down. I'm just out there now, right up in his face. That warm, wet mouth surrounds me once again, and I hang onto a low branch to keep my balance. I'm facing back in the direction we came from, running my free hand through his thick black hair.
And then, from some shadowy place off to the right, Martin Driggs steps into view. The moon lights up his features. His pale blue eyes meet mine. I stumble back and almost fall into the water. I pull my pants up and fasten my belt. Thomas stands and wipes his mouth. He turns around to face Driggs and I come up beside him.
It's clear by the way Driggs is staring back at us that he saw everything. He's not all that drunk anymore, either, by the look of things.
Thomas takes my hand. It's a bold fucking move—one I never would have called, not in a million years. He says, "What are you doing here, Martin?"
"Just taking a piss," Driggs says, standing his ground. "I followed the creek down here. You two maybe want to clear out?"
"Yeah, okay," Thomas says slowly. He's still gripping my hand, but his voice is shaking. "Yeah, we'll get out of here."
