Tom and Luke get a family Pt 01
[This story follows on from
Dom and Sandro
]
Chapter I The première of
Oberon
and a career opportunity
A year had gone by uneventfully. Tom Appleton was now beginning his third year in his appointment as a lecturer in the University of Trabizona in Emilia-Romagna, and although he spent about 30% of his time in lecturing, the remaining time in the lab was proving very fruitful. Professor Arturo Sescantanto had even given him a doctoral student to supervise. His name was Carlo, and he was an attractive young man, who, if Tom's partner Luke Singleton-Scarborough had seen him, might have become a source of jealousy.
But Luke had other preoccupations. The long-awaited first night of Carl Maria von Weber's opera
Oberon
at the Teatro Musicale in Trabizona would take place under his direction the next day. The principals were all well rehearsed, the chorus was ready and the guest conductor Maestro Steinberger was satisfied with the orchestra. The sets and costumes all looked magnificent, particularly since the designer was a young man without much of a reputation. They had finally elected to use the Bodansky version of the libretto in which the spoken dialogue was replaced by recitative, as well as being translated into Italian. Critics from several European nations were expected for this first revival of a Weber opera in Italy for some years.
David, Luke's Dad, had flown over from England for the occasion, and a box was reserved for a party consisting of him, Tom, Tom's friend from the lab Ben and his wife Leonora, Arturo and Bastian, Arturo's boyfriend. An Italian tenor was singing the title role and the role of Sir Huon was sung by the English tenor Felix Arundell. Reiza, the female soprano lead, was sung by Anna Kreissmüller, a young German soprano. When the evening arrived, the guests were all assembled in the box, while Luke was sweating and fretting away backstage. The overture began and at its end, the curtain rose on Oberon's bower.
............
The performance lasted a long time, but everything went smoothly, and both Arundell and Kreissmüller got thunderous applause. Next day the critics were very complimentary, although some complained that the original English or later German versions of the libretto should have been used. Pauline the répétiteuse and Cornelio the General Manager's decision to use an Italian version was vindicated however by the fact that within three days, all eight performances were sold out, even at the high ticket price that a new commercial production necessitates. Pauline and Cornelio were delighted and David was very complimentary. He told his son that the production had probably made his career. A month later, Luke got an E-mail from England inviting him to apply for the job of General Manager of the Royal Bristol Opera.
This was a bombshell. Pauline and Cornelio did not want him to leave Trabizona, and Luke was faced with a real dilemma. No way did he want to leave Italy, whose whole atmosphere and climate were deeply dear to him. Like his mother, he wanted to make a permanent home there. Tom could not leave without breaking his contract, even though he could easily get a job back home, maybe even a chair. But Luke would never get another chance to work back in England in his chosen field, and only in England could a gay couple adopt children. But his job carried with it, exactly like his brother Sandro, the inevitable need to work permanently unsocial hours, and a restrictive holiday period. This was really incompatible with proper family life. So the alternatives open to the two men were both stark. Stay in Italy and make good careers, but childless, or return to Britain, adopt a family, but leave behind the life and climate of Italy, which even Tom had learned to love.
The decision when it came was made easier when Luke discovered that the job in Bristol involved just such unsocial hours as his present job. It was not a desk job with office hours. So he replied that he had decided not to apply. However, the invitation had shaken up Cornelio. He had really thought that he might lose Luke. So Luke had a strong hand when he negotiated a new contract with Cornelio. This gave Luke the whole of August free on full pay, and a stipulation that he would undertake no more than eight productions per year, with a commitment to act as répétiteur for two further productions, to allow Pauline the chance to try her hand at directing. This new contract satisfied everyone.
Chapter II A pregnancy and another opportunity
In the meantime, something else happened that affected the men's lives. One of the female technicians in Tom's lab got pregnant, and had been abandoned by the putative father, who had rapidly disappeared. The girl, who was about twenty-three, went to see Arturo and asked him (he was now head of department) what she should do. She did not want her baby to be adopted, she wanted to look after it herself, but she had no money, and any kind of state benefit was inadequate. She would not consider an abortion and the man who had seduced her was untraceable.