I'd gone to the kitchen in Jay's apartment to get myself a sparkling water from the fridge—we couldn't drink what we'd really like to drink during the performance season—when his doorbell rang, and he let his landlord in. I just stayed out of sight in the kitchen, because I knew this was going to be unpleasant and I didn't want the landlord, who I'd heard was a real ass, to get the idea that I'd moved in with Jay after Dalton died. Which I hadn't, and I didn't think there was any chance Jay would let me.
And therein was the rub. This was a good two-bedroom apartment in McLean Gardens almost within sight across Wisconsin Avenue of where both Jay and I were principal dancers with the Washington Ballet. It was a ten-minute walk to the theater for Jay. I had to take the bus from a much lower-rent part of Washington, D.C., and had a studio apartment that wasn't anywhere near this nice. Jay had lived with Dalton, who was quite a bit older than Jay was and who had a high-level job in some government agency down near the Mall. They'd been a couple for a few years, although Dalton's employers and friends probably didn't know it.
I did, though. Jay and I had come through the dance schools together and now were both principal dancers with the premier modern ballet company in the capital. We were tight—not go-to-bed tight, of course, because we were both bottoms. And we were such good friends that we didn't begrudge the principal roles the other one got. There was enough for both of us. In fact, we each were leads in the two casts of the current
Petite Mort
ballet by Jiri Kylián that was in production. That's why I came to the kitchen for sparkling water rather than a beer. A male dancer pretty much shows it all on stage. We had to be in perfect trim.
If there was any difference between Jay and me it was that he was long term and consecutive with his bedmates and I was casual one-night, no entangling relationship stands. He preferred them older and regular Joes; I rotated between rich and flamboyant, white sports muscle, and black bulls. I was up for variation, interesting positions, and a bit of rough and Jay was strictly vanilla and romance.
"I'm good for the rent," Jay was saying in the other room. "If you'll just float me for a couple of months. Dalton's estate has to settle, and then I can pay it all. I could do a third of it a month until then. I don't want to move. The location is great, and I don't want to have to move all of this stuff. Just a couple of months, please, before I can get back onto schedule."
"We can maybe come to an arrangement," I heard the landlord, Samuel Weinstein, who had an apartment himself on the ground floor, answer in a low, throaty voice.
I knew what he had in mind. Jay had told me the man had been pressuring him ever since Dalton had died unexpectedly—and maybe off and on before that. He wasn't that much different from Dalton. Forties and nondescript looking. Built well enough if a bit on the heavy side. Good looking but not strikingly so, like I liked them. A steady Joe. But he was pushing it with Jay if he wanted to replace Dalton. He might have a chance, but it was too soon. Jay was the romantic kind in contrast to my acceptance of "whatever feels good" and reality.
"Please, Mr. Weinstein—Sam—I just can't now."
I could see in my imagination, the landlord standing real close to Jay, maybe a hand on Jay's basket, pushing the issue.
"That's too bad," Weinstein said. "I could be a help to you. And I dropped by because I had a hookup for you that would give you rent money for at least this month."
"I don't do that," Jay said.
"Pity. There's a clothes designer coming in from London for a show at the Capitol Hilton. An old friend of mine. It would be just as an escort for him for the evening and then in his bed for the night. He's nothing to sneeze at, and it would be $1,500 for just the one night. Not interested, I can see. Well, think about it."
I could tell he was at the door of the apartment from the lower volume of his voice. Jay had answered him, but I couldn't hear what he said. Knowing Jay, though, and his approach to the lifestyle, I knew he'd passed on his regrets. Then I did hear him.
"But, like I said, it's just a matter of the estate being settled. It won't be long. We were legally married and there aren't any other relatives to contend. And I could do a third until then. Can we do it that way?"
"The rent isn't due for two more weeks," Weinstein answered. "You have time to consider my own proposal—and Christopher Manon isn't coming in until next weekend. So you have time to think about that too."
Christopher Manon, I thought. Not just a clothes designer, but a premier designer and owner of an exclusive line of men's wear. I'd die to be able to wear his clothes.
As I heard the door to the outer hallway close behind Weinstein, I made an instantaneous decision. The apartment had a service stairwell that opened from the kitchen. I launched myself into the stairwell and down the three flights of stairs, around the side of the building, and made it back into the front hall as Weinstein was at the door to his apartment.
"I was upstairs and heard what you said to Jay Gold, Mr. Weinstein. I'm Cole Stevens, a friend of Jay's."
"Another one of those dancers over at the ballet?" he said, looking me up and down. I could tell by the gleam in his eyes that he liked what he saw. I was vain enough to know that he would. Jay and I were virtual twins in everything but some of our attitudes. Which might be helpful in this case.
"Yeah, well, then you know Jay Gold is in trouble with the rent," he said. "And I'm a candy man, but not without stipulations. If you're a good friend of his, you might help him see reality."
"I'm a good friend of his, Mr. Weinstein. And I want to see him be able to keep the apartment. I'd be willing to help in any way I can. And I don't have any of the reservations he has on how to get that done. Maybe rather than convince him of anything, I could show you how much a friend of his I am."
He gave me another hard look, and then his face went into a broad-smile expression. "You want to come into my apartment? Maybe see my etchings?"