Thanks to everyone who read this story, commented and emailed. I'm sorry it took so long to finish, but writing it was a much harder task than I imagined. It made me appreciate the prolific authors on this and other sites so much.
There will be a short epilog coming soon to tie up any loose ends.
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When Love Takes Over Ch. 10: The Finale
When Chance pulled away, my first thought was to rush after him. To jump in my truck and follow him so I could explain what the situation was with Reed. But after the first waves of guilt washed away, what took its place was anger.
I realized I was pissed with Chance more than anything. Pissed that he was acting like a 14 year old girl upset over a misunderstanding in homeroom I had spent most of the last 7 years of my live placating someone else, and I wasn't in the mood to keep doing it now. Especially when my future was on the line.
I really liked Chance and wanted to explore a possible relationship with him, but I was damned if I was going to let my romantic life dictate my career choices again. I needed to focus on the Dauphine Cottage project and my potential buyout, and I was going to do exactly that.
Reed had promised to email all the pics and specs on the cottages to me so I could start making my own plans for them. However, I knew getting everything together would take some time, so instead of rushing to the computer, I went ahead and packed for the trip to New Orleans.
It didn't take long to get my paint samples and drawing supplies together, but putting together something that resembled a professional wardrobe was a much harder task. Since my initial success working out with Chance, I had put even more emphasis on weight lifting, diet, and fitness which had resulted in even more weight loss. But the side effect was that most of my clothing no longer fit.
I had purchased a few new items of clothing for my new physique, but only a handful: a couple of pairs of jeans and khakis, a polo shirt or two, and a few button downs to wear to church or the rare client meeting, but nothing that said "high end interior designer capable of handling a multi-million dollar project." I put the best of the lot in a bag, sighing. I would have to take some of my precious project prep time to ransack my former wardrobe that was stored at the warehouse. Surely it contained some things from my former life that I could make work.
By the time I had everything packed and ready for an early start tomorrow, the files had arrived in my email. I ignored the urge to call Chance and buried myself in work.
I slept surprisingly well, though I dreamed repeatedly about the cottages. They were also forefront in my mind as I drove through the Delta dawn, and by the time I arrived in the city right before lunch, I felt I had a good general idea of the way I wanted the project to proceed.
Reed had made arrangements for people working on the project to be able to park in a nearby hotel's parking garage, so when I arrived in the Quarter, I was able to go directly to the project. Reed and Ben were meeting me there with a picnic lunch so we could get right into discussions.
It had been months since I had seen Reed, and, as always, I was struck by just how attractive he was. Even this early into the summer, his olive complexion had darkened into a glowing tan, and his shorts and polo shirt showed off his lean, toned frame. For better or worse, though, I didn't have much time to focus on his appearance as he launched into telling me more about the challenges we were facing.
"Part of the problem we're facing with making changes is that they will only agree to the sale if we can guarantee this place is fully operational by mid-October. They want to host some friends here for Halloween."
I looked around, mentally calculating. It was the end of May..."That would give us a little more than four months. Shit. Still, it's doable."
"I agree," Ben said. "Most of the exterior work is done; besides, all that had to go through the Vieux Carre' committee and can't be extensively altered anyway. And most of the plumbing fixtures are fine. And Nigel and Greg are good with the basic layouts. It's really just the cosmetic things and the decor that they objected too."
We walked through the various cottages; I made notes and quick sketches while they answered my questions. As we toured the compound, I felt is magical atmosphere again. This place could be utterly fantastic. And, as I noted the changes that had occurred since my last visit, I was confident I could help bring it alive.
After looking at photos of the couple's other properties ( judging by the amount of media coverage of their various homes and hotels they had fantastic media and PR connections) I thought I had a good grasp of why they had objected to the design proposal. They seemed to have eclectic tastes and their properties all looked very different depending on the location and the architecture.
The design team Reed had chosen had, however, in this case gone, with the goal of unifying the various structures. The cottages, though of similar scale, were all very different. One was two stories with a gallery running the length of the second floor. One had peaked ceilings in the main living area and French doors instead of windows. One was small, one room, but had soaring ceilings and was filled with light from windows on three sides. The designers had decided to minimize these differences by using very similar materials, colors, and furnishings in each unit. It would have made for a tasteful, elegant, and serene final product. It would also have been incredibly boring.
Walking through, I rapidly made plans on how would could differentiate the various buildings. The exterior colors for stucco and shutters would have to stay the same, and we couldn't make any changes to the lights and other fixtures on the facades that faced Dauphine St. because of the historical commission, but I could use differing lanterns, planters, etc. on the back facades that faced into each cottages private courtyard.
"Didn't you say that you still have some of the original furnishings that came with the cottages?" I asked Reed.
"Yes, they're at the warehouse. The place had been neglected, so they all couldn't be salvaged, and the pieces run from decent antiques to junk, but I had everything that I thought could be used or sold stored."
"Cool," I said, "I'll run by the warehouse in the morning and check everything out. I need to go there anyway and dig out some decent clothes for the lunch on Wednesday and the presentation."
Reed looked pained. "Oh. I didn't think you wanted anything you left at the warehouse, so I donated it all to Bridgehouse."
I stared at him and slowly started counting to 10 silently. I was pissed, but I told myself in the increasingly uncomfortable silence that I had indeed told him I didn't care about anything I had left in the house. And I honestly didn't, but time was of the essence on this project, and I begrudged wasting even a small bit of it on clothes shopping.
"Besides," he said, trying to placate me, "You've lost so much weight, nothing would have fit anyway."