François Renard was a stagehand and handyman at the theater of the Ballet De Paris. He was a huge man, almost seven feet tall with wide shoulders and hands large and strong enough to crush a coconut, but he was very gentle giant. Most of those who saw him thought he was slow witted because he seldom spoke. Also he had a foolish smile which came out any time Monsieur Tibault the theater manager scolded him, or if one of the dancers from the corps de ballet made fun of him.
François loved his work. It was sometimes hard because he was expected to move heavy scenery and stage props alone that would ordinarily take two or three men to move, but he did not really mind because he loved to be near the women of the corps de ballet. They were so beautiful! Tall and slim with small breasts, slender hips and long legs; François thought of them as long stemmed flowers, especially when they were dressed in the short stiff tutus. He was very shy however so he never spoke to any of the beautiful women, but contented himself with gazing at them as they passed in the back stage. Those gazes were not mere distant lust however, for François was an artist with a photographic eye and skilled hands. His gaze fixed the memory of each dancer's face and body in his mind so that he could reproduce each one in ink and paint at his studio; and there was none of the impressionistic blurring popular with artists of the time. Renard's paintings were so photographically precise that viewers felt as though the subject could step from the canvas and twirl away en pointe.
The dancers noticed the handsome giant staring at them, but they thought him a cretin so none of them ever spoke to him, but some of them were very cruel and would go out of their way to torment François with their beauty. They would brush close to him as they passed so that he could catch a drift of their perfume, or they would pause a moment on their way to let him look at them, then haughtily turn their noses up as if to say, Look and lust fool, but you will never have me!
There were some that were yet more cruel. One dancer of the chorus named Giselle, a heart-stoppingly beautiful blond with wide blue eyes, sometimes went out of her way to brush her hand against the front of François' pants in such a way as to snag against his manhood. One night Giselle happened to find that François was tumescent, and she smiled like a lean cat about to spring on a huge mouse. "I hope you will not tire your hand too much when you think of me tonight François," she said. "Monsieur Tibault will be angry."
François blushed and said nothing, but followed Giselle's shapely legs and perfect behind with his eyes as she walked away laughing. Later, after the ballet was through and most of the dancers were changed to street clothes and leaving the theater one said to François, "You are wanted in the chorus dressing room. There is something needs moving," a knowing smile touched the corners of her mouth.
François went. He stopped at the door and knocked rather than just bursting in. He waited until he heard the voice of Rene, another dancer, say, "Come in."
Rene and Giselle, both wearing satin dressing gowns, sat side by side on a couch. Their dressing gowns were only loosely closed and any movement would make them flare open to show stockings and garters. Giselle, her legs uncovered, knees crossed, smiled her wicked smile.
"The marble top of that dresser is broken François. The break is very rough and many of us have snagged our stockings on it. Show him Rene."
Rene, a woman of pale skin, black hair and black eyes, threw back the dressing gown bottom and lifted her leg to show François. She wore high reach silk stockings held in place with a pink satin garter belt, and when she turned her leg to show the snag in the inside of her left thigh François could see that she wore no panties. Her vulva's curly black fuzz was carefully coifed so that it covered only a small area of her mons. The vaginal lips were completely smooth and a slightly darker pink than the insides of her thighs.
"Well, don't stand there at the door," Giselle said. "Come closer so that you can see."
François crossed to the couch and stood before the two dancers. "Kneel down so that you can see better," Rene said, lifting her leg. He did. "Do you see it?" she asked.
"Oui," the kneeling giant said. "I see it." He carefully kept his eyes off Rene's womanhood.
"Are you sure? I think you should look closer," Giselle said sweetly.
François glanced up at her then moved so close to Rene's thigh he could feel the warmth of it on his face; so close between the dancer's legs he caught a rich gossamer coil of perfume mixed with feminine excitement, and that was the instant Giselle popped to her feet and shoved his face deep between Rene's legs as Rene hunched her hips up and closed her thighs around his head.
Giselle laughed wildly, clapping her hands as she danced joyfully. "Now my giant, you must kiss Rene's cunt before she will let you free!" But her laughter turned to wonder the moment she looked at Rene's face. It was a study in concentrated arousal. Her eyes were closed, but her eyelids were fluttering; her rouged lips were open and her breath was coming in short groaning gasps.
François had begun kissing and tonguing Rene's fleur de la femme the instant his mouth touched her flesh. He stroked his tongue from the cinnamon bud of her anus to the top of her coifed mons taking an extra moment to circle the delicate bead of her clitoris, before beginning the circuit once more. At last he closed his lips to a tight kiss and sucked her clitoral nubbin until it swelled to a super tactile ruby of pleasure. The scratch of his day's growth of beard on the insides of Rene's thighs and against her silk stockings added to the sensitivity of her loins, adding an excitingly erotic warmth she had never felt with Giselle. After a few moments François moved his tongue down to the opening of Rene's chambre du pleasur, driving it in deep, then deeper, then deeper yet until Rene moaned, "Mon Dieu! Don't stop!"
The cascade of orgasm flowed into Rene's body from the tip of François' tongue, and she could not stop her hips from humping François' mouth. Without volition she brought her hands to the back of his head to hold his mouth against her so that he could not escape without giving her every scintilla of pleasure in him. Her knees pulled up and her legs opened wide to expose more of her wanton flesh and she half rose into an orgiastic crescent with François' head at the center of focus. Her breathy, grunting scream of release caused the mirrors of the dressing room to vibrate and the crystal prisms hanging on the lampshades to ring like wind chimes.
Giselle watched in alarm. This had been intended as a tease to the gigantic fool and a preliminary to a sexual session between her and Rene. But, though alarmed and piqued by what she was witnessing she was also excited by it. Tingling heat between her legs made her lubricating fluids begin to flow. She had never seen Rene so taken out of herself by sex. She had certainly never brought Rene to such an earth-shaking climax, but neither she nor Rene had ever experienced sex with a man. Technically both she and Rene were virgins since neither had ever been penetrated by a male organ. They had been lovers since they were children in the Ecole du Ballet and most of the men they knew had little interest in women, so they had never felt any need for menâuntil now.
François lifted his face a little from between Rene's legs and gently kissed the insides of her thighs before sitting back on his haunches and turning toward Giselle. She noticed that his chin and throat were shiny-wet with Rene's sexual essence and felt her own catkin echo that wetting.
François stood, towering over Giselle. He smiled down on her with a look she had never seen in him before. His green eyes smoldered and she could feel his gaze travel from her face down her body, stopping a moment on her small breasts which were half seen where the dressing gown was loose, then traveling on to her pubic triangle. She glanced down to find that by habit she had taken the left knee bent right knee stiff preparatory position for a plie. Her bent knee held the dressing gown open, exposing her stocking tops, garter belt, and dark blond pubic curls. She quickly straightened and pulled the dressing gown closed.