Jolly Rogering
© Bad Hobbit 2024
When I agreed to go on the kids' show 'Jolly Roger', I had no idea what would happen afterwards. And as I unloaded for the third time that evening, this time into Roni's mouth, I realised that children's TV was a whole different world.
See, me and Jeff got invited to Pebble Mill to demo our new engine. This was back in 1967, and at Dudley, we'd just taken delivery of the new Simon Snorkel equipment. It was a bit of a novelty back then; usually, fire engines had ladders, but this one had a cradle on a long jib - what we'd call a 'cherry picker' these days - with a nozzle that could pour water or foam from a height onto a blaze. Corgi cars had made a model of it and it was selling like hotcakes to the kids.
So the people at Jolly Roger thought it'd be fun to give their audience a real-life demonstration of this wonderful new fire engine, and they invited us to take it around to Pebble Mill. We suggested going instead to a derelict building site to show off the machine; it wouldn't do to pour a powerful jet of water or fire-retardant foam all over the studios, now would it?
See, Jeff and me were the first to get trained on it, and that was quite impressive in itself because Jeff was the first black fireman to be employed at Dudley. On the day, we did the demo, me in the cradle and Jeff controlling it from below, while they filmed it. Then we had an interview with Veronica Somerfield, the presenter. We'd seen her on telly of course - my big sister Jan had three kids who watched the programme regularly, so I was often in front of it as I babysat of an evening. But face to face, with a TV camera pointed at us, we were a bit nervous.
"So David, how is it to control a powerful machine like this?"
"Oh, it's much better than the old turntable ladders. Like, we can rescue people from higher up in the cradle. It's much safer than hanging on to a ladder if you're trying to get kids and old folk out of a burning building. And, of course, you can direct the water or foam on the blaze from above, which gives us a huge advantage. We don't need to roll out hoses and pack them up afterwards, because the water is pumped up the pipe on the jib." When I saw the programme later, I thought I came over as a bit of a Brummie nerd. But Veronica was very nice.
"Sounds like a real advance," she said in her posh accent. When she turned to Jeff, I was relieved that I wasn't likely to make even more of a prat of myself on kids' TV.
"So Jeffrey, is it a big responsibility to control where David, here, goes when he's high up above you?"
Jeff answered in his weird mixture of Brummie and Jamaican, and then she asked him a few general, technical questions - height of the cradle, rate of flow, top speed of the engine - and I was able to look at her up close. She was a good foot shorter than me - I'm around six foot six - and with her short, dark-brown hair and slim body, she looked almost boyish. I remember thinking she looked prettier than on TV, where she came across as a bit 'mumsy'.
Then she thanked us both, the cameras stopped rolling and it was time to pack up. The crew began winding up cables and Jeff went to retract the hydraulic stabilisers so we could drive back to the station.
"David, are you and Jeffrey on duty this evening?" It was an odd question to ask, but she said it with a nice half-smile.
"Er, no, Miss Somerfield. Our shift's over at six." I glanced at my watch. It was around five-thirty. We needed to be getting back. "We just have to take the vehicle back to the station."
"Please call me Roni, David. And are you married? Either of you?"
Another odd question.
"Er, no. Why do you ask?"
"Well, I'm staying on my own in a local hotel this evening, and I wondered whether you'd like to join me for dinner. It would be nice to have some lively and different company, and it's on expenses, so it would be my treat. Obviously, if you were married you'd want to go home to your wives."
"I see. Well, no, we're both single. But don't you have - I dunno - a lot of media types with you?"
"No, this crew are local, based at Pebble Mill, so they'll all be going home afterwards. I'll be on my own and I'll be heading back to London in the morning. I'm sure the two of you could help enliven my evening. Shall I book for around seven thirty?"
"We'll need to go home and change first. We've only got our dress uniforms at the station." We still had on our waterproof overalls.
"Well, you can do that if you want, but I'm sure you'd look very presentable in your uniforms. Shall we say around seven fifteen in the bar? I'm sure you could use a drink."
Jeff and me arrived just after seven and headed for the hotel bar. Veronica wasn't there, so we ordered a couple of pints - and winced at the prices - and then sat at a table in the corner. The barman looked a bit 'old-fashioned' at Jeff - I guess they didn't get too many black customers in those days - but we tried to ignore him.
"I can't believe she invited us," Jeff said. "I mean, she like, on the telly - a star!"
"Well, not a proper star, like Diana Rigg. She's just a presenter. And only on kids' TV."
"Even so, Dave, she de most famous person I ever met. And she not bad looking either." Jeff was born in Birmingham, but his parents came to Britain on the Empire Windrush. His speech was a bit odd - like a tug-of-war between Brummie and Jamaican, and it always made me smile.
I was about to reply when Veronica came into the bar. She was wearing a tight-fitting black dress, just above the knee, with black tights and high heels. The dress was a bit lower cut than I'd have expected of a kids' TV presenter, but I guess, like us, she was off duty. She had on a pearl necklace - more of a collar or choker, I guess - some long pearl earrings and more makeup than I'd noticed when she was on TV. With her nicely shaped short hair, she looked very sophisticated, at least to two Brummie firemen.
And yes, as Jeff had said, she wasn't bad-looking. Not bad at all.
"Good evening gentlemen. I must say, you look very smart in your uniforms. You already seem to have drinks. Would one of you please be so kind as to get me a vodka Martini? Tell them to charge it to room 415."
We asked her all sorts of questions about herself, the show and working in TV. "It looks very glamorous from our side of the box. What's it like to be on the other side, in a studio and trying to get monkeys and dogs to behave?"