Chapter 2: The Demon Lover
Note to reader: This is the second story in a series about a woman called Kitty and her sexual awakenings. While it is quite possible to read it as a stand-alone story, I would recommend that you first read "Kitty Gets Naughty" to appreciate who this character is and the people and events that shape her experiences. The idea for this story and the inspiration for the Kitty character came from an old friend of mine at Literotica Chat. She knows who she is and I thank her.
PART 1
One of the most intriguing aspects of Kitty's experience at the sex party has been its impact on her fantasy life. She used to rely on romantic and erotic fiction. Now, six months after her first party, she is exploring her own creative impulses, writing down every erotic thought or dream in a little spiral notebook that she carries with her everywhere she goes. It soon builds into a treasure trove of her most outrageous, daring imaginings, something she can turn to when she feels like playing with her toys or that she can share with others at the monthly erotic reading group she has recently joined.
Maybe even one day she will write her own story? There is certainly enough there to go on, including a recurring image that seems to dominate: the demon lover. Some evenings, she nibbles on some chocolate and flicks through her notebook full of jottings, sketches and drawings, trying to get in touch with this dark side of her sexual awakening. What would her demon lover look like? Would he have human or mythical form β half human, half man? Would he love her? Would he ravish her? Would he degrade and humiliate her? Not knowing the answers to these questions right away was just part of the pleasure. But where did this demon lover idea come from?
It was four months ago, at her second club night. It was held at the home of the older man who gave her the best fucking of all on her first night. His name was Sam Rogers, a retired English literature professor and a widower with three grown up children. They had moved away from home so this left him with lots of time to fill in his life and lots of room to play with in his large, rambling Gothic villa.
It was the most amazing house Kitty had ever seen and seemed to lend to the party a certain eerie style. There was something uniquely erotic about being taken by two men on a beautiful old Chesterfield sofa, though the plastic covering on the upholstery made it feel rather odd and uncomfortable when it came round to the double penetration (a favourite of Kitty's now). Still, she understood that Sam had to protect the fabric.
Watching him in action, non-stop it seemed, Kitty saw that his age was no impediment to his sexual prowess or his ability to please a woman the way she should be pleased. While she didn't get to know him personally first time round, she finally got chatting with him while she was resting up after her DP session and found him to be a charming, intelligent man who genuinely listened to her when she spoke, fixing his eyes on hers, not on her breasts. But she was to meet a very different Sam a few hours later and he gave her an experience she would never forget.
She had just helped out a new guy to the group (loosening his inhibitions by letting him fuck her over the large Indian teak table in the hall), and was taking time out from the action to wander around the house and admire its architectural wonders. Slipping on a light, silk robe to keep warm, she slowly ascended the sweeping antique staircase, her eyes drawn upwards to the high, vaulted ceiling. It was decorated by a fresco painting of scenes from the Kama Sutra, which Kitty found rather odd in what was, after all, a family home. She guessed it was an original feature of the house that could not be altered but she still imagined the awkward questions these images might have provoked from Sam's children while they were growing up.
As she continued up the stairs, she began to notice the plaster friezes that decorated the wall: scenes of naked sprites and nymphs indulging in all kinds of sexual fun. And then there were the dragon and gargoyle heads carved into the spindles of the sturdy oak banister. It was a visual overload of mixed images: some that appeared to celebrate sins of the flesh, others that were designed to ward off the evil spirits who lead us into those sins.