This part of
Eternal
owes a lot to Morpheus's
The Day the World Changed,
which takes the opposite view of some of the same ideas. Apparently, I'm not allowed to write the name of the site it's on, but you can find it by Googling the title and author.
Also, with apologies to Atlus: This story has only one sex scene. Thank you for your understanding. However, it will be one bizarre, creative sex scene! Thank you for your understanding.
Also also, as always, comments and criticism are welcome.
By the fourth time the phone rang, Margaret wanted nothing more than to go to sleep. The invitations were long since sent out, the catering long since arranged, the chapel long since reserved, and the wedding was but a day away. "Mom, please stop calling me," she said into the receiver. "Whatever you're worried about now, I'm certain I've already--"
The voice on the other end wasn't her mother. In fact, she wasn't sure who it was--one of Dan's friends, maybe? "This is Margaret, right? Dan's girl? Are you sitting down?"
"Uh, yes. Why?"
"I dunno. They just always ask that in the movies. Shit, what was I even thinking? I just--it seemed like it would be better if you didn't hear this from the police. Your number was in Dan's phone, and--well--Dan's dead."
"Is this some kind of a joke?" Belatedly, Margaret checked the caller ID--it was indeed Dan's phone.
"I--we--we wanted Dan to have one last good night while he was a free man, you know? He tried to tell us no, but we dragged him down to the Horny Rhino. We were all about to go home, and then those things came through the door--you've seen the news, haven't you? You've seen those
things?
Like spiders, giant spiders, but covered with knives--"
"Why are you doing this? It isn't funny."
"Screw you, lady. I just watched--I just watched . . ." He trailed off. "You think I'm trying to prank you? The world's falling apart. I don't have time to deal with your crap." She heard the sound of Dan's cell phone hitting a hard surface. Whoever had called her didn't pick it up again.
It couldn't be true. Those things that were killing so many people in countries whose names she could barely pronounce couldn't have reached out their claws and taken Daniel Park. It was like he'd been kidnapped by pirates, or swept away by a monsoon.
It couldn't be true. But if it was . . .
Five minutes' drive brought her to Dan's apartment--her apartment, starting tomorrow. His car was gone, and his door was locked. Her key let her in, but as she entered his bedroom, she knew she wouldn't find him inside.
She flopped down on the bed, incapable of moving further. A still-rational part of her brain rambled about guests to uninvite and cancellation fees to pay. She let it murmur in the background. It slowed the speed at which the room pitched and swayed.
Gone. Gone. Gone . . .
She didn't have the strength to cry, but it was a long, long time before sleep finally claimed her.
-- -- -- --
Those first few nights alone, Dan never spoke in her dreams--when she saw him at all, he was a shape in the distance, vanishing into thin air as she drew close. But one evening, as a knife-covered spider stalked closer and closer, the sound of his voice interrupted its approach. "I'm sorry. For everything."
"Where do you get off saying you're sorry?" she asked. "You're dead. You can't fix that." She punched the spider in its spiky jaw, and it dissolved into dream-dust. "You left me to pick up the pieces, and to live through the nightmares."
"I've been punished for my sins. I'm visiting you from Hell."
This strange remark jarred her, even in her dream-state. Dan had long ago discovered that when she was deep in slumber, she could sometimes hear what people whispered to her. He'd used this before to tell her things she'd refused to hear when awake. But if Dan was dead, then . . .
No one blinks in dreams, unless they choose to do so. She closed her eyes, and opened them again, this time onto the real world. Someone or something that looked very much like Dan was kneeling over her on the bed.
"You're not really Dan, are you?" she asked. "You're one of those things." She'd read a few accounts of monsters that spoke with the voices of the dead, saying things the dead would have known, as a ruse to gain humans' trust. It was important to not show them any fear. No matter how much she felt like screaming.
The monster didn't seem particularly surprised that she'd woken. "I'm dead, but I'm alive. But I can't choose whether you believe it. And I can't choose whether you tell me to go."
If she said Dan should have stayed dead, would this creature turn violent? It would be better to try another tactic. "Come back in a week," she said. "I need time to think about this."
The monster was as polite and understanding as the real Dan, or at least made a good show of being so. As it vanished out the window, she wondered whether a week was a long enough time to purchase a shotgun.
-- -- -- --
The first buffer between Margaret and the front door of the Horny Rhino Burlesque Club was also the loudest. The crime scene tape was long since gone (not that anyone had ever figured out who to charge), but a line of sign-wielding protesters made a token effort to prevent crossing anyways. Their rage was impotent, of course--had they really tried to impede the curious crowd, they would have been trampled--but their numbers were greater than Margaret had expected. In the days that had passed, word had clearly gotten around to a great many rival churches that here was an issue they could agree on.
The second buffer was a burly man who sat in a chair with a cane beside him. Or more accurately, the buffer was the enormous quadruped on his other side, baring its teeth at the onlooking crowd. Margaret had read an interview with this man, the first human to ever tame a monster, now crippled from the same attack where Dan had . . . He was busy now, accepting payment in return for entry. It would have been easy for someone to push past him, but not one person tried to do so.
The third buffer was invisible. Intangible.
This is where I'll find the things that killed Dan.
But there were too many people behind her to allow her any time for hesitation.
Margaret was one of the last people allowed in before the doors closed. As she looked around, the conversing men and women reminded her less of strip club patrons than of a movie audience on opening night.