Set in Bronze Age Crete (referred to herein as Kaphtor, the Biblical term for that Island, which is probably closer to the Cretans' own name for it). I have significantly departed from the standard mythological narrative about these characters and this setting, for mostly prurient reasons. There is some influence of Mary Renault's The King Must Die. But a whole lot raunchier. Comments are welcome.
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It is late afternoon, early summer. I stand by the cliff overlooking the harbour of Knossos, where a large flotilla of fishing boats and ships have assembled. The priestesses sing hymns; offerings are made. At last, I raise my hands to bless the fishermen down below us, their boats and nets, ensuring that they will have plentiful catches of fish.
"All hail the living Goddess of Kaphtor," they gratefully shout up to me. The rites have gone well. I am pleased.
The priestesses and I walk the short distance back to the palace, the House of the Double Axe.
"Will you be taking your evening meal in the caves again this evening, my Goddess?" a maidservant asks. I nod. We do not speak of the reason I go down there, to be with my son. But she understands.
As I begin descending the stairs toward the cave entrance, deep underneath the palace, the weariness of the day departs from me. My heart beats with joyful anticipation. My woman-flower moistens.
* * *
I am the living Goddess. I am Pasiphaë.
I am Goddess and Queen: my word is law on this blessed island of Kaphtor; no one may gainsay my wishes.
I am Goddess and Queen, yet I must hide from my people the thing that most gives me joy. As though it were a thing of shame. I refuse to be ashamed: I love my son. Though he be called a monster. Though my love for him is not the chaste love of a normal mother.
I am not normal. I am the living Goddess. I am Pasiphaë. My divine body burns with sacred desire for him, for my Asterion. Though he be called a monster by the people of Kaphtor, though he must be kept hidden away, imprisoned in the caves beneath this House of the Double Axe. To me he is perfect. He is beautiful. He is my delight.
He is my delight, from his strong bull face, with his sad, tender eyes, down to his mighty hooves, that stamp the ground impatiently as I approach his chambers. (He can smell me coming, even before I enter the caves.) Yes, his head and legs are those of a bull; but his chest, arms and buttocks are like a man, though covered in short, coarse bronze-coloured fur, flecked with patches of ivory. I love to run my fingers through his fur, feeling the powerful muscles rippling under his skin, as he pounds into me. Yes, there is one other part of him that is magnificently bull-like. No woman but I can fully ensheathe him, down to his testicles. No phallus but his can satisfy me. We were made for each other. Or rather, I made him for myself.
* * *
What divine inspiration was it that led me to lie with his father, that magnificent White Bull of Knossos? How did I know that my womb could accommodate him, when no other woman's could?
I was then in the first flower of womanhood. It was just a year after my mother, the old Queen died, and the spirit of the Goddess passed to me. In the preceding years, my chubby girlish body had blossomed. Between my legs, a thick carpet of silky black hair had appeared, from my navel back to the furrow between my buttocks. My hips and thighs flared out wide and full; my breasts grew heavy, my belly was soft and round. I was ready for marriage. My counsellors advised me to take Minos, son of the Cypriot Queen, as my consort: it would establish friendly relations between our two islands, they said. I followed their counsel. But Minos could not satisfy me, and his seed was thin as water, with a foul smell: it had no life in it. He gave my womb no joy, and no child grew in it. After a few months of this, I ceased to lie with him. I could give myself more pleasure with my own fingers. I could adopt some suitable girl to be my daughter, to succeed me as Goddess. Minos has remained king; I saw no reason to humiliate him and offend Cyprus, by deposing him. Since those days, we have not spoken much to each other.
On Midsummer Day of that same year, I walked out into the fields with the priestesses, to bless the herds and flocks with our dancing. The White Bull stood out from the other cattle as the full moon stands out from the stars. The priestesses all noticed him; they commented on what a splendid bull he was. But I -- I could not take my eyes off him. I returned the following day, alone, to watch him: something drew me.
Then I saw him mounting the cows. I saw that glorious phallus emerge from his shaggy underbelly. The sight of it inflamed me, so that I could think of little else. How fiercely I envied those cows! Nectar dripped down between my thighs. The White Bull sniffed the air, then looked directly at me. As though he could see into my soul.
I returned again the next day, late in the afternoon. He allowed me to approach him; he seemed curious, almost amused by my presence. I offered him some figs from my hand, and he ate them, his thick tongue licking my palm. He let me caress his brow, his horns, his muzzle, his powerful neck and shoulders. His gentleness moved me; his beauty and power aroused me. He sniffed the air again, lowering his head, bringing his nose near to my lap.