...
A drop of blood wells up on the edge of my thumb and I swear, ripely. I drop the throwing star I was inspecting onto the table to clean up later and shuffle out of the cramped room, getting to the front door before whoever it is does that little hesitant second round of knocks.
"Hi! I'm Theodore Turner, your neighbor on the other side of the uh... fork in the road?" The mountain on my doorstep furrows his eyebrows at my appearance in growing confusion, then shrugs. "Your neighbor all the same," he finishes.
"Oh. Hi, hello," I respond, 100% like a person who's not halfway-stitched into a Victorian-style bodice with ragged muslin pieces draped across her shoulder. "I'm Sandra. Thanks for coming by, I just..."
He's noticed the bodice, and when he stares back at my hair I remember I also still have the headpiece on. Feathers.
"Just... I'm a seamstress! Sometimes I answer the door in the middle of a project; this is actually one of the less embarrassing situations I've been in this year," I overshare.
The man nods, his smile reappearing full force. He offers his hand, and I take it. "Well, welcome to the neighborhood, needles and all," he laughs.
I then remember that I have my pincushion band still wrapped around the inside of my wrist.
This is how I meet Theodore Turner.
...
As the months pass, from a mild winter into a wet spring awaiting a slow-approaching summer, I become a passive but appreciative half of a close friendship with the mayor's only son. He probably takes time out of his day for half the people in the village while he works around town, but this is the first friend I've had who I see on the regular, not just on occasion when I skulk outside of the house for supplies on the main street.
"Do all seamstresses have blowtorches?" Theo leans against the cluttered far wall of my workroom, chewing on the dried mango I offered him from the bag at the table beside me when he wandered through the doorway.
"Only the cool ones," I explain, eyes never leaving the glowing red wire in front of me. I place the torch down and feel around for my pliers on the table, snatching them up and bending the pliable metal just so, to the degree specified on my chart. It's hard to make comfortable wings, especially as elaborate as these are supposed to be.
"So, this butterfly..."
"Moth."
"This moth," Theo begins again, "it's supposed to be done by the end of this week?"
"Yeah." I hold the frame out, judging it against my diagram.
"And you haven't started the costume yet."
"Costume's easy, making the wings is the hardest part because they're so heavy."
He shifts on his feet. "Sandra, it's Wednesday."
"And?"
"Every day I've been here this week, you've been in here. You have nothing in the fridge except two pounds of sharp cheddar and a Coke Zero, and the blankets on your bed aren't even rumpled."
"Wow, somebody sounds obsessed. Maybe you should stop coming over here so much." I set the wire wing down next to its partner, whirling around to find my safety goggles and gloves so I can go outside and wield the two halves together. I should be able to add the canvas material to them, and then spend the rest of the day applying all the foam feathers I cut out. I can't seem to move fast enough.
I'm caught mid-whirl, heavy hands on my shoulders. "Sit down for a minute, Sandra."
"No."
"Please?"
I consider, clutching my gloves in my hands. The goggles are probably in the shed. "Listen, when this project is over, I'll hold off on commissions for a minute and be dead to the world. You know how I do, Theo, I'm good."
"I'll be back tomorrow."
"Bring food," I advise him, following him out the door and heading around the house to the shed. While he's strolling back down the path, I feel a disorienting lurch in my stomach that stops me in my tracks.
I lean down into a squat in front of the shed door, trying to shake it off. Theo is just out of sight, and the friend in me is relieved. The fox is pissed.
I'm supposed to have at least a couple weeks. And I run the trails around the house almost every day, why am I losing it now?
I let myself relax into a supine position on the patchwork of tall grass, the chickens clucking uneasily around me. The last time I waltzed my little furry ass out in front of them I got stomped out of the front yard, and I don't care to repeat the experience.
I breathe until it passes, and then I go to wield my wings together.
...
It's done. An almost sheer, barely shimmering slip of a gown, nipped into a tidy hem at the ankle and a prudishly high neckline up top.
The wings hanging next to it are gaudy, audacious, and everything I simply wanted them to be. The minor burns and punctures I got from my assortment of hardware are well worth the trouble.
Jayla Hayworth, a leanly-sculpted returning customer who half-designed the dress herself, stops and stares with me when we get to the workroom.
"I'm lucky as hell," she sighs.
I grin. "Yeah."
"Oh my gosh, way to be humble," she laughs, marching up to the wall and taking in every detail of the wings, then the dress, then the wings again. "I'm so happy you moved out of the Black Forest, Sandra."
"The Black Forest? Is that what people are calling it these days?" I smile as I pull a garment bag and a significantly larger construction bag out of one of the drawers, and she helps me stow everything away.
"That's what it's always been, you have no idea how many people think goblins and fairies live in every tree."
Goblins only live in dead trees because they like the hollow, brittle wood, and neither they nor fairies spend a lot of time in this realm anyway. "Well, let me attest to its harmlessness with the fact that I made it out alive."
"And boy, I do not miss those shipping costs."
We're sweaty by the time we stuff the wings in her car, after I've assured her that she'd need to use a considerable amount of force to break them.
"Very important," I pant, "You can just lift them from the slots here over the corset boning for an instant release, just in case you happen to... I don't know... fall into a body of water and become waterlogged."
"These come with a drowning hazard?" She lifts an eyebrow.
"Drowning, fire, being unable to fit through doors and the like. They're around ten to fifteen pounds dry, I don't want to imagine them wet. Be careful."
I send her off and feel my body slump with exhaustion in her absence. The workroom isn't a mess - I wouldn't allow it to be - but there are bits of fabric and canvas still littered around the room from my frenzy. I sit down at my table and let my head fall into the welcoming circle of my arms.