Browne's shoulders ache as he steps out of the rowboat and onto the small dock. The witch's house is in the middle of the swamp, and he'd had to row upstream through thick, green water, making his way past heavy tree roots and dark logs floating still in the water. Every time he'd rowed past one, he'd wondered if it was an alligator, if he would see the dark surface of the bark shift and reveal a big, yellow eye, or the dark pink and white teeth inside its mouth.
It's going to be worth it.
He'd heard the crews of the Grace and the Mermaid's Wake talking about it, and at first they'd tried to wave him off and tell him he was too inexperienced to hear about it, say that none of them, even - hardened, strong men - would try to go as a crew, let alone on their own, but he'd managed to wear them down, had bought a few of them drinks and loosened their tongues.
The witch has access to all sorts of treasures, knows secret paths and draws arcane maps, and they'd said that he had access to a treasure that was known to almost no man at all, that would be beyond the reach of any of them on their own terms.
After tying his boat securely to the dock's end, he makes his way up to the witch's house, looking at the huge trees that shade it, the dark grey moss that runs between the tree trunks and the boards of the house that are made of the same wood. When he knocks, his knuckles rap against the wood, and he can feel the humidity, feel the slight softness of the wood.
"Come," calls a man's voice from inside.
Browne pulls open the door, taking a step inside, and he sees the witch working over a cauldron mounted over a central fire. Browne's breath catches in his throat, because the witch is shirtless, a skirt if filmy black fabric wrapped around his waist with several charms and pieces of twine also banding his middle. He must be wearing two dozen necklaces, all of them pedants on strings and braided pieces of twine, layered over one another and set at different lengths. His tits are small and fat with dark brown nipples, and several of his pendants hang down in the valley between them.
"Who are you?" asks the witch. His hair is long, is tied up in a bun with several strands loose so that they frame his face, and he has kohl all around his eyes in a messy black smear - his beard, which is black and short-cropped, is one of the most carefully sculpted pieces of facial hair Browne has ever seen, except perhaps for the witch's moustache.
"Nicholas Browne," he says. "I came in search of treasure."
"Does this look like a treasure vault to you?" asks the witch. He hasn't looked up from his big vat as he stirs it, keeps moving a huge stirring stick through the bubbling liquid in smooth, measured movements. The air is filled with a sweet, musky scent, one that inexplicably makes Browne's mouth water, although he's certain that whatever it is can't possibly be edible.
"They said you had a treasure few men could fathom of," says Browne, unfaltering, keeping his head high. "That you would share that treasure to those who made the journey here."
The witch blinks, then glances up from the cauldron, still stirring the mixture. "Ah," he says. "That." He examines Browne thoughtfully, his brow furrowing as he looks him up and down, his head tilting to one side. "I see. Very well, come here."
"You don't want something in exchange?" asks Browne, taking a few steps forward, and the witch laughs.
"We will each have our rewards," says the witch, shrugging. "I don't enjoy this particular
treasure
myself, much as many laud its wondrous nature, its place in the laws of creation. When your part in it is over, the results will pass to me."
"The results? You mean, you'll take it back?"
"The treasure is the experience, I suppose," says the witch.
Browne doesn't understand exactly what that's supposed to mean, and he's aware that his face has fallen and that his lips are frowning as he glances back toward the door, then at the witch. "Whatβ"
"Enjoy," says the witch, and tips the cauldron over.