This is a follow-up to "From This I Was Made" (3/18/17) and "His Organ His Seed" (3/30/17), both published in the taboo/incest section. It helps to read them first but not vital to enjoying what follows.
*****
Emily King drives through the night, wishing she'd awake from this nightmare. Only it isn't a nightmare, but nightmarish reality. Just minutes ago, Roland King, her now estranged husband, admitted that he and their daughter Carrie Ann are lovers as well as law partners. "If only I hadn't seen Carrie Ann's diary," she says out loud.
It began innocently enough when earlier that evening, Emily had dinner over Carrie Ann's townhouse. The diary was lying on the coffee table and while Carrie Ann was out of the room, she picked it up. Thumbing through it, she came to a three-line poem titled "His Organ His Seed." Emily had little doubt what the words meant, and confronted Carrie Ann when she returned to the room. During the heated argument that followed, Carrie Ann didn't admit to anything. Roland, however, did after Emily returned home and confronted him. His disclosure of his and Carrie Ann's incestuous relationship devastated her to the point where she felt physically ill, and she called her friend Debbie Lichtenberg to ask if she could stay with her for a few days.
So now she's parking her white Chevy Impala on the lot of Horizon House, Debbie's high-rise apartment building, Emily tries to pull herself together. Her eyes are still red from crying. Her husband's and daughter's betrayal still doesn't feel real. These things happen to other people, not "respectable" upper middle class folks like her. She shakes her head at the surreal image of it all as she pads through the lobby, suitcase in hand, and then takes the elevator up to the eighth floor.
"Thanks for doing this," she says when Debbie answers the door.
Debbie, divorced and, like Emily, in her late forties, says, "Not at all. I didn't know that you and Roland were having problems."
The word problems ring like a gross understatement to Emily's ears. On the phone, she failed to specify to her longtime friend the nature of her distress, only that it involved she and Roland. "Right now, Deb, I could use some alcohol. Got any?"
"Just wine."
"Just wine will do."
Debbie, wearing white Capri pants and a green v-neck blouse, heads for the fridge. Like Emily, she's tall for a woman, about five-nine, and wears her blondish hair braided around her head.
Emily puts down her suitcase, takes a deep breath and plops down on the sofa, one of those Spartan pieces from This End Up. Ashamed as she is over her situation, she's in a state of desperation to tell. Deb's always been a loyal friend, a good listener, never one to judge, and she's never needed her more than she does at this moment.
"You're a red wine gal," I know Debbie says upon her return, "but white is all I have."
Emily nods, takes the glass and takes a few gulps. "Thanks, I feel better already."
Debbie flashes a sympathetic grin. "There's more where that came from if you need it, and from what I see, you probably do." Pause. "So, what the hell is going on?"
Emily exhales and shakes her head. "I don't know where to begin."
Debbie rubs her friend's shoulder. "Take your time."
Emily does, telling her about the poem in Carrie Ann's diary and the subsequent confrontation with Roland. "Can you believe this, Deb? Can you believe that my daughter and my husband are fucking one another? Cause I can't. More accurate, I don't want to. The whole sordid mess makes me want to scream."
Debbie slowly shakes her head. "Unbelievable. You probably want to kill them both and I can't blame you."
Emily nods. "Yes, but I'd also like to understand the reasons behind it. Sure, Carrie Ann was always daddy's girl. But Christ almighty, Deb..." She covers her face, shakes her head. "You're a clinical psychologist, help me out here."
"Without delving into their psyche—and I could do that only if they were patients of mine—I'm as much in the dark as you. There's textbook theories, such as Jung's Electra Complex that might help explain Carrie Ann's motivation. In an objective way, it's not abnormal for parents to think that their offspring are attractive and vice versa. Hell, I think my grown son is a handsome guy, but I wouldn't jump into bed with him. Roland and Carrie Ann have crossed boundaries that should never be crossed. It's called taboo for a reason, and from what you've told me, they don't seem to care, which I guess speaks volumes about the strength of their mutual attraction." She pauses to tuck her foot under a leg. Then, after a sip of wine, she says, "The width and breadth of human sexuality never fails to astound me."
Emily nods and takes a couple sips. "It makes me feel as if maybe I've done something wrong. Carrie Ann tells me I should have been more nurturing in her formative years. Well, perhaps if I was, then—"
"No no," Debbie says, sweeping her hand between them. "It's not your fault, so don't feel guilty. Nurturing dads don't normally develop a propensity to sleep with their daughters. In fact, quite the opposite. They're protective, they don't exploit." Suddenly looking distressed, she bites her lower lip and turns away.
Emily watches her friend, clueless and surprised. "Deb, is something wrong?"
Ignoring the question, Debbie stands up. "Em, I could use more wine. How about you?"
"Filler up," Emily says, smiling for the first time since she walked through the door.
Debbie returns with the bottle, tops off their glasses and then resumes her seat next to her friend. "Look, I'll let you in on a dirty little secret I haven't told a sole. Just promise it won't leave this room."
"Cross my heart and hope to die."