I have finally weakened and written a follow on to 'The Rosebud'. If you are not familiar with this particular work, reading it first will add background and atmosphere.
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Tennessee Williams has my condition described to a tee : 'A Cat On A Hot Tin Roof'. I have been like this for nearly a month. Plus, for the past six months I have alternated between euphoria when you call me and despair when you are a few days 'late'.
Adam has been getting quite testy with me. Today he is downright angry. Although he still refuses to contemplate speaking to your mother, he wanted to be here for your arrival. But I have sent him to the high tops to start work on the fencing for some new paddocks we are breaking in. I am being selfish, maybe childish, but I want you all to myself for these first precious minutes.
You get out of the car and make your way towards me carrying your bag. You came alone with Jules. Your mother is not with you, yet you still sat in the back seat. I see your slim, graceful form, but I cannot really believe you are here. You are even more beautiful than last time. You look wary, as if you are uncertain of your welcome. I meet you halfway. As Jules drives off I ask you where your mother is and you tell me that she is in Australia at a Women's Collective convention. Read 'Lesbian Fuckfest'
I think cruelly to myself. The wounds are still raw. Not from the reality, but from the manner in which the truth was revealed.
Hand in hand we go into the house. I desperately want to pick you up in my arms and crush you to me. But I too am unsure. Nearly seven months is a long time in the life of a young woman who is still shy of nineteen.
We kneel on the floor to go though our usual comforting ritual of unpacking your things in your room. You give me a swift peck on the cheek. My heart lifts. You have made up your mind that you are glad to be here. Most of your city clothes will stay in a drawer, unused until you go away again.
The physical changes in you since you were last here are astounding. Your breasts are full and rounded. They stir intriguingly under your sweat top as you pull things from your grip and stow them away. Are you wearing a bra? The skin-tight royal blue Lycra toreador pants you have on reveal how your hips have broadened, the subtle sweeping curves of your thighs and the perfect high, firm globes of your backside.
The pants are so tight I can see the outline of your underpants. They are so tiny! I am flustered. You still had a child-like quality when you went away in December. Now, in July, you are a young woman. Can so many profound changes really happen in so short a time span?
Suddenly you say that you want to get out of 'these horrible city clothes'. You stand up in front of me. In one fluid movement you strip off the toreador pants and throw them to one side, You strike a pose, feet apart, your right hip cocked with your hands clasped behind your back. You are smiling cheekily, your head is tilted to one side with your tongue protruding between your even, white teeth. Your fresh, young beauty is breathtaking. Your panties are royal blue to match the discarded Lycra.
They are indeed minute. They barely cover you. A few stray dark hairs peek above the 'waistband'; yet another sign of your advancing maturity.
I feel as though my heart has stopped dead in its tracks. I gulp audibly and suppress the temptation to say, "Don't stop there!" What would you do if I said that?
The rosebud on the inside of your thigh is the same though - a dark pink stigmata on your otherwise flawless skin.
"Am I as pretty as Brittney Spears?" You ask.
"She'd look like a carthorse beside you," I manage to gurgle.
You move right up to me. You lean over me and grasp both my ears with your hands.
I am mesmerised by the elusive swing of your breasts under your sweat top as you bend over. You tilt my face up to look into yours. "Tell the truth now, Daddyβ¦who's Brittney Spears?"
I smile sheepishly, "I have absolutely no idea!"
"Oh, you are a real old fuddy-duddy aren't you! But I still love you to bits though."
I give you a playful smack on your delightfully rounded butt. "Hey, hey, hey! Less of the 'old fuddy-duddy', yer cheeky young flipperty-gibbit. You forget my collection of Jimi Hendrix and Santana⦠not to mention Eric Clapton and John Lee Hooker!"
"Oh, Daddy! Those old guys are so un-cool!"