We're nearing the end of the first set, and that asshole Pat was pissing me off. It was bad enough he'd made a scene when James 'Jolly' Rodger, the owner of
Gushers
, informed him I was going to be playing with his band tonight, but for the last forty-five minutes, he'd taken every opportunity to slight me. I'm a professional, so I held my tongue, swallowed my pride, and did my part.
The Drillers
weren't a bad band, for amateurs, but they weren't nearly as good as Pat seemed to think they were, and while Pat had a descent voice, he didn't have much range. I didn't sing at all, so who was I to criticize? Their technique was fine, if simple, but they played the music straight, unwilling or unable to make the songs their own.
"We're going to close out our first set with one of our favorites," Pat announced to the crowd that'd been more or less ignoring us all evening as I arranged my sheet music for the final song. "I think y'all know this one." He glanced at me. "Try to keep up," he muttered as he turned from the mic, but not before it had picked up his words.
I pursed my lips in annoyance. Nobody was going to belittle my talent unless they were better than me, and that asshole wasn't.
We ripped through
Devil Went Down to Georgia
and finished to a smattering of applause.
The Drillers
took their bows and began to step down from the small wooden stage for a break. I made no move to follow and kept my seat behind my digital piano, shuffling papers until I found the sheet I wanted. As soon as Pat, the last to leave the small stage, stepped down, I begin to stamp my foot, hard, my shoe thudding loudly on the wooden platform. I set an upbeat tempo then launched into
Orange Blossom Special.
While originally written for violin--excuse me--fiddle, I took it and ran with it. I layered in my own nuances and flourishes while pounding the shit out of the keyboard to bring the song alive. I'd picked
Orange Blossom Special
specifically because it was written for fiddle, just to rub Pat's nose in it, because when he wasn't singing, that was the instrument he played.
I spared a quick glance at
The Drillers
standing just off stage as I quickly switched the instrument between organ and piano to make train sounds while blowing air from puffed cheeks, playing to the crowd. Pat was standing there, mouth agape while Craig, bass, Mike, guitar, and Harken, drums, grinned like Cheshire cat. I gave them a smile and wink in acknowledgement before I launched into the second verse, playing the tune faster than before and with even more embellishment... before ramping it up again for the final verse and pushing myself to my limit.
As soon as I finished the room erupted into the loudest and most sustained applause of the night. I noticed a group of Hells Angels wannabe's apparently laughing at Pat as he stomped to the bar... all except the guy sitting at the end of the table nearest the stage. He wasn't joining in with the razzing, instead watching me with an intensity that I found mildly off-putting.
All were wearing the same well-worn leather jackets, and of those I could see, on the back of each was an embroidered patch that tagged them as members of the same gang. It was hard to tell, but it appeared the patch was wings, opened to the width of their shoulders, joined over a black triangle with stripes of white down its middle that may have been a road at the wing's center. As they offered mock salutes to Pat with their various beverages, Craig stepped back up on the stage. Craig was the oldest of the four men at perhaps fifty. As I rose from behind the keyboard, he held his arms out before pulling me into platonic embrace with a big smile. After the briefest of hugs, he released me and held his hand up, a huge smile painting his face as I slapped his hand with my own.
"Maybe it's us who should be worried about keeping up with you. Where'd you learn to play like that?"
"UISM." There was no recognition in his eyes, and why would there be? UISM wasn't Juilliard. "University of Iowa School of Music," I expounded.
"Craig Jenner," he said while extending his hand as Harken and Mike joined us on the stage. "This is Bobby Harken and Mike Castello."
"Andrea Buehler," I said as I shook hands all around. "People call me Andi."
"Don't let Pat get to you," Harken said, glancing at Pat as he sat at the bar scowling at me. "He's an alright guy once you get to know him."
"Yeah... he seems like a real sweetheart," I muttered as we moved to the end of the bar where I sat when not performing.
"Listen, let me make it up to you. Let me buy you a drink. What are you having?" Craig asked. I was suspicious of the offer and I guess it showed. "C'mon," he encouraged. "I'm happily married with twin girls not much younger than you. You've got nothing to worry about."
I couldn't help but grin. "Sprite, please." I didn't drink often in any case, but I never drank when I was playing because I was afraid it'd make me sloppy.
"Oooh, a wild woman," Craig teased but ordered my Sprite.
Craig, Mike, Harken, and I sat and talked at the end of the bar. I found out the
The Drillers
were four friends that played local gigs for fun and a little pocket money. The band took their name from the fact that all four worked in the oil industry in one capacity or another.
After some encouragement I told them my story. I explained how after I'd graduated with a music degree from UISM, I bounced around, playing piano where and when I could, until I got my big break and landed a seat with the Oklahoma City Philharmonic.
"That's awesome," Mike cheered softly. "So what are you doing hanging out in this two-bit joint playing with losers like us?"
Gushers
wasn't the New York Symphony, but I'd played worse when I was trying to get started. If Hollywood ever wanted to film a movie in country bar, they could save a lot of money on sets by simply renting
Gushers.
The small stage fronted a sawdust covered wooden dance floor that was maybe fifty feet square. Along one wall was a long, polished bar where Christine served drinks with practiced efficiency. She was in her mid-fifties and always wore tight jeans, cowboy boots and hats, and western shirts cut to show off her ample cleavage. She was Jolly's wife, seemed to know everyone, was always ready with a quick smile, and I suspected she got good