I'm waiting in the dark as you slip out of your parents' house. You look both ways across the deserted street before you cross, glancing up over your shoulder at the window. I'm looking too, but I can't see any movement. Your father would be furious.
All at once, your fingers are entwined with mine and I'm looking into your pretty face. You're so excited, your eyes are glittering, even in the streetlights. We're close, but we don't kiss; instead, I cup the back of your head with my hand, feeling the mass of dark hair bundled tightly under your headscarf.
"Let's get out of here," you hiss, grinning.
I'm caught up for a split second: the flash of your white teeth lighting up the dark.
"Come on," you insist, tugging my arm, propelling me into motion.
"You look beautiful," I stammer.
"You always say that."
"You're always beautiful."
We're walking quickly now, down to the intersection, to the bus stop.
"You should get the balls to talk to Dad, in that case," you murmur, squeezing my arm.
I don't say anything, but my stomach clenches at the thought of it, of standing in front of the big man.
"Yeah, ok," I mutter, "I can see it. Hello sir, may I propose to your daughter?"
You laugh, following on with, "And in his head, he hears it differently. Sir, I want your daughter. I want to fuck her."
You emphasise the word, gripping me tightly as you do, and I feel the thrill. I want to stop, right now in the middle of the street, and kiss you. But, there are people about. It's bad enough that we're arm-in-arm at the bus stop. This is your neighbourhood, there are people here who may know you. They may know your family.
"I don't think...," I begin, but you're so close now, and it's getting harder to think straight.
"You don't think you want to talk to Dad? Or you don't think you want to fuck me?"
Just like that, you come out with it, and I'm reeling. You've been like this ever since school, towing the razor-thin line between propriety and indecency. You hide your long, lustrous hair in a scarf like you know you should, but you don't hide your thoughts, at least not to me. With me, you say anything you want because you know I want it too. Out of everyone in the world, we both have someone to tell our innermost thoughts to.
The bus arrives and we get on, sitting halfway down, not at the back. The back would invite trouble, sitting together without wedding rings while the old men stare: the razor-thin line. It's enough that you edge up against me, pressing your hip against mine more than you strictly need to, winding your fingers through mine as you look past me, out the window at the city streets going past.
We don't talk, at least, we don't use words. My thumb traces over the back of your hand, and it's agony as we ride the route for half an hour, until we've crossed into the next district. I feel you stiffen against me, and I see it too: our stop.
We don't speak until we've gotten off the bus, left standing on the edge of the industrial area. Suddenly, you're nervous and I am too. It's not a good place to be after dark, and especially not with someone as beautiful as you next to me. I feel a little prickle of adrenaline.
"You brought them?" you ask.
"Yeah, here, look."
I get a pouch out of my pocket and open the top. You glance inside hurriedly, then push the bag away and say, "Good, now, get it out of sight."
I tuck the pouch away and look at you, searching your expression.
"You want to turn back?" I ask.
"Never."
There is no little grin, no flash of the eyes. Your expression is serious and I understand that we're crossing that line now. I take your hands in mine.
"I love you," I say, and at last you smile.
"I love you too. More than anything. More than all this shit."
"Okay."
It's done, the commitment made. I hold your hand and we turn into the darkened side-street, walking quickly now. The streetlights are further apart here, and the hustle of the city quickly gives way to silence. The streets are deserted as we pass car repair yards and furniture factories. Up ahead, there are three figures coming our way, too far away to make out any details. They turn off into a side street and we lose sight of them.
I have a strange taste in my mouth now, approaching the intersection. More of the side street reveals itself as we get closer, but I can't see the figures. The buildings are shrouded in darkness anyway, the streetlights smashed. We stop on the corner and I peer into the gloom. I can feel how tightly you're gripping my hand. There is a chalk mark on the wall.
"Ready?" I whisper.
I don't know why I'm whispering, because there's no-one around. No-one I can see anyway. You don't answer and I turn to look at you, seeing your face half-shadowed in the light, your eyes on mine.
"We can go back, we don't have to," I say.
"No, I want to. You've no idea how much."
"Me too."
We step into the shadows. In the distance, there is a dancing flash of light from a phone, and I get my phone out too, turning on the torch, following along behind. The phone casts a tiny pool of light, just enough to see where we're going. Nervously, I flash it up at every doorway we pass.
"Here," you hiss.
I stop. We lost the light ahead about here, and I see an alley. It's pitch black, but there's another chalk mark. I push you behind me and lead the way into the dark. My heart is hammering in my throat and I want to run, I want to turn to you and call it off. We could just go to a cafΓ©, we could get something to eat. We should be anywhere on earth but in this alleyway.