To new readers: Sorry, this chapter isn't going to make very much sense if you haven't yet read the rest of
Backstage Romance
.
To all the readers of
Backstage Romance
who voted, commented, and sent me e-mails letting me know how much they've enjoyed this story: Thank you so very, very much. I'm truly sorry it's taken me so long to get back to them. The last few years have been emotionally rocky, and I'm afraid I allowed other concerns to crowd out my love of writing until I almost thought it was lost for good. I can't tell you how happy I am to be able to finally bring you one more chapter of Jeff and Daniel's story. Happy Valentine's Day.
*****
* Jeff *
The world didn't yet know who Daniel J. Lewis was, but it was about to find out. My lover had just made his directorial debut, successfully bringing Ronald Gordon's tragic love trilogy to Austin, Texas in only its second full production. The buzz about the new talent on the scene was already beginning to spread through the theatrical community.
And I hadn't been there for it.
The trip from discovery to stage for Gordon's plays hadn't been terribly long, all things considered, but a global recession does tend to noticeably reduce the number of theaters willing to take a risk on an unproduced, decades-old play by an unknown author. After months of hunting, begging, and cajoling, Scott had finally lined up a prospect on the East Coast willing to gamble on back-to-back productions of Gordon's masterpiece—the trilogy
Lamps by Day
,
Likeness of a Sigh
, and
A Grave Man
. Scott's charm and persistence had paid off again when the theater in my hometown, where Daniel and I first met, agreed to take on the gender-bending comedy
Queen Mab
only a short while later.
Scott, of course, was directing both productions, and he took Daniel on as an assistant director, over my own fervent objections. In my heart, I had wanted to play this role opposite the man I loved from my very first reading of the plays by his side in my living room all those months ago. It was Daniel's choice to instead accept the behind-the-scenes job, where he claimed he felt more comfortable. We hired an attractive, fresh-faced young actor to play my love interest instead. And let me tell you,
that
was the most awkward acting assignment of my life, playing love scenes to another, slightly star-struck young man right in front of my boyfriend.
The gamble had paid off. The plays were received rapturously—one reviewer commented that, had they been produced when they were first written, they could have become the
Angels in America
or
The Normal Heart
of their generation. And as same-sex marriage suddenly began to become a political hot button in states across the country, the relevance of Ron Gordon's work to current events made the theatrical community sit up and take notice. A theater in Texas, working in partnership with a nearby college, quickly got wind of the project and asked us to bring the trilogy there—right in the same time frame as the production of
Queen Mab
.
There was no way we could refuse, and no way our team could do double-duty. Our forces had to be divided. Scott and I, and our good friend (now also Scott's on-again-off-again girlfriend) Angela made our way back to the town where it all began so we could do
Queen Mab
. After much anxiety and soul-searching, Daniel agreed to take over directorial duties for the trilogy and flew to Texas, taking my onstage love interest and our old colleague Joseph with him to provide some casting continuity between the productions.
That had been two months ago. One month of rehearsing for
Queen Mab
by day and helping Daniel prepare for the biggest job of his life by night. Another month of coming home from performances to an empty house and bed, while he supervised rehearsals in Austin. An agonizing week when we were concluding our run at the very same time the trilogy opened to an enthusiastic reception. Two months of non-stop work, hasty texts, hurried, lousy dinners, late night phone calls, and chronic blue balls.
Those months were coming to an end tonight.
* * *
My car's tires squealed on the concrete as I pulled into a spot in the airport parking garage. Daniel's plane was going to arrive any second, and I was running late. Preparing to welcome my Danny Boy back home properly had taken longer than I anticipated, even with his brother Kevin lending a hand with the housework. Extricating myself gingerly from my car's bucket seat, I loped toward the arrival terminal, hoping my baby hadn't been left waiting for me too long.
As it turned out, I was just in time. The flight had been slightly delayed, and passengers were just beginning to file into the baggage claim area as I arrived. I staked out a spot with a reasonably clear view of the escalator and waited, anxiously shifting my weight from foot to foot and craning my neck for a glimpse of my lover.
At last he came into view, and my heart lurched in my chest. Daniel looked up, spotted me, smiled, and waved. I hurried forward to meet him at the foot of the escalator, and when he arrived, without even thinking about it, swept him into my arms for a passionate kiss. My mind dimly registered a muffled gasp and some nervous tittering in the background, but my body was too preoccupied with the bliss of being reunited with its other half to care. I felt Daniel smile against my mouth, but he didn't seem to be any more inclined to break away than I was. Eventually, though, we had to come up for air. I took a half step back to look at him, and felt my jaw drop.