This is a completed four-chapter story that will post by the end of May 2017.
*****
"You need to pull the edge of the skirt down more, Alec. I can see your nuts from this angle. And can you hold the perfume bottle more under your chin and tilt your head up a bit more? It's supposed to at least look like it's about the perfume, not you. OK on the head tilt, but, here, I'll adjust the skirt."
David came over and tugged a bit on the ancient Egyptian kilt-like skirt, which was open in front to show a good bit of my thigh and obviously showing more than David wanted—at least for now. After finishing the perfume company shoot, he'd do some more intimate shots to sell to private collectors. If he didn't get the shots he needed soon, I'd start to sweat too much under the arc lights that were augmenting the Giza sunshine. Just a glistening of the skin was what the camera loved.
I moved the arm that wasn't holding the bottle of Him under my chin and grasped David's hand where it was adjusting the gold lamé skirt. He looked up into my eyes, initially with that look of arousal that I was after but quickly turning harder. He snatched his hand away and stepped back to behind the camera on the tripod. He hadn't forgiven me yet for biting him on the neck at the point of his ejaculation last night as the
Carpathia
was nosing into the harbor at Alexandria.
It had just been a tease. Well, perhaps a bit more than that. It was also a reminder that it wasn't all about him—that I was there too. He was enjoying himself entirely too much, moving his dick inside me, and not paying enough attention to me. Playing with his own nipples rather than mine—or in not stroking my cock when he knew that's what I wanted. Not telling me enough of how beautiful my body was and how he was lost to me. I'd only let him fuck me on board the
Carpathia
from London to Alexandria because of the attention he initially had paid to me in New York when he was begging me to do these commercials with him—and when he wanted me to agree to do the additional photographs for his private clients.
We were on the terrace of some high muckety-muck Egyptian's villa in Giza, outside Cairo, filming on an ancient Egypt theme commercial campaign for a men's perfume called Him. The men's fragrance accounts were my best. They not only paid well, but they let me show the maximum amount of skin and, back in New York, that was great advertisement for where I really made my money—rich old men buzzing around me for my body.
And my body was really looking good, I knew. I was reclining on a marble bench, arching my torso up sideways, stretching out my gorgeous pecs and popping out the muscles of my biceps, the pyramids in the background beyond an ivy-covered wall as backdrop. The gold lamé skirt was just big enough to cover the essentials—now that David had adjusted it. I was well tanned from lying on deck on the passage down from London, although I'd need to work on the tan constantly along with my other gym work. My eyes were heavily kohled in an ancient Egyptian design, and my nipples had been rubbed with brown blush to make them stand out. Other than that, the only adornment between my beautiful body and the adoring public were the gold snake bracelets on my biceps; the turquoise and gold breastplate, carefully arranged so as not to hide my nipples with their quarter-sized brown aureoles; a couple of gold rings on my fingers and toes; and the product—a bottle of the Him perfume.
Besides David, racing around between the three cameras to get enough shots while my body glistened with sweat to just the right degree, and the two light men traveling with us, there were plenty of other men wandering around behind the cameras to distract me if I hadn't been a consummate professional. Stanley, our ever-frowning and sweating manager, was there, of course. And those young Egyptian men—barely more than boys—prancing around with trays of this and that and showing their little brown bodies off. I certainly could have done without them.
I suppose I have to acknowledge the presence of the other model, Jared, who had come with us from London and was mincing around in the background, looking at my pose and devising ones of his own, mimicking me, of course—but the least said about him, the better.
Four burly, foreboding-looking guardians with rifles, aswathe in all those scarves and such that desert natives always seem to wear, their eyes darting around, were standing at the four corners of the terrace, where stairs went down to the marshy ground leading to the Nile. They had been there to accompany us on our journey from Alexandria to Cairo this morning. David said the guards were necessary because revolutionaries of the Wafd Party were being restless—in fact had been restless for the four years since the British governor general of Sudan, Sir Lee Stack, had been assassinated in Cairo in 1924. As mean as they looked, though, I had flights of fancy of lying under one of them, feeling his "gun" working deep inside me, telling me they couldn't get enough of me—depending on what their faces and bodies looked like under all of those wrappings, of course.
And then there was a host for this shoot venue—Pasha Rushdy Abazar. He, I had to admit, was worth looking at.