[This is a completed eight-chapter novella, with chapters posting twice a week and the work completed posting by the middle of May 2011]
The room was smoky, and with the spot on me, I couldn't see much farther than the first row of men, all leaning over the edge of the stage. Men with bulging biceps bursting out of muscle shirts. Tattoos running up and down their arms. Leering and cheering and singing to me. Challenging me, daring me, begging me to take off that last thong. Beckoning me over to the edge and cajoling me to lean down so they could put their dollar bills in my string and playfully—maybe only half playfully—snap the string and maybe try to pull it down. But not all that seriously. All had been here before. They knew that success would mean a blackout and the end to my dance on the pole and platform. They knew that anything more private or doing in public what should be in private required a payment to Hoagie, standing behind them in the shadows beside the bar, beefy arms crossed. Seeing everything and assessing the worth of every man in the room, including me.
"Come on, Asian boy, stop the tease." A voice raised from the second row—slurred, good natured, but ever hopeful.
Friday night in the back room of the Hawksbill Inn and motor hotel. All gussied up on the outside, out front a country inn serving gourmet meals for the well-heeled of eastern West Virginia, albeit few and far between, as well as those in transit from somewhere to somewhere else who thought they had driven the roads of the mountain state endlessly in search of a presentable place for a meal and a night's lodging. In either case, those traveling through felt they'd died and gone to heaven when they'd stumbled on the Hawksbill Inn. Think of colonial B&B with upscale motel rooms running back from the east side. Those thinking they had stumbled on a gem in a pile of dirt weren't seeing the parking area on the back, on the west side. Here the old pickups parked, their owners with a hard-earned paycheck in hand from the mines and indulging an itch that brought them to the darkened parking lot and the metal door opening to the black-walled stairs down into the catacombs under the burnished-wood walls of the plush dining room above.
One AM in the morning. Amazing to think that three hours earlier, I was in a stark white dress shirt and neatly pressed black pants, solicitously serving at table in the upstairs dining room. I moved adroitly, as I had been taught, amid heavy mahogany tables and captains' chairs set on old, worn oriental carpets in front of warming fireplaces and tables set with sparkling silver, starched linen, and the soft glow of candles, helping patrons order gourmet dishes and choose expensive wines.
"Shake that bootie. Whoeeee," a raucous voice soared over the babbling din. I recognized the voice. I'd given him a blow job the previous night in one of the cells behind the stage after one of my sets. He'd paid Hoagie in ones and fives. It'd be another month before he could afford that again, but he promised he'd be back.
He promised he'd take me away from here someday. I can't count how many promised that with the hope I'd give them free service until I realized there would be no taking me away. Fat chance of that I knew. Hoagie would put both of us away before that would happen. Even without Hoagie the idea was ludicrous. Me, a young Thai man, living openly with a burly miner in the mountains and hollows of West Virginia. I wouldn't hold my breath to see that happen.
"Shoot the moon." Another voice sailing through the air—and making my thoughts drift back, as the music drummed ever louder in my ears. I raised a leg high up the pole to cat calls from the murk, knowing I was nearing the moment when I unsnapped the thong and turned full frontal to the ring of reaching arms for an instant, a mere instant, before the spot was extinguished and I glided off stage, into the wings, and perhaps into the arms of a patron who had met Hoagie's price—me not knowing until Hoagie met us at the cell door what the price would buy.
Shoot the moon. Bringing to mind what my mother would whisper to me as she pulled the curtain across the bed, the smell of the smoke and the heavy breathing of the man—invariably an American from the air base—having already told me the curtain would be pulled. Just another lonely and horny American airmen—just like the one of many possibilities who had fathered me.
"Shush now, little Atid," she'd murmur. "Mother sails to the sun now."
Each time she'd say that I would feel warm and close to her, as my name, Atid, meant "sun," and for a moment, a moment only, I thought she was coming to me, to cover me with her arms and rock me back and forth and hum a tune of safety to me. But she never meant she was coming to me. And I would lay there on the other side of the thin curtain, hearing everything, knowing the moment she reached the sun, knowing she was being seared by the heat of the sun, crying out at the explosion.
It was not long, there in Udon Thani, before the American airmen came not always for my mother—but sometimes, when I was old enough, for me, and I learned myself what sailing to the sun could mean. Until then, I denied what it really meant. Sailing to the sun for me was rising out of the Thai jungles, above the trees and the fetid squalor of our alley and into the clean sunshine and the crisp air of the mountaintops. It was only a dream then; I didn't expect ever to do that. And when I did get glimpses of it, I was sorry that it only shed understanding on the conditions I was born into. I think I would have been happier never to have known more or better.