Our long weekend of lust is coming to an end. So many long dreamed of fantasies have been explored, satisfied and crossed from the list. Only a few remain and I want to make sure our last day leaves a lasting reminder -- something out of the ordinary
I awoke before you, without need for an alarm. I left you lying in bed, exhausted from our activities the night before. As I come out of the bathroom in my suit I hear the expected knock on the door. The sound wakes you and I see your eyes go wide as you remember where you are -- and began to wonder what that knock might herald.
I smile down at you and say, 'You can relax - for now.'
I go to the door and take custody of the wheel-chair I had arranged with the hotel porter, tipping him without letting him into the room. I also give him both of our suitcases, packed whilst you slept
When I wheel it back to where you can see it I laugh at your look of surprise and tell you,
'No, I am not going to tell you what this is about. Just do as you are told.'
I lay some clothes on the bed. Well, I say 'clothes', when it fact all I give you are lacy hold-up stockings, high-heeled shoes and a white hospital gown.
'Get dressed.' I order.
I see you blush and get ready to protest. 'There is no time to wash.'
'But I need to pee' you say, looking at me pleadingly.
'Not yet.' I instruct, harshly.
Once again I watch you thinking about arguing. Then I smile when I see that you know it is pointless, that your acceptance of submission has reached a new level.
I watch you dress, which doesn't take long. Then I gesture you towards the wheel-chair. Hesitantly you lower yourself into the chair as I stand behind it. You flinch at first when I lay my hand on your shoulder.
I whisper in your ear. 'Relax, trust, submit.' From my pocket I take a crepe bandage and begin to wrap it around your head, covering your eyes, blocking out the light. Again I whisper in your ear
'Are you alright?'
Your quick nod is enough reassurance for me. Wheeling you backwards I open the hotel room door and then it is a quick trip to the lift. Our journey down is shared with an old couple who give me sympathetic glances after they see you. I shrug and try to look brave. At the front door is the wheelchair adapted taxi I arranged a week before. I had picked our hotel for its proximity to the teaching hospital that is our destination.
Professor Arnold meets us at the entrance at the arranged time and oversees the unloading of your wheel chair. We exchange only a firm handshake and broad smiles as he studies you. We have agreed beforehand to keep you in the dark -- literally and figuratively -- by not speaking. Of all the arrangements made for this weekend, this whole episode had been the most protracted and complicated
David Arnold is an old friend of mine, one who knows about my predilections -- and who shares most of them. As soon as you and I had made plans for our weekend I had been in touch with him and we made our own plans. He wheels you through long corridors and I follow, the wheelchair wheels squeaked on the shiny linoleum floor, until we arrive at double doors. I interpret his nod towards the doors and open them so he can push you into the room beyond.
All you can hear is a buzz of whispered conversation which makes you hunch up in the chair, until you feel my hands on your shoulders and my voice whispering in your ear.
'Stand up k.' When your shaky kegs have you upright I gently unwrap the bandages from your eyes and reveal the scene before you.
Your eyes blink in the bright lights suspended above what is patently a lecture theatre. They highlight the gynaecological examination chair in the centre of the room. They also reveal a camera on a tripod along with recording equipment. When you see15 or 20 young men and woman in white coats, arrayed in a semi-circle around the chair it is only my hand strongly clasping your arm that stops you collapsing back into the wheelchair -- or turning and fleeing from the room.
I start to untie your gown at the back and feel your muscles tense, as if you are about to shrug your shoulders in an attempt to keep it on. I wait a tense second and smile inwardly when I feel you relax -- resistance stillborn. When I remove the gown completely, leaving you revealed in only your stockings and shoes the audience begin to buzz with questions and comments. I can see you blushing, eyes downcast but I can tell that you are waiting for my instructions. Your trust and willingness to submit fills me with pride.
'Get into the chair k.' I instruct quietly. I watch proudly as you tottered the five paces to the chair. I move to your side and help Professor Arnold get your legs in the stirrup and the straps, across your thighs and your shoulders, ensuring you are comfortable - but unable to move. You keep your eyes closed as we do, glancing at me only once; until you see my slight smile of proprietorial approval and a quick wink. You close your eyes with a (slightly wobbly) smile of your own as we finish the job.
Once this is done the Professor adjusts some controls on the chair which brings you into a more-or-less horizontal position and opens your legs, splaying you before the engrossed audience.
Then the Professor turns to those watching and begins his lecture.
'We are very lucky today class. We have a unique opportunity, thanks to my friend' (he waves in my direction without naming me).
As he speaks you surreptiously study him. He is shorter than my 6 foot 2 inches, with a dark, almost Mediterranean complexion. 'Handsome' rather than 'good looking' is your instant appraisal. His wildly curly hair is cut in a style that you feel is a little 'young' for what you believe to be his apparent age. And an incipient 'belly' gives notice of potential 'paunch' in a few years time. But the obvious enthusiasm and passion in his words as he speaks to his students is very attractive to you
'A unique opportunity to do some practical work on our course.' You hear him continue.
'You are all hoping to become doctors specialising in the area of abnormal sexual behaviour. Today we have a chance to do some "hands on work" in this area.' He snickers at his own joke but the silence after it indicates that his students don't get it.
He lays a hand on your knee and announces. 'We are going to do some diagnosing today. We are going to find out if this woman is a "slut".'
I hear several of the audience gasp.
'Please switch on the camera. I think a record of this might be useful. Now, move closer to observe.' David tells his students
When they are clustered around he starts pointing out a few features of his subject - you.
'You will all notice marks, contusions, on the subject's neck, thighs and especially on her breasts. They would appear to be, in the vernacular, love bites.' He looks at you and asks. 'Is that the case?'
At first you are mute, then you cast a desperate look in my direction. I do not come to your assistance in the way you had hoped.
Instead I order, 'You will answer the Professor's questions immediately and honestly.'